
Top 76 Scene 2 Quotes
#1. Of all the wonders that I have heard,
It seems to me most strange that men should fear;
Seeing death, a necessary end,
Will come when it will come.
(Act II, Scene 2)
William Shakespeare
#2. And 'tis a kind of good deed to say well:
And yet words are no deeds.
King Henry VIII. Act 3, Scene 2
William Shakespeare
#3. Hark, villains! I will grind your bones to dust. (Act V, Scene 2, 2503)
William Shakespeare
#4. I'll show thee best springs; I'll pluck thee berries;
I'llift fish for thee and get thee wood enough.
A plague upon the tyrant that I serve!
I'll bear him no sticks, but follow thee,
Thou wondrous man.
---Caliban
(Act II, scene 2, lines 158-162)
William Shakespeare
#5. Camilla: You, sir, should unmask.
Stranger: Indeed?
Cassilda: Indeed it's time. We all have laid aside disguise but you.
Stranger: I wear no mask.
Camilla: (Terrified, aside to Cassilda.) No mask? No mask!
The King in Yellow, Act I, Scene 2.
Robert W. Chambers
#6. Believe then, if you please, that I can do strange things. [Act 5, Scene 2]
William Shakespeare
#7. These be fine things, an if they be not sprites.
That'said a brave god and bears celestial liquor.
I will kneel to him.
--Caliban
Act II, scene 2, lines 116-118)
William Shakespeare
#9. A lover goes toward his beloved as enthusiastically as a schoolboy leaving his books, but when he leaves his girlfriend, he feels as miserable as the schoolboy on his way to school. (Act 2, scene 2)
William Shakespeare
#10. Out o' th' moon, I do assure thee. I was the man in the moon when time was,
--Stephano
(Act II, scene 2, lines 136-137)
William Shakespeare
#11. I started off in England and very few people knew I was Australian. I mean, the clues were in the poems, but they didn't read them very carefully, and so for years and years I was considered completely part of the English poetry scene.
Peter Porter
#12. Also, there are seats in the diner that always fall off the table. If you have a scene where you're packing up at the end of the day and putting them on the table, they just slide off.
Dannii Minogue
#13. If you watch a movie, it never happens that you see a character that is in every single scene.
Patrick Huard
#14. I remember that I auditioned with the scene where I pull the grandfather out of the coffin. I just loved it so much.
Brigid Brannagh
#15. Sometimes the scene is a sad scene but you have to play it with a laugh to find out that that doesn't work or that there's really a part of that in it, and that's what rehearsal is for, to take that time.
William Fichtner
#16. You have all the scenes. Just go home and word it in.
Samuel Goldwyn
#17. New York was the last place that my movies caught on. I didn't make underground movies in New York, and in the 1960s, they were very snobby about that, because the whole scene was here.
John Waters
#18. The community does not fight crime well by chasing it; after-the-fact, crime has won and the target of violence is injured or worse. Crime is fought best not by chasing it, but by facing it before it can become a completed act.
Crime is fought best at the scene of the violence.
John Longenecker
#19. I think meeting someone like, meeting Sam Shepard, that was someone who was kind of important for me, because I'd read so much of his work and watched him as an actor since I was a kid, then being on set doing a scene with him and thinking, 'This is really surreal.'
Richard Madden
#20. The whole scene made Dan think of American history tests, which were almost as scary as exploding museums.
Rick Riordan
#21. I would paint a portrait which would bring the tears, had I canvas for it, and the scene should be
solitude, and the figures
solitude
and the lights and shades, each a solitude.
Emily Dickinson
#22. Hong Kong is a nice playground for my street pieces as the architecture is very different from my home city. It's also a great opportunity to take place in a dynamic city of the global art scene.
Invader
#23. I've always liked pop music. There was a bit of a misunderstanding with the avant-garde rock scene, because I think I was sort of swimming the wrong way, really.
Robert Wyatt
#24. On my own or with a friend, I'm a shopaholic, and I particularly love the cleaning aisle in the supermarket. But when I'm with my husband, I'm shop shy because he can't bear it. It always ends up with us making a huge scene on the High Street and then going off in a huff in separate directions.
