Top 100 D'erasmo Quotes
#1. I'd love to have the opportunity to sing in a Disney movie.
Moira Kelly
#2. AMELIA: To my friends, and family: You all may be batsh*t crazy, but even if I got to choose, I'd still choose to be with you. Life is fragile, and tomorrow is never a sure thing, so thanks for sharing your lives with me.....
Amelia Hutchins
#3. He curled his claw into a fist. "I'd like to shove a stake up that bastard's ass."
Adam's lip curled. "Remind me not to piss you off."
The demon raised his brow. "Trust that shit, mancy.
Jaye Wells
#4. You cried when He took away your drop of water, not knowing He'd saved for you, the sea.
Yasmin Mogahed
#5. Anything that grows is, by definition, alive. Washington, D.C. was no exception. As a living organism, the Federal Government's number one job was self-preservation. Any threat to its existence had to be dealt with.
Brad Thor
#6. Julian gave his brother a slow, sweet smile. In that smile was all the love and wonder of the little boy who'd lost his brother and against all odds, gotten him back.
Cassandra Clare
#7. Its not greener on the other side of the fence, its just a different shade of brown over there. Be happy with who you are and where you are in life.
D. Alyce Domain
#8. I would suggest that the prisons I incessantly create are not designed to lock me in, rather they are designed to lock the world out. And the oddity is that either way, I am a prisoner who has sentenced himself to a prison within which I do not belong.
Craig D. Lounsbrough
#9. If I had more time, I'd watch more woodworking or home-improvement shows, but, not enough hours in the day.
Nick Offerman
#10. Hell hath no fury like a queen scorned. ...
... That would be the last time he made a crack about being a flamer to someone with a flamethrower for hands. Though he'd really lost it when Raven sang the lyric to Disco Inferno.
J.T. Bock
#11. Some friends of mine got me a sweater for my birthday. I'd have preferred a moaner or a screamer, but the sweater was OK.
Steven Wright
#13. Sam gave Captain Suicide a droll stare. How did you die again? Oh wait, I know this. 'I can take 'em. I don't need to wait for reinforcements. I can do it myself.' How'd that work out for you again?
Sherrilyn Kenyon
#14. I still think we ought to just hire the town and take it with us. Then we'd have a good barkeep and someone to play the pianer.
Larry McMurtry
#15. That's something that drives me crazy. When people say something twice that way, after you admit it the first time.
J.D. Salinger
#16. Well, she said, "The reception of the semen is the height of ecstasy. I want it always, constantly." Isn't that extraordinary?
D.M. Thomas
#17. I'd rather argue with you, angel, than laugh with anyone else."
Jesus. It took me a minute to be able to swallow the last bite in my mouth.
"You know ... I love you madly."
He smiled. "Yes, I know.
Sylvia Day
#18. You don't want to continue to do one thing and only one thing. You want to keep challenging yourself and if you do well at it, great, if you fall on your face, you tried. Like, she's really terrible at comedy! Who knew? But if you didn't try and put yourself out there you'd never know.
Lucy Liu
#19. About six months ago, I listened to Siamese Dream. That was the first time I'd ever really heard my own album, because I had separated from the experience of making the record. And it really moved me. It made me cry, it's so beautiful.
Billy Corgan
#20. To find and enjoy profound happiness, learn from nature and emulate her stoic calmness.
Debasish Mridha
#21. You have to nourish your creativity for it to flourish ...
Kat Von D.
#22. Her lungs felt thick and slow, her mind dissolved, she felt she could cling like a bat in the long swoon of the crannied, underword darkness. Cling like a bat and sway for ever swooning in the draughts of the darkness
D.H. Lawrence
#23. I'd been beguiled by the new technology - a toddler crawling toward a gun.
Jon Ronson
#24. Can you get it? (Jaden) If I swear myself to eternal slavery to Artemis. Yes. (Acheron) I'd rather trade places with Prometheus and have my innards ripped out every day. (Jaden) So would I. (Acheron)
Sherrilyn Kenyon
#26. Photography allows you to learn to look and see. You begin to see things you'd never paid attention to.
Saul Leiter
#27. Andy [Warhol] was on the scene, but he wasn't an artist at first; he was more an illustrator. He was always surrounded by about ten people who worshipped him. He'd go to a party and they would all come along. But he was drawing shoes and that sort of thing.
