Shoot You Quotes

#1. So it wasn't actually that bad, it took a couple of weeks to sort of get used to uh, you know, standing around and pretending to have ice shoot out of your hand, but once you got used to that it uh, it was actually not that hard.

Shawn Ashmore

#2. I was able to shoot a movie like 'Tree of Life' because I had done 'Y Tu Mama Tambien.' The camera needed to capture that sense of freedom and joy and life you have when you're young.

Emmanuel Lubezki

#3. You gotta love the cops. They start the night ready to shoot someone's eyes off and at the same time ready to carry a child with a grandmother's tenderness. Ready to shatter and ready to soothe at the touch of a trigger, a good cop is an amazing animal.

Marc Parent

#4. Are you going to shoot me?' Vengeous sneered. 'I wouldn't be surprised. What would a thing like you know about honor? Only a heathen would bring a gun to a sword fight.'
And only a moron would bring a sword to a gunfight.

Derek Landy

#5. You're such a crybaby. (Tee) Let me almost shoot off one of your testicles and see how you cope. (Joe) You shouldn't have moved, Joe. It was your fault. (Tee) Yeah, everything's my fault. (Joe) Good, then we agree. (Tee)

Sherrilyn Kenyon

#6. 'Push' had a story, 'The Paperboy' story you could just throw up in the air and shoot holes through the book because the story wasn't as strong. But I felt the characters were stronger in 'The Paperboy'; they were vivid.

Lee Daniels

#7. You're never too old for me to look out for you and to make sure that every guy knows that if he tries to screw you over, I will shoot him."
"Okay," I say, looking up at Asher. "If you screw me over, my dad will shoot you.

Aurora Rose Reynolds

#8. Directing television is really hard - it's so fast. You shoot an hour show in seven days.

Steve Buscemi

#9. Having the kind of infinite loop of what a digital stream is - you can shoot for a long time without cutting - allows me to sometimes perform really exciting things.

James Mangold

#10. How do you shoot a 150-day movie? You shoot it one day at a time.

David Fincher

#11. Novak, climb up that wall and see if you can get an angle on the big one." The military rifle in her hands wasn't particular impressive. "I don't know if it'll notice." "Try to shoot it in the soft bits.

Larry Correia

#12. The process of doing films is not my favorite, but I love television. Television is a quicker turnaround. You shoot more during the day, which makes me feel more productive. It would be like, 'I did five scenes today and ten pages.' That's television.

Jaime Pressly

#13. I have the feeling you would much rather be on the front than in Adopest trying to win over the snakes in politics. At least here you're allowed to shoot your enemies.

Brian McClellan

#14. The players don't play the position game as much as we used to play. A lot of young guys go up and down, shoot the puck, go for the rebounds. You're getting tired quicker because the body has to react where the puck is going to go. You cannot read it, because you don't have the puck on your stick.

Jaromir Jagr

#15. I love unsalted almonds, especially if I'm about to do a photo shoot or compete. There's no mess, and they're so easy to pack in a little Ziploc bag to take with you. It's my number one go-to snack!

Olivia Culpo

#16. We hunt the White Stag, like Quentin did. We catch it or shoot it or whatever you do with it. We get three wishes. We wish Fillory would last forever and not die. Done. Mischief managed." Eliot

Lev Grossman

#17. Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.

Doug Liman

#18. You don't go out and kick a mad dog. If you have a mad dog with rabies, you
take a gun and shoot him.

Pat Robertson

#19. The saying goes, if you love something, let it go. I always though it was better to just shoot the damn thing so it'd never go anywhere.

Karina Halle

#20. No matter what happens to you in life, you just roll with it. And then, when we went back to shoot Eclipse, I went to Quileute and taught some acting to the kids, and just got to spend some time in the community, which was great because it gave me an idea of where Emily came from.

Tinsel Korey

#21. There's nothing I dislike more than being in a photo shoot where they say, 'Be yourself.' That's not why I became an actress. That's what I find so funny: that you become an actor, and all of a sudden, everyone wants to know about you. But I didn't become an actor so I could show you me.

Margot Robbie

#22. Are you kin to the Gallaghers or the Brennans?" Jill asked.
"Hell, no! If I was, I'd shoot myself in the head with this gun.