Emilia Fox
#25. Kids at skate parks will step up and challenge me to a game of Skate, but I'm over that, I really don't care. I'm all about participating, and I'm all about being a part of this scene, but there's certain vibes I just don't get along with.
Mike Vallely
#26. Your ghost,' she said, 'Nicholas Nickleby. Do you think he might still be at the crime scene?' 'How should I know?' I said. 'I don't even believe in ghosts.
Ben Aaronovitch
#27. I think it's very hard to be naked in a scene and not be upstaged by your nipples.
Susan Sarandon
#28. Oh, if there were only a true religion. Fool that I am, I see a Gothic cathedral and venerable stained-glass windows, and my weak heart conjures up the priest to fit the scene. My soul would understand him, my soul has need of him. I only find a nincompoop with dirty hair.
Stendhal
#29. Good sex scene is about the exchange of emotions, not bodily fluids
Diana Gabaldon
#30. The world's a scene of changes, and to be constant, in nature were inconstancy.
Abraham Cowley
#31. Not all the water in the rough rude sea
Can wash the balm from an anointed King;
William Shakespeare
#32. If the day should ever come when we must go, if some day we are compelled to leave the scene of history, we will slam the door so hard that the universe will shake and mankind will stand back in stupefaction..
Joseph Goebbels
#33. I just got Kill Bill: Vol. 2. I've watched it like eight times in the past two months. I just love the scene at the end between David Carradine and Uma Thurman.
Shawn Ashmore
#35. Somebody hearing me saying the film is stupid??
Talking about "The Hospital 2"?...
THey just said it, in the film! (In other words in the film there was scene saying "STUPIDDDDDDDDD
Deyth Banger
#36. I did not like 'The Hurt Locker.' It's a lazy way to make a movie, frankly. I could put you on the edge of your seat quite easily, and have you feel the tension for 2 hours, if every other scene practically is, 'Should we cut the red wire or the green wire?'
Michael Moore
#37. I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me ... I'm so excited about that; I think it's gonna be very cool.
Juno Temple
#38. I've been acting since I was 2 and have always been on camera but doing a video is different because when you're acting, you pretend the camera's not there and you just do the scene and with a music video you're right in the camera so it feels weird sometimes.
Corbin Bleu
#39. Option 2: Begin at the End It's sometimes a very fun way to open a book that you show the reader the last scene, the last page, and let them figure out how we all end up there.
Emma Fisher
#40. It's rare that scenes last more than 2 or 3 minutes, so sound helps segue from one scene to another.
Stephen Hopkins
#41. I'd like to think that I don't have a stock character that I go to. I'm lucky in that when you get to initiate your own scene, you get to play whoever you want. That's really kind of cool, but all my characters are short. I look on the videotape, and I thought they were taller, but they're all 5'2.
Amy Poehler
#42. TV is a huge draw. It's a magnet. Even when I was a policeman, if I was on a police scene and the news showed up, I'd race home to see if I would be on TV for 2 seconds!
Jerry Springer
#43. [Beneatha Younger:] ... He said everybody ought to learn how to sit down and hate each other with good Chrisitan fellowship.
[excerpt from Act II, Scene 3]
Lorraine Hansberry
#44. People are appreciating the old stuff again and there's no MTV-style scene police to try to make us all listen to Machine Head and Pantera *puke*!
Mat McNerney
#45. I do an opening, and then I go up to the high balcony in the back and watch the bulk of the play, but then I have to leave my seat about seven to 10 minutes before the end of that final big scene ... and it's a bummer.
Will Oldham
#46. When I got the episode where Spider-Man meets Aunt May (voiced by Misty Lee), it was another one of those things where I was like, "I can't believe I have a scene with Aunt May. That's just amazing to me." And they drew her a lot younger and hotter then the Aunt May that I remember.
Clark Gregg
#47. I wouldn't have minded a rather more detailed conclusion (to Pride and Prejudice) - say, a twenty-page sex scene featuring the two principals, with Mr. Darcy, furthermore, acquitting himself uncommonly well.
Martin Amis
#48. There is, of course, a world of difference between cricket and the movie business ... I suppose doing a love scene with Racquel Welch roughly corresponds to scoring a century be fore lunch.
Oliver Reed
#49. Barbara [Stanwyck] and me in our only scene alone in Titanic. It wasn't much of a scene, but it sparked one of the most intense and rewarding relationships of my life.
