
Top 100 Painting With Quotes
#1. Water and stones. Those are the unpromising ingredients of two very different endeavors ... painting, because artists' pigments are made from fluids ... mixed together with powdered stones to give color ... and the other is alchemy, the stone the ultimate goal.
James Elkins
#2. Autistic people are individuals. We are not all maths geniuses, we don't all like trains. I am hopeless with technology and much prefer painting. There is no 'typical Autistic.' But I think we probably all like being respected and validated
Jeanette Purkis
#3. It all has to do with art - writing, painting, things I've done for a long time but just never had enough time to pursue. I have poetry - things that are designed for songs, but they're always poems first.
Jason Newsted
#4. A lot of ideas don't translate very well into art. To say, "Oh my god, the grass is green ... " You're going to end up with a big green painting.
John Baldessari
#5. I think of my peace paintings as one long poem, with each painting being a single stanza.
Robert Indiana
#6. The goal is always to make a nice tableau painting with the voice. The more color I can find, the more shadow I can find - the goal is always to make more nuance and colors.
Cecilia Bartoli
#7. A man that has a taste of music, painting, or architecture, is like one that has another sense, when compared with such as have no relish of those arts
Joseph Addison
#8. An artist who painted a face was now 'playing with the idea of portraiture,' or 'exploring push-pull aesthetics,' or toying with contradictions like 'menacing-slash-playful,' but he or she was never, ever, just painting a face.
Steve Martin
#9. Little by little, I've reached the stage of using only a small number of forms and colors. It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this. For me, they are magnificent things.
Joan Miro
#10. Every now and again, a painting will get away from my control and take over. Sometimes it's a good thing. Sometimes it's a giant drooling hairy thing with pointy teeth. You know how it is.
Ursula Vernon
#11. I got really excited about finding new ways of using video, and the immediacy is different, in a way, than painting and photography. The creativity comes with the editing. You can layer and cut and paste. I really love that it's like another form of making my smaller collages but in video form.
Mickalene Thomas
#12. I am going to do some drawings or paintings ... in the mirror of my wardrobe..with myself as a figure doing something.
Gwen John
#13. The paint for the grey paintings was mixed beforehand and then applied with different implements - sometimes a roller, sometimes a brush. It was only after painting them that I sometimes felt that the grey was not yet satisfactory and that another layer of paint was needed.
Gerhard Richter
#14. I have to go with what the painting says to me. The painting is always informing me. I'm its servant; it's not mine. I'm doing what it wants.
Gary Hume
#15. Photography freed painting from a lot of tiresome chores, starting with family portraits.
Pierre-Auguste Renoir
#16. I always sang. I wanted to be in a band with my sister, and I was, at 11. At 12, I started writing seriously, and that was my pacifier all through high school - that and painting.
Cyndi Lauper
#17. Painting is a language of its own. You cannot interpret one form of expression with another form of expression.
Marcel Duchamp
#18. The best painting comes out of compulsions and obsessions, out of deep love or hate, out of intellectual or emotional involvement with something that lies outside the painting itself.
Edward Betts
#19. We were painting by numbers, starting with the greens. Because that happened to be our favorite color. And this, we figured, had to mean something.
David Levithan
#20. Here, reality is not subordinated to painting, indeed painting seems the handmaid of reality, though we feel it tending towards a procedure which, while not at the mercy of appearances, is not yet in conflict with them.
Andre Malraux
#21. I tried to make everything breathe in this painting: faith, quiet suffering, religious and primitive style, and great nature with its scream.
Paul Gauguin
#22. I like setting up problems for the viewer, like how do you visually deal with a ring when what's usually in the center of a painting is very important? It's like the main course isn't there and you're having to deal with everything around what would normally be the main course.
Robert Mangold
#23. In abstract painting, I worried about the limited range of possibilities that, as time went on, became increasingly important to me. I wanted to express or deal with differences that an all-over paint and canvas 'presence' neutralized.
Richard Diebenkorn
#24. From being a young kid I was always drawing and painting, usually stuff like private parts or bloody images but always with a comedy twist to it.
Tom Six
#25. This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer's art-and that came in after the civil wars following the French Revolution.
Edvard Munch
#26. I have been continuously aware that in painting, I am always dealing with ... a relational structure. Which in turn makes permission 'to be abstract' no problem at all.