Claes Oldenburg
#28. I'd like to be remembered by two simple words: any two words, as long as they're simple.
Dan Mathews
#29. There is no such thing as a natural puncher. There is a natural aptitude for punching and that is different. Nobody is born the best. You have to practice and train to become the best.
Cus D'Amato
#30. If I'd had fame early on, I'd have been able to abuse it in the way that a young man should.
Benedict Cumberbatch
#31. Fall in love with me, Gary! She thought. Please. Please sit here holding me and think there's nowhere on earth I'd rather be than here, and no girl I'd rather have in my lap than Beth Rose Chapman!
Caroline B. Cooney
#32. After a while, the anger I felt just sort of became part of me, like it was the only way I knew how to handle the grief. I didn't like who I'd become, but I was stuck in this horrible cycle of questions and blame.
Nicholas Sparks
#33. Behind me, Ingrid made a sort of muffled snorting sound. I can only assume she was choking on a breath mint. I shot her a look, hoping she hadn't heard anything, and saw she was wearing a poker face, which could only mean she'd heard everything.
Daniel O'Malley
#34. Faith becomes the foundation I'm built on.
T.D. Jakes
#35. I started writing music when I was 15 in my bedroom, and I'd post them on MySpace, and from there it shifted to doing covers on YouTube and building my Twitter.
Tori Kelly
#36. Love swamped her. It always seemed to come in huge, unexpected waves that left her flailing helplessly.
J.D. Robb
#37. I'm just smart enough to know what it is I don't know and try to learn as I go along and accept that you're going to make mistakes, and there are going to be things that are not going to be perfect.
Ronald D. Moore
#38. What's truly important
and what I find myself forgetting and having to relearn
is that right here, right now, I am free. Free to be myself and to express myself.
Kat Von D.
#39. I wanted to go home to the safety of my bed and to my stuffed animals and to my people I'd known my whole life. I had nothing to say to anybody, and fervently prayed that no one there would have anything to say to me.
Rachel Cohn
#40. There's nothing wrong with sexual feelings in themselves, so long as they are straightforward and not sneaking or sly. The right sort of sex stimulus is invaluable to human daily life. Without it the world grows grey.
D.H. Lawrence
#41. As parents, we're human beings, too, but sometimes we're not as understanding as we'd like to be.
Gregory Hines
#42. The revolution was a gift from God to the Romanian people. The Romanian people must now repay this gift by opening their hearts to people of all faiths, especially to those who suffered here in the past.
Robert D. Kaplan
#43. In your sky, you are the brightest star.
Without you light, it's dark like tar.
So love yourself to enlighten others.
Debasish Mridha
#44. How'd you come up with cemetery?" Julian asked Nick.
"Call it divine inspiration."
"Yeah, I'm betting God was invoked a lot last night," JD said under his breath.
"Shhh," Kelly begged.
Abigail Roux
#45. The dragon lifted his head and regarded her with those eerie eyes. "The princess came," he said in the saddest tone she'd ever heard.
Megan Frampton
#46. We've always loved going to the movies. Our mom and dad are big movie fans. They'd take us on these movie orgys where we'd see sometimes three movies in a day.
Lilly Wachowski
#47. Nothing in the voice of the cicada intimates how soon it will die.
J.D. Salinger
#48. One of the first times that I went into a book store and saw a bunch of my books, my impulse was to put them all under my coat and run away so that no one else could see them, even though, of course, I wanted everyone to see them.
Stacey D'Erasmo
#49. As for me, I've been in love with women and men. I get how people fall in love with different kinds of people, but to fall in love with God: I didn't get that.
Stacey D'Erasmo
#50. In 1976, divorce could still raise eyebrows, as could a woman's decision not to have children. Dyslexia wasn't as commonly recognized then, and thus not treated as it is today.
Stacey D'Erasmo
#51. A lot of times, really wonderful things that have come my way have come basically out of the blue.
Stacey D'Erasmo
#52. The second time is the one we remember, where memory begins. Putting the moments in order is only half the story. What matters is the weight of the moments as they accumulate.