Carolyn Brown

#23. You think I'm going to let you burn in hell alone? Just don't shoot the janitor.

Chelsea Cain

#24. Doc seemed to gather himself to say something important, and spoke as firmly as he could, though his voice was somewhere between a whisper and a whine. Wyatt, I cannot make you another denture. No more fights. You get that mad again, shoot the bastard. Promise me.

Mary Doria Russell

#25. I can understand there are things like shadows they need to fix after a shoot, but it's unfair to represent an image of yourself if it's not true. They're gonna see what you look like on film anyway, so why try to cover all your wobbly bits in a photo?

Emily Blunt

#26. You've got to think about how to do things for the right price. You have to shoot in different places to be creative and get tax rebates.

Brett Ratner

#27. I'd have conversations with the camera crew about what was going on in the scene, so that they were prepared to shoot it. I love the fact that when you work, you create this tribe.

Susan Sarandon

#28. If I was going to shoot you, we wouldn't be having this conversation. What's your name?" The Italian lifted his head enough to meet Sergei's gaze. "Who wants to know?" Sergei rolled his eyes. "The guy who's going to decide whether you wake up tomorrow in a hospital, a jail cell, or a morgue." He

L.A. Witt

#29. I don't consider myself a moral man. I do not philosophize about life or bother with laws and principles that govern most people. I do not pretend to know the difference between right and wrong. But I do live by a certain kind of code. And somethimes, I think, you have how to shoot first.

Tahereh Mafi

#30. I didn't like my hair and makeup one time on a photo shoot, and my publicist told me, 'You should just be happy with it - they haven't had a black girl on the cover since forever.' She's no longer my publicist.

Zendaya

#31. Jesper gave him a little shake. "Pull it together, kid." "Not a kid," Wylan mumbled, batting Jesper's hands away. "Fine, you're an elder statesman. Do you know how to shoot?" Wylan nodded slowly. "Skeet.

Leigh Bardugo

#32. If you ever shoot a great magical owl with an arrow, you should remember this, Ophelia. Everything is connected. If you touch the ground, you touch the tops of trees. If you touch the trees, you touch the wings of birds.

Karen Foxlee

#33. Life is like a war. There will always be people trying to shoot you down. But it's your choice whether you're going to surrender, fight back, or dodge the bullet.

Peyton

#34. I love stage work. The thing about plays is that they're perfectible. With film, you shoot that take and maybe another. During 'Spamalot,' I rewrote Act II three times.

Eric Idle

#35. You can't call it a sport. You don't run, jump, you don't shoot, you don't pass. All you have to do is buy some clothes that don't match.

Steve Sax

#36. I have a great little camera, and I had a theory that if the story is interesting, it doesn't matter what medium you shoot it on. You just have to make a good film.

Tamra Davis

#37. the difference between the living and the dead. The living run away when you shoot at them.

Iain Rob Wright

#38. Later, you can shoot your boss an e-mail and comment positively on the new strategy or ideas she suggested and say you are eager to implement them. She'll appreciate

Kate White

#39. I'm not going to shoot seven days a week. I think it's counterproductive. I think you're going to have people stumbling around after a couple of weeks.

Roger Corman

#40. One of the principles we teach in our programs is "If you shoot for the stars, you'll at least hit the moon." Poor people don't even shoot for the ceiling in their house, and then they wonder why they're not successful.

T. Harv Eker

#41. Maybe there's a god above but the only thing I learned from love was how to shoot at somebody who outdrew you.

Leonard Cohen

#42. Punch a man on the nose, kick an old man downstairs, shoot somebody or any old thing like that, that's my job. But argue with women in love - no thank you!

Mikhail Bulgakov

#43. And it's significant that he has been using the, you know, language of betrayal in his rhetoric about Turkey. He called the shoot down a treacherous stab in the back by an accomplice of the terrorists. And that suggests that there could still be some harsh revenge in store for Turkey.

Corey Flintoff

#44. Traveler: good. Darkness: bad. You: shoot anything that moves.

Ian Frost

#45. You might get only one shot. So shoot. You know who said that?"
The rifle clatters to the bloody floor.
"Hanna FUCKING Donnelly. That's who.

