Top 100 My Scene Quotes
#1. Performing on stage is my first love - it's why I wanted to be an actor in the first place - and 'Arcadia' is the highlight of my career so far. I love the intimacy of a live theatre audience - you can really squeeze every last drop out of each scene.
Tom Riley
#2. The scene where I took my eyelashes off we did in two takes.
Marie Windsor
#3. So much of what I do ... is coming up with new characters and trying to invent voices for them, and to have people fully fleshed out in my head and to know who can say what in the scene and who these characters are ... I love it.
Rob Thomas
#4. Barbara [Stanwyck] and me in our only scene alone in Titanic. It wasn't much of a scene, but it sparked one of the most intense and rewarding relationships of my life.
Robert Wagner
#5. I do an opening, and then I go up to the high balcony in the back and watch the bulk of the play, but then I have to leave my seat about seven to 10 minutes before the end of that final big scene ... and it's a bummer.
Will Oldham
#6. Sometimes I just want to write a really intense love scene. But I can't do that in my books for teens, or parents will complain - believe me, I've tried.
Meg Cabot
#7. When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little.
Anita Ekberg
#8. I've gotten very good at scheduling my life, scheduling the scene and preparing myself for knowing, saving the energy, consuming the energy, knowing when to go for it and having the available reserves to be able to do that. You have to think about that, because it's endurance.
Tom Cruise
#9. My strongest quality as an actor is taking direction. I will give my performance as a template and if the director gives any instruction, I take that information, process it and morph it into the next take. I love the feeling I get when nailing a scene through direction.
James Preston Rogers
#10. If I don't cry while writing a key emotional scene, my gut feeling is it's failed.
Jojo Moyes
#11. On my own or with a friend, I'm a shopaholic, and I particularly love the cleaning aisle in the supermarket. But when I'm with my husband, I'm shop shy because he can't bear it. It always ends up with us making a huge scene on the High Street and then going off in a huff in separate directions.
Emilia Fox
#12. Hong Kong is a nice playground for my street pieces as the architecture is very different from my home city. It's also a great opportunity to take place in a dynamic city of the global art scene.
Invader
#13. New York was the last place that my movies caught on. I didn't make underground movies in New York, and in the 1960s, they were very snobby about that, because the whole scene was here.
John Waters
#14. Oh, if there were only a true religion. Fool that I am, I see a Gothic cathedral and venerable stained-glass windows, and my weak heart conjures up the priest to fit the scene. My soul would understand him, my soul has need of him. I only find a nincompoop with dirty hair.
Stendhal
#15. The title always comes last. What I really work hard on is the beginning. Where do you begin? In what tone do you begin? I almost have to have a scene in my mind.
David McCullough
#16. It was like a classic thing with Emma. So I walked in and I slammed the door and everything fell off the wall on the set. It was my second or third scene and I was so embarrassed and scared and so nervous about what everyone would say, but everyone just packed up laughing.
Dannii Minogue
#17. I try to stay away from the L.A. scene as much as possible. I feel it helps me to better prepare for my roles if I am not too involved in that whole thing.
Hayden Christensen
#18. When I moved to New York at 22, I didn't know what I wanted to do. I took an improv class, and the first scene I did, I felt like 'I want to do this for the rest of my life.' It was the first time I ever felt like that about anything. I tried to make a living off improv.
Kurt Braunohler
#19. I always choose music based on whatever the scene calls for, or whatever my mood is supposed to be.
Sinqua Walls
#20. I love getting ready to do a scene, and thinking about it, and talking about it. But the rest of the time, I'm so nervous and obsessed. I'm just tearing my hair out in the trailer. The whole time I'm really tense.
Casey Affleck
#21. My mother had been an actress and we came from that world in New York, the theater world and the downtown sort of theater scene, and so I guess we didn't really have what you'd call like a Hollywood kind of life at all.
Martha Plimpton
#22. I cooked a little bit in my first movie; I did a movie called 'Made.' For the little kid in the movie, I do a scene where I'm preparing a pasta puttanesca. I always loved watching that scene.
Jon Favreau
#23. My greatest accomplishment is Exodus. It changed a lot of peoples lives, it changed the conception of the Jewish people in the international scene.
Leon Uris
#24. For me, I always think of the image of sweeping out my footprints as I walk through a scene.
Lenny Abrahamson
#25. My God, that scene in Monster Inc. where the monsters realise that their entire world is founded on hurting children -look at that for a change! Two galumphing cartoon characters making a shattering realisation about their world and their role in sustaining it. A truly epic moment. It's stunning.