Stacey D'Erasmo
#53. All writers are magpies, right? We're always stealing bits from different places and then weaving them into our little nest.
Stacey D'Erasmo
#54. The deeper changes wrought by the end of a particular outlaw culture: something will come of that ... and it won't be what we expect.
Stacey D'Erasmo
#55. Royalty mostly seem like members of some anachronistic faith, like the Amish, peculiar in gilded buggies.
Stacey D'Erasmo
#56. The songs in 'Wonderland' don't have a melodic life for me - I'm not a musical person - but they have an emotional life, an emotional echo perhaps.
Stacey D'Erasmo
#57. What is the distance between here and there, between now and then, between right and wrong? In Greg Baxter's pellucid first novel, 'The Apartment,' it may be simply the length of a day - but a day in which one travels surprisingly far, literally and figuratively.
Stacey D'Erasmo
#58. As lightly toned by reality as the women on 'Sex and the City,' the bold, soigne characters on 'The L Word' suggest that L is also for limerence, that rapturous state of early love when the entire world is glowing and delectable.
Stacey D'Erasmo
#59. Visibility is a tricky thing; is someone visible when you can point her out in a crowd, or when you understand what her life feels like to her?
Stacey D'Erasmo
#60. If we are indeed nostalgic for the weight of clock time, it is worth remembering that the standardized time that most of us know has only been around since the mid-nineteenth century. It was invented for the railroads.
Stacey D'Erasmo
#61. That feeling of being part of a group moving together is very powerful. It feels like it opens up a zone of possibility, a place for another self to form, also a place for a new world to form.
Stacey D'Erasmo
#62. While 'A Blessed Child' might have been a more tough-minded book had Ullmann thrown a spanner into the works, it's not hard to understand her decision to keep things going.
Stacey D'Erasmo
#63. The spirits of Havelock Ellis, Magnus Hirschfeld and Richard Freiherr von Krafft-Ebbing waft through the text to lend 'The Third Sex' an air of scientific authority.
Stacey D'Erasmo
#64. One of the many pleasures of 'Versailles' is the way in which it seems to emanate not only from the vexed inner being of Marie Antoinette but from the interstices between what we imagine of her and what she was.
Stacey D'Erasmo
#65. There are more clocks than ever - clocks on computers, on cell phones, on televisions, on any screen available, telling time to the digital second - but they all seem to matter less.
Stacey D'Erasmo
#66. Music is quicksilver, gossamer; careers are measured in butterfly lifetimes.
Stacey D'Erasmo
#67. A touring band is a family and a workplace at the same time, and you're living with people you didn't necessarily choose every day for up to a year.
Stacey D'Erasmo
#68. I'm a huge fan of San Francisco. And I was out here for a couple years in the mid-'90s when I was a Wallace Stegner Fellow at Stanford.
Stacey D'Erasmo
#69. A bit of a theory, more a corner of the eye noticing than an airtight argument: in the course of long artistic careers, women are more likely than men to change form and style, Proteus-like.
Stacey D'Erasmo
#70. We were those girls, the artist's daughters, the mermaids, the ones with long, tangled hair who did what they wanted. Inside, always, we knew we were free." - Stacey D'Erasmo
Stacey D'Erasmo
#71. Of course, a secret is no good if it doesn't need to be a secret.
Stacey D'Erasmo
#72. Reading 'The Third Sex' feels a bit like flying in a veering helicopter over a rain forest that is disappearing before one's eyes.
Stacey D'Erasmo
#73. I don't know if my faith stems from what I'd call unconditional love, but the energy certainly feels boundless.
Stacey D'Erasmo
#74. For the Supreme Court, the right for everyone to say 'I do' is where the story ends, but for artists, it's where the story just starts to get interesting.
Stacey D'Erasmo
#75. Fiction, at its best, is a radical act of intimacy. It seeks to join, to merge, to know deeply; and, as with intimacy, there is a way in which it cannot be faked.
Stacey D'Erasmo
#76. The knot of intimacy at the center of 'Ten Thousand Saints' is the friendship between Teddy McNicholas and Jude Keffy-Horn.
Stacey D'Erasmo
#77. Readers, like writers, are essentially amoral. Arm's length will never do. We want to get closer.