Robert Motherwell
#27. It is better to have a good painting with ten holes than ten bad paintings without any holes.
Edvard Munch
#28. With proper acting, I don't know what I would play - I got sent a script for a play, and it said in the notes that my proposed character was 'hideously fat and ugly'. That made my day. I mean, I do know I am no oil painting.
Jo Brand
#29. Creation rather than painting, or if painting, yet such, and with such co-presence of the whole picture flash'd at once upon the eye, as the sun paints in a camera obscura. (Describing his poetic ideal, 1817)
Samuel Taylor Coleridge
#30. In a way, painting is like wine: it is as old, as simple, as primitive and as varied. Like wine, it is a very specific means of expression, with a limited vocabulary, but vast in its expressive potential.
Robert Motherwell
#31. But painting can be too lonely ... I like being with people too much to have ever made that my life's work.
Marie Windsor
#32. You get a painting idea, and you go do that. You get a cinema idea, and you go in to do that. The difference is, even though the paintings might take some time to make, with cinema you are booked for a year and a half, minimum.
David Lynch
#33. It's like we're on a rocket ship that we were just painting, and suddenly it took off and we're holding onto the ship with our fingernails.
Esteban Contreras
#34. An artist painting a picture should have at his side a man with a club to hit him over the head when the picture is finished.
John Singer Sargent
#35. Painting a young maiden is similar to cavorting with great abandon. It is the finest refreshment.
Peter Paul Rubens
#36. Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Robert Rauschenberg
#37. The scope of art is practically boundless; it does not begin and end with the painting of pictures and the modeling of statues; where there is room for workmanship there is room for it.
Lewis Foreman Day
#38. Perfect form is the most important thing to have a perfect body, it's impossible to make a painting with a big brush
Serge Nubret
#39. You have to work with the paint and work with whatever the day brings you. If it's a wee bit dreary out, you paint it. But paint it so it makes you glad to be inside near a cozy fire.
Kieran Kramer
#40. In traditional Asian arts, the word and the picture always sit next to each other. I have an aunt, a Chinese brush painter, who told me that when you do a Chinese brush painting, you have to pair the image up with some poetry.
Gene Luen Yang
#41. I have always been concerned with painting that simultaneously insists on a flat surface and then denies it.
Helen Frankenthaler
#42. One of the problems with technology is that no photograph, as superb and outstanding as it may be, will ever be as satisfying as the most middle-rate painting.
Perry Brass
#43. My process is really quite organic, and starting a painting is one of the best parts for me. I always start in quite a loose and free way. I often put down one ground colour to begin with and then play off that.
Cecily Brown
#44. Unfortunately, after Sept. 11, there was an outburst in America of intense suffering and patriotism, and the Bush administration was very shrewd and effective in painting anyone who disagreed with the policies as unpatriotic or even traitorous.
Jimmy Carter
#45. When we paint, whether it is on our bodies for ceremony or on bark or canvas for the market, we're not just painting for fun or profit, we're painting as we always have done to demonstrate our continuing link with our country and the rights and responsibilities we have to it.
Galarrwuy Yunupingu
#46. Painting bodies with the patterns of Kusama's hallucinations obliterated their individual selves and returned them to the infinite universe.
Yayoi Kusama
#47. The small amount of people that control the discourse around painting - I thought that the whole museum world was just a bunch of phonies, and I didn't really want to have anything to do with it. I guess I did installations, in a funny way, because they couldn't be commodified.
Fred Tomaselli
#48. I grew up on a farm with only two TV channels. I didn't grow up around much culture. When I got excited about painting, I never really got further than what would have been in a modern art history textbook.
Neil Farber
#49. There is no right and wrong way to paint except honestly or dishonestly. Honestly is trying for the bigger thing. Dishonestly is bluffing and getting through a smattering of surface representation with no meaning ...
Emily Carr
#50. This can be lonely work, but it connects you to other people in ways that many of the things we could do with our lives do not.
Christine Sneed
#51. When you see what you express through photography, you realize all the things that can no longer be the objectives of painting. Why should an artist persist in treating subjects that can be established so clearly with the lens of a camera?
Pablo Picasso
#52. I'm a classically trained painter, and I was an illustrator in New York working with Fortune 500s companies as well as the NBA and the Olympics. I first got into sculpting when I created a sculpture based on a painting I had done for the 1984 Olympics.