Russell T. Davies
#26. Raft told me how to walk with him in a scene: We'd start off in a long shot normal, and about the time we got together in a close-up, I'd be bending my knees so I'd be shorter.
Marie Windsor
#27. My favorite scene in all of movies is Gregory Peck in 'To Kill A Mockingbird': You see him where he's on the porch, and his face is almost completely obscured. I don't want to see his face.
Mary-Louise Parker
#28. I did 'Echo Beach,' a surfing drama that meant I was often topless. Next came 'Demons,' and the opening sequence had me in my boxer shorts; and then there was a scene in 'Trinity' with me walking around in boxer shorts. It was only one scene in each series.
Christian Cooke
#29. My worrying, for instance, was a scene in which I looked at myself while I had the sensation of being boxed in. I call that worrying, It has happened to me a number of times after that first time.
Carlos Castaneda
#30. When I listen to my scene partners and listen to their breathing allows me to be connected to them in scenes. I am not trying to multi task, not trying to talk on the phone, but in my character.
Giancarlo Esposito
#31. When I need to think of, like, a peaceful scene or something, I think of my back garden in summertime. And whenever I hear the lawnmower next door, I always think it's really peaceful.
Ed Westwick
#32. He also didn't like a lock of my hair and said that he couldn't get into the moment without the hair being just right. I quietly knew that he was anxious and that the hairdo wasn't the real issue. But we all let it go and came back to the scene sometime later.
Madeleine Stowe
#33. The first time I ever screamed at someone was in a scene, and I'd never screamed at someone in my life.
Neve Campbell
#34. And my experience in the music scene had shown me that there were places for places in the world where misfits were welcome.
John Elder Robison
#35. So somehow, things that seem extraneous to the play in reality are not. The scene lasts 37 minutes, and you only need 12 minutes of that for the plot. But if you pull the rest of it out, it's not my play.
August Wilson
#36. My scripts are possibly too talkative. Sometimes I watch a scene I've written, and occasionally I think, 'Oh, for God's sake, shut up.'
Tom Stoppard
#37. I'm a spoilt brat. I thought I was just going to walk in and make movies. But I'd been my own boss for so long that all of a sudden to be facing a roomful of people who were niggling over every little scene ... I just thought I'd go back and draw my comics and have a happy life.
Frank Miller
#38. I don't run with anybody's herd. I don't like crowds. I don't like going to fancy places. I don't like the whole nightclub scene. Cocktail parties drive me mad. So I do my job and I stay away from the rest of it.
Johnny Carson
#39. When the prophet, a complacent fat man,
Arrived at the mountain-top
He cried: Woe to my knowledge!
I intended to see good white lands
And bad black lands
But the scene is grey.
Stephen Crane
#40. Very little gets offered to me. I have to audition and bawl my eyes out. For 'Broadchurch,' the scene was Danny lying on the mortuary table. I can't remember the last audition I had where I didn't come out drenched in sweat, puffy-eyed.
Andrew Buchan
#41. After a while the scene started to fade, and I became dimly conscious, once more, that I was in London, stoned, hallucinating Agincourt on the sleeve of my dressing gown. It
Oliver Sacks
#43. My dad became a soap opera actor, and I was an extra in a skating rink scene on the soap. I didn't audition. It was nepotism all the way.
Jennifer Aniston
#44. I think the only thing harder for a parent is having to sit down and watch you do a dying scene. I've died in three films, and my mom begs me, "Just tell me you don't die at the end."
Garrett Hedlund
#45. On some nights, I put old episodes of Dukes of Hazzard on and paused every scene with Daisy, wrapping my hand in a Confederate t-shirt or tube sock and going to town on my dick.
LeRoy Ned Malone
#46. There was ... uh, in my book, you know," her legs moved against his and she finished so low he barely heard her, "a really good sex scene.
Kristen Ashley
#47. If I know what my finale is when I'm writing a screenplay, then I don't always have to chart out every scene before that. I can adequately find my way. I'm experienced enough to do that.
David Twohy
#48. I felt alive when I read a script and acted out a scene, or sang a song. It was my dream. I'm just very lucky that I'm still doing it and able to earn a living from it.
Luke Evans
#49. I have to see the whole scene in my head before I go out and do it. Which I do. I will envision the entire scene before I shoot it.
William Friedkin
#50. I work a lot; I love to compose, ponder, and take notes when preparing for a role. I cut all the scenes, collate the images, form the character and shape its personality, then I make meticulous notes and transcribe each scene on my notebook.
Julie Gayet
#51. Did you happen to catch the film I did between 'Lord of the Rings' and 'Kong?' It was a nice little Jennifer Garner comedy, '13 Going on 30,' and I play her boss. In my big scene, I get to moonwalk - pretty well, I thought - to Michael Jackson.