Jay Kristoff

#46. shoot for the stars and hope you get there

Natalie Lee

#47. Either you're going to shoot us or you're not. The ball always lands on red or black, never both.

V. Alexander

#48. Even when a pilot goes, you shoot it in March or April, and then you have to rush it through post-production by May. If they greenlight it, then you go and there's no time to think about it. And then, you've gotta start shooting in July, so you're off to the races.

Tony Goldwyn

#49. It's peculiar to eat naked, but not crazy. What's crazy is to shoot yourself. You've got to get these things in perspective.

Stephen Dobyns

#50. Americans can't stand any stranger looking them in the face. They take it as an insult. It's something they don't forgive. And every American carries a gun. If they catch you, a stranger, looking them in the face, they will shoot.

Okey Ndibe

#51. Always best to start with violence and attempt communication second. People reacted more favorably when they knew you would snuff a few lives to get what you wanted... or for no reason whatsoever.

Michael R. Fletcher

#52. Why the rifle? Everybody knows you can't shoot.
Who were these everybodies and would they like to stand in front of me, preferably within ten feet, so I could discuss this issue in greater detail.

Ilona Andrews

#53. [Success] always starts with the material; it always starts with the truth and honesty of the characters that you read in the screenplay and that's rarely something that can be remedied if it's simply not there by the time you shoot the film. Thank God we had that.

Leonardo DiCaprio

#54. Before you shoot an irresistible subject, mute all your senses except sight to find out how much is left for the camera to record.

Andreas Feininger

#55. Dude. Did you just sniff her hair?" Kent asks, with a look of absolute disgust on his face.
"I did." I smirk, uncaring. I traded in my man card a long time ago. "I love how my girl smells. Shoot me if it's a crime.

Siobhan Davis

#56. Aim high, and you won't shoot your foot off.

Phyllis Diller

#57. The great man, Genghis Khan, only knew how to shoot eagles with an arrow. The past is past. To see real heroes, look around you.

Mao Tse-tung

#58. Shoot for the moon, the worst that could happen is you land amongst the stars

Les Brown

#59. You couldn't shoot a fart out of your own ass!

John Marston

#60. The biggest thing that I came across, right off the bat, was that you can't shoot this like a regular movie with multiple takes. You have to, because it's such a protracted process, break it down to the frame and pretty much get one shot.

Charlie Kaufman

#61. I'll be your old lady and I'll wear your patch. But if you ever let some bitch shove her tits in your face again, I'll shoot you myself.

Joanna Wylde

#62. With comedy, you never know until you put it in front of an audience. You shoot it and a year later you have no idea if it's going to work. And then you get the response. It's great when it's good.

Steve Martin

#63. You've got to learn the footwork, the positioning, how to box out, how to pass, how to shoot your free throws. All these things are necessary, not to be the No. 1 player in the world, but maybe you can play against him.

Oscar Robertson

#64. I love shooting in New York because I love the city. Ultimately, I like doing it there and the city is important to the story, but it can be hard to shoot where you live too because it is so all-absorbing.

Greta Gerwig

#65. You know, I'd love to do a Maxim shoot. But I'm not going to do it, because that's just stupid to do.

Christy Romano

#66. You have to shoot, to want to score goals no matter how. Just score that goal! You can't be afraid to miss.

Dennis Bergkamp

#67. I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it..

Mary Ellen Mark

#68. If I don't start having service I'm going to swap you all for a dog and shoot the dog.

Robert A. Heinlein

#69. If you're going to go to the moon, you don't shoot the rocket right at the moon. You have to go at it obliquely.

Drew Houston

#70. Doing a sitcom is like doing a play - you rehearse for three or four days, and then you shoot what you rehearsed on Friday night in front of an audience. An hour-long drama is like shooting a movie. You're shooting 13-14 hour days. The endurance itself is different.

James Belushi

#71. Otherwise, it would have been much easier to just shoot you and be done with it." I disagreed. The fact that I was still alive after so many combat tours was a testament to exactly how hard it is to "just shoot me and be done with it.

Rachel Bach

#72. Oh get over yourself, so you can kill people, I could shoot you in your face if I wanted to, anyone can do what you do!

Holly Hood

#73. Many fear mistakes. In TV and films you just re-shoot the scene. In life do the same and just shoot a re-take.

