Top 85 Jay Maisel Quotes

#1. There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.

Jay Maisel

Jay Maisel Quotes #14430
#2. First, perseverance trumps talent. Second, do what you want to do, otherwise why bother? Third, be ethical; it might rub off on others. Fourth, don't give up.

Jay Maisel

Jay Maisel Quotes #42853
#3. It's important to realize that the images are everywhere, not just where you want or expect them to be.

Jay Maisel

Jay Maisel Quotes #46157
#4. Photography is an act of love.

Jay Maisel

Jay Maisel Quotes #62145
#5. I take pictures, and they are there for the taking. I'll tell you a quote that I have always thought about. Arthur Miller said, I try to create the poem from the evidence.

Jay Maisel

Jay Maisel Quotes #69373
#6. You must be open to what otherwise may seem to be a detriment to your 'plans'.

Jay Maisel

Jay Maisel Quotes #75269
#7. Since the background is as important as the subject, you mustn't let it default by chance. You must control not only vertical and horizontal, you must be aware of the depth of field (or lack of it) that you want in the background.

Jay Maisel

Jay Maisel Quotes #98468
#8. Gesture is not always action.

Jay Maisel

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#9. Don't overthink things in front of you. I fit moves you, shoot it. If it's fun, shoot it. If you've never seen it before, shoot it.

Jay Maisel

Jay Maisel Quotes #151884
#10. We have always wanted to find the 'it-ness' of anything we shoot. We want to get as deep into the subject as we can.

Jay Maisel

Jay Maisel Quotes #167101
#11. As people, we love pattern. But interrupted pattern is more interesting.

Jay Maisel

Jay Maisel Quotes #172065
#12. The composition is already there, you just need to crop it

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#13. If you're not your own severest critic, you are your own worst enemy.

Jay Maisel

Jay Maisel Quotes #210673
#14. You can't just turn on when something happens, you have to be turned on all the time. Then things happen.

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#15. Never say you're going back - SHOOT IT NOW!

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#16. You need minimum color for maximum effect.

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#17. I love when pictures ask questions or make others ask questions.

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#18. I'm a New Yorker. I don't believe in air unless I can see it.

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#19. A photographer's art is more in his perceptions than his execution. In a painter, I think the perception is only the first step, and then you have a kind of hard road of execution.

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#20. Always shoot it now. It won't be the same when you go back.

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#21. If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.

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#22. Never put lettering in your photos unless you want it read.

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#23. You must not think of yourself as looking at the stage from the audience. You must think of it as theatre in the round and look at it from all sides.

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#24. You are responsible for every part of your image, even the parts you're not interested in.

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#25. Remember that most people (those who are not photographers) don't even see the things that you missed. Many don't even look. Ergo, you are way ahead of the game.

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#26. All these factors are only valuable if you're curious. But in any case, the more knowledge you have, the more things are open and available to you.

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#27. Every picture should have a place you can go, a home, a climax.

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#28. Money and fame that photography can bring you are wonderful, but nothing can compare to the joy of seeing something new.

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#29. Sometimes without shooting a picture germinates in your head. Other times, you keep taking pictures of the same thing and watch the images mature and grow.

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#30. One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.

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#31. Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.

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#32. It's a lot easier to take pictures if you always have the camera with you.

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#33. There's one of the great lies of all times, that computers save time. They don't. They're time suckers. So, I'm trying not to get involved in the Photoshop.

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#34. Be aware of every square millimeter of your frame.

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#35. You cannot accurately remember color ...

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#36. If you're just going to meet consumer or clients' demands, you might as well be a plumber - the work will be more frequently available.

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#37. Failing is not a problem. Not trying is a problem.

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#38. It's my obligation to take out all the 'wrong' pictures.

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#39. It's always around. You just don't see it.

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#40. Color is seductive. It changes as it interacts with other colors, it changes because of the light falling upon it, and it changes as it becomes larger in size.