Andy Serkis
#52. I look out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get ready to paint I just close my eyes and imagine a scene.
Grandma Moses
#53. When I was in high school I got involved in the fringe theater scene in Chicago, and I met some openly gay people. I could see that it got better, that they were happy and loved and supported. I saw with my own eyes that it got better.
Dan Savage
#54. I guess I'm pleased and proud of the respect of my peers, and that when I disappear from the scene or from this earth, I will have left a mark. They'll say, 'He did it well.' I like being funny; it opens people up.
Robert Klein
#55. I'm Sudafed-ed up, but it's alright because I'm having to do this rather sultry scene, so maybe it's OK that my voice is three octaves lower.
Emily Blunt
#56. The door moved aside like a curtain, revealing a scene that would be embedded on my memory for always. It would change everything. Ruin everything. Break everything.
Tarryn Fisher
#57. When I was on Broadway, my most recent Broadway show was 'Spring Awakening,' and every night I did a topless scene.
Lea Michele
#58. That was a very different emotion and I felt Dido's words would be good and I had a template with my voice in it. Then, when he heard it, he wanted both our voices together in it and that's the scene when he sees the boy and then he gets charged to go on that final cutting effort.
A.R. Rahman
#59. I want to be able to say, 'you think you're odd, I'm even odder and I made it - you can too!' I want to direct, do more with 'The Dance Scene,' sign artists and just provide opportunities. I'm just getting started and having the time of my life!
Laurieann Gibson
#60. So nonetheless given the importance that was placed on sport in Australia, I wanted to be part of that scene, particularly since I had felt very strongly in my early schooling being marginalised even in the Catholic school.
Thomas Keneally
#61. I checked myself out in that funeral parlour scene. I saw myself laughing, because there was a shot of Ed and I together and Mary was right in back of us. My head turned from the camera and I saw myself laughing, because Mary was absolutely brilliant in that thing.
Gavin MacLeod
#62. 'Troy' is an adaptation of the Trojan War myth in its entirety, not 'The Iliad' alone. 'The Iliad' begins with the quarrel between Achilles and Agamemnon over the slave girl Briseis nine years into the war. The equivalent scene occurs halfway through my script.
David Benioff
#63. Sometimes I write about my own life. And sometimes I write about situations I see my friends going through. Sometimes I write about a scene I saw in a movie. I take inspiration from all different places.
Taylor Swift
#64. After my final Breaking Dawn scene, I felt like I could shoot up into the night sky and every pore of my body would shoot light. I felt lighter than I've ever felt in my life.
Kristen Stewart
#65. My one big regret was that there were no scenes that I could play with Eva Marie Saint. I hounded them. I said figure out some way, I just want to play a scene with this woman. But there was no way to make it work.
Jessica Lange
#66. I was never NOT confident about doing scenes without my shirt - and now I'll find any excuse to take my shirt off!
Tyler Posey
#67. I used to write chronologically when I started, from beginning to end. Eventually I went, 'That's absurd; my heart is in this one scene, therefore I must follow it.'
Joss Whedon
#68. I love when scenes are intentionally and meticulously planned so we feel like this is a handcrafted scene that only works in this moment and this movie, and that's the way I approach my films.
Justin Simien
#69. So I was hugely thrilled that my first scene ever on camera was with Hal Holbrook.
Anthony Edwards
#70. When you suddenly appear on the scene and you are the new face, everything centers on you. I experienced this in my mid-20s and I found it rather hard.
Jude Law
#71. I enjoy traveling and recording far-away places and people with my camera. But I also find it wonderfully rewarding to see what I can discover outside my own window. You only need to study the scene with the eyes of a photographer.
Alfred Eisenstaedt
#72. Every day, every scene, you were like, "My god. I'm doing a scene with Brian Cox today and then I'm onto a scene with Stephen Rea." For us young actors, I think we were all very, very star-struck and impressed by the caliber of everyone who came out.
James Norton
#73. Comedians like to see people smile. With acting, I love giving people a feeling, an emotion. I like to give people a feeling. When they come away from my scene, I want them to think.
Keke Palmer
#74. I think there has only been one time in my entire career that I've ever gone back to shoot a scene. And it was a scene that, when we were shooting it, we knew that it wasn't working. We knew there was a disagreement between the actor and director. So, we went back.
Melissa Leo
#75. My favorite form is the short story. From an aesthetics stand point you really have to pare down to the bone. You can't write a throw-away scene.