Ian Dobson

#74. Never believe extraordinary characters which you hear of people. Depend upon it, they are exaggerated. You do not see one man shoot a great deal higher than another.

Samuel Johnson

#75. Don't overthink things in front of you. I fit moves you, shoot it. If it's fun, shoot it. If you've never seen it before, shoot it.

Jay Maisel

#76. Girls interested in modeling need to realize that its hard work. You can go to a shoot in the morning and not even start shooting until 10pm - and still be there at 5am the next day. Then if you still haven't got the shot, you'll have to go back the next day and start again!

Kate Moss

#77. You've got to be flexible. Directors do a massive amount of planning and homework, and if after all that your director decides to throw it all out of the window and shoot spontaneously, then you must follow his lead.

Michael Caine

#78. Shoot for the moon. If you miss, shoot again.

Jennifer Grant

#79. I think this is an exciting time to be a female filmmaker. Trust your instincts, work harder than anyone else and learn your craft. Know it all. This means learn how to shoot, edit, produce and direct. Get as much experience as you can and watch a lot of films.

Alex Hammond

#80. Did you shoot me again sweetheart?

Adrienne Kress

#81. (I) just had to show there's life in the old dog yet. (You) don't have to go out and shoot me.

Billy Idol

#82. You can look at a finale as chance to make an impact or a statement, to shock people or shoot a big cannon and make a loud noise.

Alex Hirsch

#83. I promise," she said softly, biting her lip. "I will never shoot you by accident." I considered her response. "That's less comforting than you'd think.

Joanna Wylde

#84. For a photographer, it's a necessity that you can shoot stuff magically. Accidents are necessary, but after I take the photograph, it's not over. I work on it more.

Rinko Kawauchi

#85. I love working in TV. TV is fast. You shoot it, and it's done quickly.

Henry Ian Cusick

#86. I use a lot of humor, and I follow the saying that if you want to tell people the truth, you better make them laugh first, otherwise, they will shoot you. So I can tell you a joke and maybe you will laugh at the beginning. But it's not about telling jokes.

Sayed Kashua

#87. We [with Marjane Satrapi] both have very strong personalities, but that's completely normal, because even if you're very well prepared, you never know when you shoot live action.

Vincent Paronnaud

#88. And then to see the whole movie, you're pretty much waiting until the end of production. And the major lifting in terms of editing and all that stuff is done before you shoot the movie. That's an unusual way to work.

Charlie Kaufman

#89. No shoots, says Friday, no yet, me shoot now, me no kill; me stay, give you one more laugh.

Daniel Defoe

#90. A reporter started off: "I know a lot of this is kind of speculation." Popovich interupting: "You're going to ask me anyway." Reporter: "And you're going to shoot it down." Popovich replied: "Next question."

Gregg Popovich

#91. When you shoot a musical, you're shooting to lipsynch tracks, so we had to figure out our choreography and work out what we wanted to do with each number before we did it.

Norman Jewison

#92. Don't shoot til the subject hits you in the pit of your stomach.

Lisette Model

#93. Give it to me, Wildcat boys!
You can be my Wildcat toys!
Bounce your balls and shoot 'em high.
Ridley's come to Jackson High.

Kami Garcia

#94. I want to live in a city where the police don't shoot you.

Martin Firrell

#95. When you win, shoot-outs are a lot of fun. They're not as fun when you lose.

Henrik Zetterberg

#96. We had two cameras, so they could turn it on and shoot as much as we wanted. You don't have to worry about wasting money on film. A lot more takes are possible.

Marguerite Moreau

#97. Shoot, every time you get on an animal, you take your life in your hands.

Chris LeDoux

#98. I typically shoot underwater with my regular camera in an underwater housing, and then I usually have two big strobes that I use to light. But with whales, you're not going to be able to really light a 45-foot subject. Your strobes are only effective for maybe five or six feet underwater.

Brian Skerry

#99. I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something's going on, somebody's going to be somewhere: That sounds so interesting. Pick up your camera and go.

Jonathan Demme

#100. I stopped eating meat about six years ago, when I was working on the movie Selena. During the shoot, I had to hold a chicken for five hours-if you hold it and feel its little heart beating for hours, you just can't think about eating it.

Constance Marie