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#41. Sometimes as you work, you find that you are learning things about your own perceptions and motivations that are way below you consciousness. If you get lucky, you recognize what you are doing, but all too often we don't find the connection between our work and our own motivations.

Jay Maisel

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#42. Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.

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#43. The whole world is there for you. Gifts will happen, but only if you are patient with life itself, the shooting process, and your own limitations.

Jay Maisel

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#44. You have to pick the right tool for the point you're trying to make and there is no one solution.

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#45. Each picture you take has power as long as it brings experience to the person who's looking at it.

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#46. I try not to tell students where to shoot, when to shoot, or what to shoot. I feel finding the picture is the most important part of being a photographer. The actual shooting is of lesser importance.

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#47. The awareness of the quality of space in out photos is akin to our awareness of the very air in our photos, the atmosphere that pervades every square inch of our image and yet is often invisible to the photographer.

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#48. Allow yourself to lose your way.

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#49. You always end up with too many pictures to edit and too few that you feel 'got it'.

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#50. Pain is not a conduit to art or joy

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#51. The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.

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#52. Keep your mind open. You may very well learn something new about yourself and your pictures.

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#53. You sort of have to be always aware, even when you're not thinking of shooting. That's when the best stuff happens.

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#54. You see shape, and how the light hits things, how the color changes from one end of the photo to the other, and how movement affects the mood of the photo.

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#55. Try to go out empty and let your images fill you up.

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#56. We don't experience light, color, and gesture in a vacuum. We experience it in contexts.

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#57. When you shoot, that is opportunity number one to make a statement. When you edit, you have opportunity number two to make your statement. It could be an affirmation of your first choice or could go off in another direction.

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#58. If you're not shooting in the right direction, it doesn't matter how well you're shooting.

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#59. You have to let the past successes go, or you'll never be able to see anew.

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#60. If you want to make more interesting pictures, become a more interesting person.

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#61. When finding the right angle for a shot ... 'Move your ass.'

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#62. Gesture will survive whatever kind of light you have. Gesture can triumph over anything because of its narrative content.

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#63. The best camera is the one you have with you.

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#64. If you can capture the element of surprise, you're way ahead of the game.

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#65. Always carry a camera, it's tough to shoot a picture without one.

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#66. There are rules about perception, but not about photography.

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Jay Maisel Quotes #1506057
#67. Forget what it was. Look at what it is.

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#68. When we are given gifts, we must be quick and able to accept them.

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#69. leave yourself open to accept things rather than anxiously searching for them. You

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#70. You have to have a lot of 'overage' so that your failures aren't the only thing you come home with. You've got to have a lot of things that were magnificent failures, but you want some magnificent successes.

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#71. Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.

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#72. What you're shooting at doesn't matter, the real question is: 'Does it give you joy?'

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#73. I don't see light as something that falls, but as a positive force.

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#74. 'Color' is quite different from 'colors.' In an image with many colors, we find that all the colors compete with each other rather than interacting with each other. The results colors.

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#75. If you don't have a camera, the best thing you can do is describe how great it looked.

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#76. There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.

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#77. The pictures are everywhere. If you're open, they will find you.

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#78. The more light you have in an image, the less drama you get. The details start taking over; the mystery is all gone.

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#79. Always wait for the trigger. The trigger is the final part of the puzzle, the reason you want to shoot.

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#80. Light gesture and color of the key compliments of any photograph. Light and color are obvious, but it is just her that is the most important. There is gesture in everything. It's up to you to find a gesture that is most telling.

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#81. You have to learn not only from your failures. You must also learn from your successes.

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#82. If the light is great in front of you, you should turn around and see what it is doing behind you.

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#83. You will, in time, see and show others not just the superficial, but the details, the meanings, and the implications of all that you look at ...

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#84. There is no one solution to all problems. It's the problem itself that can lead to the solution.

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#85. It's not just when you shoot, or what you shot, or where you shoot, it's the combination of the three.

Jay Maisel

Jay Maisel Quotes #1873616

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