Stacey D'Erasmo
#78. In each medium - popular music, literature, and visual art, respectively - the woman has broken form, shed a skin, with each phase of her career, whereas the man has returned to ever-deepening iterations of the sound or sentence or imagery with which he began.
Stacey D'Erasmo
#79. As readers, we sense when the game is being played for real and when something else is afoot: pride, showmanship, the pursuit of power, self-aggrandizement, revenge, making money. Not that there's anything wrong with any of that, but I dislike closing a book with the sense that I've been had.
Stacey D'Erasmo
#80. I write things in my house, and hopefully there's a reader out there who enjoys it and has an experience with it, but that's very different than a performer on stage, where there's an immediate dance with the audience. It's incredibly powerful.
Stacey D'Erasmo
#81. Prior to the institutionalization of standard time, clocks were set using local meridians or local mean time, and they varied widely.
Stacey D'Erasmo
#83. The much-lauded visual artist Roni Horn got her Master's in Sculpture from Yale in the Seventies, but in the course of her career she has moved, among other media, from watercolors to photographs to floor-sized installations and mats of poured gold.
Stacey D'Erasmo
#84. In my family, we were on again off again Unitarians, partly because my father, raised Roman Catholic, had had enough of church.
Stacey D'Erasmo
#85. In my darker moments, I feel like the Queen of England, bound and gagged by reverence. Tin-crowned and irrelevant.
Stacey D'Erasmo
#86. Historians of European royalty have written of the king's 'two bodies' : one mortal and corrupt; the other divine, abstract and timeless.
Stacey D'Erasmo
#87. My books - I kid you not - are very often shelved between DeLillo and de Sade. Which not only completely cracks me up, but it seems like an encouraging message from the universe: between those two, there's a lot of wiggle room. I feel just fine there.
Stacey D'Erasmo
#88. I never thought much about God, certainly never wondered whether God was thinking about me, until I fell in love with a Zen Buddhist priest.
Stacey D'Erasmo
#89. I'm embarrassed to reveal that I never went to CBGB's in the '80s. I was never cool enough to be a punk, and I wouldn't have had the stamina, or the discipline, for straight-edge.
Stacey D'Erasmo
#90. A lot of first novels are coming-of-age stories. A lot are autobiographical.
Stacey D'Erasmo
#91. Shelley Jackson's 'Half Life' is the textual equivalent of an installation, a multivocal, polymorphous, dialogic, dystopian satire wrapped around a murder mystery wrapped around a bildungsroman.
Stacey D'Erasmo
#92. 'The Girls,' by Lori Lansens, is a ballad, a melancholy song of two very strange, enchanted girls who live out their peculiar, ordinary lives in a rural corner of Canada.
Stacey D'Erasmo
#93. There is no such thing as a natural fit between form and content. Seamless elegance would be tantamount to erasure.
Stacey D'Erasmo
#94. On a deeper level, there's a level of privacy that I need in order to work, and if there's been a time when there's been a lot of publicness in my life, it can be a little bit difficult to sort of rebuild that private space.
Stacey D'Erasmo
#95. I was influenced by big, strong voices - writers like Elizabeth Bowen, Virginia Woolf, Jane Bowles; gay writers like Ed White, Michael Cunningham, Allen Hollinghurst; and contemporary lesbian writers, like Dorothy Allison.
Stacey D'Erasmo
#96. 'The Girls' tells the story of Rose and Ruby Darlen, who are not only literally but spiritually attached for eternity. Born joined at the head in 1974 to a feckless teenage mother who abandons them, and reared by a delightfully open-minded adoptive couple, the Darlen girls are darling girls, indeed.
Stacey D'Erasmo
#97. What interests me are the complexities and contradictions and struggles and joys of messy human beings.
Stacey D'Erasmo
#98. The world of WONDERLAND is authentic, vibrant, and genuine. Stacey D'Erasmo explores the delight and terror of second chances. A great read!
Michael Stipe
#99. I don't go online when I'm writing - that's the devil's workshop - but in general, I'm on there as much as any other global citizen.
Stacey D'Erasmo
#100. I'm not a parent, but it seems to me the nature of parenting is contingent, full of unexpected challenges - which is one of the wonderful and amazing things about it.
Stacey D'Erasmo
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