Robert Wagner
#50. I first came on the scene during the Johnson years and that crowd was out all the time enjoying themselves. Nixon wasn't particularly social but a lot of the people in his administration were.
Sally Quinn
#51. I think I've been waiting for the big gesture, the one where the guy stands in the rain and declares his love or makes some scene at a football game that ends with the crowd doing the slow clap. It's official. Romantic comedies have ruined me.
Lex Martin
#52. So much of what I do ... is coming up with new characters and trying to invent voices for them, and to have people fully fleshed out in my head and to know who can say what in the scene and who these characters are ... I love it.
Rob Thomas
#53. We mountaineers always live with the feeling that we came on the scene too late.
Galen Rowell
#54. If you're filming a scene on horseback, if you're trying to control an animal that's much larger than you and trying to get it to do the exact same thing so you can match things up, that can get tricky, especially if the horse gets tired or angry or something.
Daniel Portman
#55. The scene where I took my eyelashes off we did in two takes.
Marie Windsor
#56. Whenever there's a nude scene, it's always uneasy. You're not in the comfort of your own home with your significant other.
Laura Prepon
#57. Performing on stage is my first love - it's why I wanted to be an actor in the first place - and 'Arcadia' is the highlight of my career so far. I love the intimacy of a live theatre audience - you can really squeeze every last drop out of each scene.
Tom Riley
#58. Sometimes the scene just comes together, and other times, we have to build the scene from scratch, just using different takes.
Drake Doremus
#59. Andy [Warhol] was on the scene, but he wasn't an artist at first; he was more an illustrator. He was always surrounded by about ten people who worshipped him. He'd go to a party and they would all come along. But he was drawing shoes and that sort of thing.
Claes Oldenburg
#60. What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
Paul Feig
#61. I don't really have those kinds of intentions when I write a scene. I try to follow the internal logic of the fiction, rather than make an argument or an assertion.
Rachel Kushner
#62. Sometimes I just want to write a really intense love scene. But I can't do that in my books for teens, or parents will complain - believe me, I've tried.
Meg Cabot
#63. I did not want to be somebody who lived off his reputation. I wanted to continue to be part of the modern music scene.
Mick Rock
#64. I love working with Alexander Skarsgard. He brings such gravity to a scene.
Nelsan Ellis
#65. There are many cultural scenes in Lahore, just as there are in London. And there is a celebrity culture here, just as there is in London. But in Lahore, the celebrity scene doesn't drown out the rest quite so much.
Mohsin Hamid
#66. Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I'm very glad that it's happening.
A-Trak
#67. I like to imagine that all the choices you make during the day that you're doing a particular scene are going to feed into the creation of that scene. It's not a movie-by-movie or a part-by-part basis. It's a day-by-day thing, and sometimes an hour-by-hour thing.
Thomas Jane
#68. Then, like a scene in a comedy - their lips but a breath away from touching - the door to the library burst open and Sam charged into the room like a bull, a map in his hands and Jasper hot on his heels.
Bloody hell, they had brilliant timing.
Kady Cross
#69. It's nice that the independent scene is taken seriously, and has been.
Bob Odenkirk
#70. When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little.
Anita Ekberg
#71. I've gotten very good at scheduling my life, scheduling the scene and preparing myself for knowing, saving the energy, consuming the energy, knowing when to go for it and having the available reserves to be able to do that. You have to think about that, because it's endurance.
Tom Cruise
#72. In scene after scene, meaning sneaks in and sometimes roars.
Manohla Dargis
#73. I like to photograph miniature constructed scenes - I'll buy a very sad cake decoration like a plastic computer for a dreary office birthday party and construct a wildly colorful scene to put on its screen, or do a series of dollhouse chairs frozen in ice cubes.
Matthea Harvey
#74. My strongest quality as an actor is taking direction. I will give my performance as a template and if the director gives any instruction, I take that information, process it and morph it into the next take. I love the feeling I get when nailing a scene through direction.
James Preston Rogers
#75. I can't tell you how much we laughed on the set to have Alec Guinness in a scene with a big, furry dog that's flying a space ship.
Mark Hamill
#76. If I don't cry while writing a key emotional scene, my gut feeling is it's failed.
Jojo Moyes
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