
Top 64 No Edit Quotes
#1. I only like doing live telly. It's great because you go in and do it and then go home. No edit, no retakes.
Paul O'Grady
#2. Love and death are very similar. They're the times in your life when you most want to believe in magic, when you yearn for some symbolic act or retrospective edit that can change the world you find yourself in.
Michael Marshall Smith
#3. I really like the idea of being utilitarian. My dream is to edit down my wardrobe and be very Japanese, where you have one rolling rack and it's like your four T-shirts, your five dresses, your two pairs of jeans.
Erin Wasson
#4. The way I write is this: I write about a thousand words a day, a little bit more. The next morning, I read those thousand words and cursorily edit that. Then I write the next thousand. I do that all the way to the end of the book and then I reread the book quite a few times, editing as go through.
Walter Mosley
#5. I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
Danger Mouse
#6. Whenever one has time to write, edit, and delete, there is room for performance.
Sherry Turkle
#7. It's the living that turn and chase the dead. The long bones and skulls are tumbled from their shrouds, and words like stones thrust into their rattling mouths: we edit their writings, we rewrite their lives.
Hilary Mantel
#8. Although I use myself in my videos, I really see myself as a character. When I look at myself, when I sit and edit, I never think, "That's me." I think, "This is a character, and how do I edit this to tell a story?"
Laurel Nakadate
#9. Whereas in a memory you edit things out and sort of restructure the things to seem a little bit more heroic, or to focus on particular aspects that magnify or reduce certain things.
Chris Ware
#10. You should write, write, write every day, and learn to edit and pare it right back so you're proud of every sentence, and each one is either being useful or beautiful, but hopefully both.
Caitlin Moran
#11. And we edit to let the fire show through the smoke.
Arthur Plotnik
#12. Only the writers can change or fix the past by going back to edit old works
Munia Khan
#13. Shouldn't a three-course meal be 90 minutes? Do you know how hard you have to edit your menu to pull that off? Twenty-seven minutes. That's the average meal at Jiro's in Tokyo.
David Chang
#14. I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel.
Alan Rickman
#15. I'm too diplomatic. I tend to edit my mind before I speak - it can be incredibly draining.
Erin O'Connor
#16. Every year we are greeted by a host of new apps that will 'change the way we think' about ordering takeout, 'fundamentally transform' our shoe purchases, or 'revolutionize' the way we edit photos.
Mitch Kapor
#17. I'm homemade. I upload my videos in my living room; I edit everything, and I upload on my laptop. And my viewers love that about me, and they get inspired and do it themselves.
Michelle Phan
#18. THE ULTIMATE METAPHYSICAL SECRET, if we dare state it so simply, is that there are no boundaries in the universe. Boundaries are illusions, products not of reality but of the way we map and edit reality. And while it is fine to map out the territory, it is fatal to confuse the two.
Ken Wilber
#19. Yes, in my books I do edit myself to keep from becoming the Village Explainer.
Thomas Perry
#20. Writing a song is almost like cheating-writing because you don't have to finish your sentences, you don't have to use any punctuation, no one's going to edit your work. It's so wide open. People just grunt and that's a song. You can kind of do anything.
Mirah
#21. No one leaves the edit room thinking, 'Yeah, I nailed that one!' Everyone I know goes into their first premiere or their first screening thinking, 'I screwed up so bad. I'm sorry, I messed up.' It's just a real common feeling.
Mike Mills
#22. It's easier to direct. If you direct something poorly and re-shoot it the next day, stage it better, make it work better, you have a lot of possibilities. You can edit it in certain ways so that it works, but there's no getting around weaknesses of the script.
Woody Allen
#23. The actor shouldn't edit themselves or be anxious. And the actors that I admire are always the ones who are inventive and their imaginative life in free-willing. It's a director's job to go, "No here, don't do that, go there."
Ralph Fiennes
#24. There is no urge so great as for one man to edit another man's work.
Mark Twain
#25. In TV, you have no time and sort of just carpet bomb the scene with as many angles as possible as quickly as possible and find it in the edit.
Cary Fukunaga
#26. We are still vulnerable to gender-targeted marketing no matter how carefully we edit our children's bookshelves.
Russell Smith
#27. No compulsion in the world is stronger than the urge to edit someone else's document.
H.G.Wells
#28. I'm trying to read/edit my story as if I have no existing knowledge of the story, no investment in it, no sense of what Herculean effort went into writing page 23, no pretensions as to why the dull patch on page 4 is important for the fireworks that will happen on page 714.
George Saunders
#29. When I first started, there really was no beauty guru community. I didn't have the right production resources. I had to learn how to edit. I didn't even have beauty products. I had to go out and buy them myself because beauty brands didn't even know what a beauty guru was.
Michelle Phan
#30. Of course no documentary is completely 'objective.' Every decision you make - who to interview, how to edit, where to hold the camera - imposes a point of view on the film.