Roger Zelazny
#76. In my last scene in 'Breaking Dawn,' Bella has just died and I run outside and crumple to the ground and just lose it. I'm bawling. That was my last scene of 'Twilight' ever and I definitely had some extra motivation.
Taylor Lautner
#77. OK, I love 'The King and I.' I'm a huge Yul Brynner fan. I love the scene where they danced after the big banquet; that's one of my favorite scenes in a movie of all time. It's romantic and sweet and wonderful.
Tina Majorino
#78. I've been shocked by film actors - 25 and under - having such confidence and cockiness to rewrite a scene. My background is more about the director being in control. It's all about yielding. It's an oddly submissive relationship in which you're moulded, Pygmalion-style.
Anne-Marie Duff
#79. Service. [Exeunt.] SCENE 6. The same. The DUKE's palace. [Enter PROTEUS.] PROTEUS. To leave my Julia, shall I be forsworn; To love fair Silvia, shall I be forsworn; To
William Shakespeare
#80. I decided I had to find out if it was my scene or not. So I stepped in at the deep end. It leads you to survive or drown. Very often you survive.
Theresa Sjoquist
#81. I look up at the painting. It's not even that interesting. Definitely doesn't grab me and shake my brain around like the meadow scene did.
Stefan Bachmann
#82. For the 'Rai-kirah' books, I began with the image of Aleksander riding the great wastelands, and that quickly morphed into the desert. Because I wanted my slave market cold and miserable, I chose to set the opening scene in the empire's summer capital in the mountains.
Carol Berg
#83. You would think that a man who's spent as much time in the theater as I have would know when the proper time came for the hero to die-if he was to be a hero. I missed my cue for the great suicide scene
Kurt Vonnegut
#84. It's very frustrating making a picture in Paris. We work hard all day at the studio to get a love scene just right. Then, on my way home, I see couples on every street corner doing it better.
Bob Hope
#85. I always want another actor to shine in my scene because it makes the film stronger. I would encourage people to scene steal, because filmmaking is a collaborative effort.
Vin Diesel
#86. As for my identity within the context of New York nightlife? I left in the '90s, so I'm not part of the scene anymore. I'll always be interested in what's happening downtown, and I try and keep up with the changing faces on social media.
James St. James
#87. My show was revolutionary, ground-breaking. When I came on the scene, people were not doing a thing.
Howard Stern
#88. I had a really weird moment when I was doing ADR, and I was watching a sex scene that I was in. I had this really detached moment where I realized I was looking at my own behind in third person.
Robert Kazinsky
#89. It was mix tapes, that's my story, I did a lot of mix tapes, that's what I started doing when I was 17. I got with a hot DJ out here and you know Texas, the rap scene is different, everyone out here is on the Screw music.
Slim Thug
#90. I chose not to go home and struggle with the New York scene. My size sort of locked me out. I was too short for the stage. I would have been doing character roles, so I went to Los Angeles. There is a lot more happening out there. I also felt it was important to break away from my family.
Julie Warner
#91. Every time I work on a scene or I work on the overall movie, I had my kids unconsciously in mind. Is that going to please them? Is it going to be funny for them? And if it is funny for them, is it going to be funny for their friends and their friends' friends?
Pierre Coffin
#92. I did my first nude scene in Mildred Pierce, and that was absolutely terrifying, but it was for an important part of the film and for a reason, and it's incredibly powerful. It's not gratuitous. I think the stuff they show on MTV is so much worse.
Evan Rachel Wood
#93. What I particularly liked was that, coming from California and not being involved in the New York scene, I developed my personal way, in my own way, at my own pace.
Herb Ritts
#94. Breath play is not my scene at all.
E.L. James
#95. I don't like to talk about things unless I have to. I don't like to talk a scene to death or overanalyze it, especially if I feel like I have some way in on my own.
Katherine Waterston
#96. I would be lying if I didn't admit there might be a scene in the movie where there might be alcohol in my system.
Aaron Paul
#97. I didn't get to go to prom; I was filming a death scene on my prom night. But I got to go to all the homecomings, and even the winter formals I got to go to, but the only thing I missed was the prom, but everything else was great.
Michael Angarano
#98. Par exemple! I never had to ask. You were always there under my feet, like a troublesome cat." "You mean like an adoring dog. And just as soon as Ratignolle appeared on the scene, then it WAS like a dog. 'Passez! Adieu! Allez vous-en!
Kate Chopin
#99. I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene.
Harmony Korine
#100. Walking up to the Whisky some guys said to me 'the Scene is dead. Stop wearing makeup faggot!' All I could do was smile and think about the BVB Army and the legions of dedicated fans BVB has. I will wear my warpaint proudly, thank you very much! Seriously love you all.
Jinxx
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