Stephen Hopkins Quotes

#1. I've never seen, heard, nor smelled an issue that was so dangerous it couldn't be talked about. Hell yes, I'm for debating anything!

Stephen Hopkins

#2. I had no special effects, no monsters running around, nothing blew up; those things are all things I've done so many times that they lose their allure after a while.

Stephen Hopkins

#3. Dark impulses certainly exist in me and, I think, in most people.

Stephen Hopkins

#4. I believe there's a landscape that exists underneath everything that we can see in present-day stuff. And I think that makes life kind of a detective story.

Stephen Hopkins

#5. I've always been a bit of a sound freak in the movies I've done.

Stephen Hopkins

#6. It's been exciting to be able to go forward with stuff without 10,000 people saying, It should be like this.

Stephen Hopkins

#7. Each environment has its own signature. Sound tells a story: You make choices about what you're hearing, where to look, how you want to feel about what's going on.

Stephen Hopkins

#8. There were no previews; we made the film we wanted to make.

Stephen Hopkins

#9. I wanted to make a film that was sophisticated and emotional, but for a wider audience.

Stephen Hopkins

#10. To be able to rely completely on the actors was a very simple process for me.

Stephen Hopkins

#11. I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid.

Stephen Hopkins

#12. Because of all the concurrent stories going in 24 and its fast pace, it can be complicated in terms of the story, so I thought sound could help with the storytelling.

Stephen Hopkins

#13. I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise.

Stephen Hopkins

#14. We shoot double episodes in 15 days in Los Angeles.

Stephen Hopkins

#15. Knowing that Gene and Morgan were playing those roles made it much easier to put the script together-we knew who we were writing it for. It took some mystery away.

Stephen Hopkins

#16. 24 isn't like other shows, where you set the look once and you're done. The show started at midnight, then moved to a pre-dawn look, and now we're at dawn and we're warming up the day.

Stephen Hopkins

#17. We use a lot of source music on some shows and none on others.

Stephen Hopkins

#18. It's rare that scenes last more than 2 or 3 minutes, so sound helps segue from one scene to another.

Stephen Hopkins

#19. Everyone was going to play their part honestly, and not try and pretend to be good or bad guys.

Stephen Hopkins

#20. When I was thinking of casting this, I thought, What roles would Sellers be playing now?

Stephen Hopkins

#21. There's no attempt to manipulate the audience. We made our choice at the start.

Stephen Hopkins

#22. If people aren't in sync, things won't work out well.

Stephen Hopkins

#23. I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face.

Stephen Hopkins

#24. My hand trembles, my heart does not.

Stephen Hopkins