Galen Rowell Quotes

#1. We mountaineers always live with the feeling that we came on the scene too late.

Galen Rowell

#2. My interest in photography did not begin with books or mentors, or with any burning desire to see the world through a camera. It evolved from an intense devotion to mountains and wilderness that eventually shaped all the parts of my life and brought them together.

Galen Rowell

#3. When the light is right and everything is working for me, I feel as tense as when making a difficult maneuver high on a mountain. A minute - and sometimes mere seconds - can make the difference between a superb image and a mundane one.

Galen Rowell

#4. You only get one sunrise and one sunset a day, and you only get so many days on the planet. A good photographer does the math and doesn't waste either.

Galen Rowell

#5. I began taking pictures in the natural world to be able to show people what I was experiencing when I climbed and explored in Yosemite in the High Sierra.

Galen Rowell

#6. Memory selects single important images, just as the camera does. In that manner both are able to isolate the highest moments of living.

Galen Rowell

#7. My mountaineering skills are not important to my best photographs, but they do add a component to my work that is definitely a bit different than that of most photographers.

Galen Rowell

#8. Today, I'm very careful not to mention very specific locations when I write or give captions.

Galen Rowell

#9. I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.

Galen Rowell

#10. My first thought is always of light.

Galen Rowell

#11. Luckily, many other people tell me how they have had a particular landscape photograph of mine in their office or bedroom for 15 years and it always speaks to them strongly whenever they see it.

Galen Rowell

#12. When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.

Galen Rowell

#13. I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcards.

Galen Rowell

#14. I like to feel that all my best photographs had strong personal visions and that a photograph that doesn't have a personal vision or doesn't communicate emotion fails.

Galen Rowell

#15. The combination of pictures and words together can be really effective, and I began to realise in my career that unless I wrote my own words, then my message was diluted.

Galen Rowell

#16. Wanting to take a light camera with me when I climb or do mountain runs has kept me using exclusively 35 mm.

Galen Rowell

#17. I find it some of the hardest photography and the most challenging photography I've ever done. It's a real challenge to work with the natural features and the natural light.

Galen Rowell

#18. The reason that I keep writing is that all my most powerful messages about the fates of wild places that I care about need to have words as well as images.

Galen Rowell

#19. And most of my early pictures failed but about one in a 100 somehow looked better than what I saw.

Galen Rowell

#20. I think landscape photography in general is somewhat undervalued.

Galen Rowell

#21. Often when I walked alone in the mountains, I tried to make sense out of the two halves of my life. What went on in the city during the week seemed chaotic and unrelated to the events in my mountain world.

Galen Rowell

#22. These days, most nature photographers are deeply committed to the environmental message.

Galen Rowell

#23. The landscape is like being there with a powerful personality and I'm searching for just the right angles to make that portrait come across as meaningfully as possible.

Galen Rowell

#24. There's no question that photographs communicate more instantly and powerfully than words do, but if you want to communicate a complex concept clearly, you need words, too.

Galen Rowell

#25. The most interesting parts of the natural world are the edges, places where ocean meets land, meadow meets forest, timberline touches the heights.

Galen Rowell

#26. A lot of people think that when you have grand scenery, such as you have in Yosemite, that photography must be easy.

Galen Rowell

#27. I almost never set out to photograph a landscape, nor do I think of my camera as a means of recording a mountain or an animal unless I absolutely need a 'record shot'. My first thought is always of light.

Galen Rowell

#28. I think that cognitive scientists would support the view that our visual system does not directly represent what is out there in the world and that our brain constructs a lot of the imagery that we believe we are seeing.

Galen Rowell

#29. One of the biggest mistakes a photographer can make is to look at the real world and cling to the vain hope that next time his film will somehow bear a closer resemblance to it.

Galen Rowell

#30. I began to realise that film sees the world differently than the human eye, and that sometimes those differences can make a photograph more powerful than what you actually observed.

Galen Rowell

#31. Ever since the 1860s when photographers travelled the American West and brought photographs of scenic wonders back to the people on the East Coast of America we have had a North American tradition of landscape photography used for the environment.

Galen Rowell

#32. When I go to the mountains, I intuitively know my place in the world much better through these experiences. The more intense they are, the better I know myself, and the more I am able to challenge myself.

Galen Rowell

#33. What I mean by photographing as a participant rather than observer is that I'm not only involved directly with some of the activities that I photograph, such as mountain climbing, but even when I'm not I have the philosophy that my mind and body are part of the natural world.

Galen Rowell

#34. When the magic hour arrives, my thoughts center on light rather than on the landscape. I search for perfect light, then hunt for something earthbound to match with it.

Galen Rowell

#35. There is no question that photography has played a major role in the environmental movement.

Galen Rowell

#36. If we limit our vision to the real world, we will forever be fighting on the minus side of things, working only too make our photographs equal to what we see out there, but no better.

Galen Rowell

#37. My advice for climbers or photographers is to really tune into your own passions and not just what other people are doing or aren't doing. Figure out what works for you, what turns you on, what gives you the greatest amount of energy and feeling of satisfaction.

Galen Rowell

#38. Small, portable digital cameras that exceed the performance of an off-the-shelf Nikon using 35mm slide film are further away from current reality than the proposed NASA manned Mars mission, although I expect both to happen sometime during my lifetime.

Galen Rowell