Marshall Curry
#31. I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it.
Chuck Klosterman
#32. People think in narratives - in beginnings, middles and ends. The danger when you edit something too severely is that it no longer makes sense; worse still, it leaves people with the disquieting impression that something is being hidden.
Errol Morris
#33. Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.
Kelly Jones
#34. I'm in awe of directors like the Coen brothers who can shoot their script and edit it, and that's the movie. They're not discovering the movie in postproduction. They're editing the script they shot.
Spike Jonze
#35. I don't card out my screenplays ever. I just have an idea I just sit down and write I don't edit.
Nia Vardalos
#36. I learned very quickly that if you just go out and make something and maybe fail at it or you just learn how to edit it yourself. I edited my last films. You just do it yourself. You feel so creatively empowered and you're controlling your own destiny as artists.
Daryl Wein
#37. I think I'm able to do so much because writing is what I love to do. So, often when I have free time, I choose to write and edit.
Lauren Oliver
#38. There is also an artistic element which is lead by the film maker. Issues of what is reality and objectivity are as always relevant as someone is going to edit the film.
Ben Edwards
#39. You know how everyone - there's this maxim that we all become our mother or we all become our parents. And, generally, I really wouldn't mind becoming my mother. I really like her, so I wouldn't mind becoming her. But I definitely need to edit her.
Sarah Koenig
#40. I love to simplify and edit the contents of just about anything, but women's closets hold particular appeal to me. I edit mine about four times a year and hold a yearly 'clothing swap' to encourage my girlfriends to do the same.
Autumn Reeser
#41. Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.
Doug Liman
#42. CRT teaches us: reflect, inhibit, and edit.
Anonymous
#43. Even though I studied in New York and I know the American system, I come from France where I learned that with movies in France where the director is king. There's no such thing as a studio edit. It's the director's cut, period.
Louis Leterrier
#44. One of the advantages of being dead, I guess, is that somebody else can edit all this.
Hunter S. Thompson
#45. I have the exact opposite problem of every writer I've ever met: Every writer I've ever met writes things that are too long, and they have to edit them down.
Fran Lebowitz
#46. Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.
Franz Kafka
#47. I think a lot of people try to edit themselves out and I think that's a big mistake, because the person being interviewed is responding to a person, and if you don't know who that person is then you don't really know what's going on with the person being interviewed.
Sheila Heti
#49. I frequently counsel people who are getting frustrated about an edit war to think about someone who lives without clean drinking water, without any proper means of education, and how our work might someday help that person. It puts flamewars into some perspective, I think.
Jimmy Wales
#50. Architecture is like writing. You have to edit it over and over so it looks effortless
Zaha Hadid
#51. I love Edit. He gives me tons of second chances to make things just right between us.
Buffy Andrews
#52. One of the things you have to do when you edit your work is make sure that when you use the first person, it's about more than you. We need the story of us.
Barry Lopez
#53. When I play myself, I want to be a slightly better person. It just agrees. Everything I play about myself is kind of true, but it's amplified. We all edit, don't we? If you're self-aware, you stop yourself - you know how to behave properly.
Steve Coogan
#54. I think most new writers are better off going with traditional publishers who will actually, at a minimum, edit your work, package it well, and market it for you.
Ellen Datlow
#55. I am atheist in a very religious mould. I'm always asking myself the big questions. Where did we come from? Is there a meaning to all of this? When I find myself in church, I edit the hymns as I sing them.
Mark Haddon
#56. Write what's in you. Write readily and well. Then edit. Then share or send. Not before.
Rodney Richards
#57. I wouldn't ever do a radio edit because I feel like it would totally go against the point of 'Follow Your Arrow.' I just think you're going to like it or not like it.
Kacey Musgraves
#58. I film quite a bit of footage, then edit. Changes before your eyes, things you can do and things you can't. My attitude is always 'let it keep rolling.'
Terrence Malick
#60. For most people, I edit. Most people are definitely getting along on the Cliffs Notes.
Suzanne Finnamore
#61. There were times, earlier in my career, where I didn't have the wherewithal to self-edit, and I probably said things and pushed the limits to places where people might be put off. But that's truly part of developing as an artist.
Dane Cook
#62. I think this is an exciting time to be a female filmmaker. Trust your instincts, work harder than anyone else and learn your craft. Know it all. This means learn how to shoot, edit, produce and direct. Get as much experience as you can and watch a lot of films.
Alex Hammond
#63. I confess ... if I typo a Facebook post I will edit it. I know it's only Facebook but it's an editing sickness.
Michelle M. Pillow
#64. My writing is riddled with such tics of uncertainty. I have no excuse or solution, save to allow myself the tremblings, then go back in later and slash them out. In this way I edit myself into a boldness that is neither native nor foreign to me.
Maggie Nelson
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