Richard MacDonald
#53. My heart shattered. 'The boy that you keep painting - the one at the warehouse and at the art gallery? That boy is you, isn't it?'
Rider didn't say anything.
'It's not you from the past,' I whispered. His handsome face blurred. 'That's still who you are.'
He closed his eyes.
Jennifer L. Armentrout
#54. I would have done anything, anything, to touch her," he admits as his eyes leave mine.
The spell is broken as his gaze drifts to the painting on the wall.
With complete reverence, he tells me, "So I did.
Ella Frank
#55. Values create dimension, but color usually receives all of the attention. When painting with oils, placing dark and light pigments next to each other can be an accident waiting to happen.
Robert Warren
#56. Painting with all its technicalities, difficulties, and peculiar ends, is nothing but a noble and expressive language, invaluable as the vehicle of thought, but by itself nothing.
John Ruskin
#57. Around 1980, I went back to painting with a vengeance.
Martin Mull
#58. To Buddha, the second figure in the painting, life on earth was bitter, filled with attachments and desires that led to suffering.
Benjamin Hoff
#59. Trying to solve complex social problems using the state, is like trying to create a beautiful painting with a machine gun: all you get is holes in the canvas, recoil aches, and a smell of cordite in the air.
Stefan Molyneux
#60. I caught you, saved you from painting the ground with your organs. You owed me a favor, and I asked for a single day without bloodshed.' 'Yeah, but you didn't specify which day.' With that, Paris dismissed the angel.
Gena Showalter
#61. There's a ton of stuff in mythology and folklore that is loaded with wonderful creatures that I haven't drawn yet, but that's kind of my retirement plan. Theoretically, I won't be doing comics any longer, and I'll just be drawing and painting whatever the hell I want. Most of that will be monsters.
Mike Mignola
#62. Psychoanalysis comes down to the process itself - the self, and life. I think I can say that I'm friends with the unconscious life, but I've never tried to make a painting directly from a dream.
Malcolm Morley
#63. Remember that a painting - before it is a battle horse, a nude model, or some anecdote - is essentially a flat surface covered with colours assembled in a certain order.
Maurice Denis
#64. Something sacred, that's it. We ought to be able to say that such and such a painting is as it is, with its capacity for power, because it is "touched by God."
Pablo Picasso
#65. Painting is concerned with all the 10 attributes of sight; which are: Darkness, Light, Solidity and Colour, Form and Position, Distance and Propinquity, Motion and Rest.
Leonardo Da Vinci
#66. When I look at a beautiful painting I have tears in my eyes, but not when I look at my children. That does not mean I do not love them, because I do, with all my heart, it simply means that the meaning they produce is not sufficient to fulfill a whole life. Not mine, at any rate.
Karl Ove Knausgard
#67. Julian presented the food. A fillet of sea bass with perfect griddle marks and a scattering of fennel picked from a nearby hedgerow. There were caramelized carrots, baby la ratte potatoes and a garnish of roasted tomatoes that had made a brief appearance in a painting that afternoon.
Red Ochre Press
#68. We played with the moon all night, painting faces on its blank cheek, shining its spotlight into sleeping people's windows. But mostly we just ate the moon, stuck tongues to its surface and felt it dissolve, left chunks of its minty scalp on neighbors' doorsteps.
Jalina Mhyana
#69. It takes waking prayer and working prayer and going to bed in prayer each day with increasing dedication. I must be the best person that I am able to be when I am painting. Tonight the wind is howling and the barrels are full of sky water.
Morris Graves
#70. I kept ... returning to the (ancient Roman) wall paintings with their veiled melancholy and elegant plasticity.
William Baziotes
#71. The thing that started me painting originally was seeing Bambi when I was about nine. I was incredibly disturbed by the forest fire that killed Bambi's mother, and that distress gave me the impulse to create something, as a way of dealing with it.
Joni Mitchell
#72. I stood and looked at the large framed painting of the Pierrot clown that hung on her wall and sympathised with the tears that rolled down its cheek. Like the clown, I felt contained within a frame, the only difference being my tears were not for public show.
Eileen Munroe
#73. Poetry' is what distinguishes the cubist paintings Picasso and I arrived at intuitively from the lifeless sort of painting those who followed us tried, with such unfortunate results, to arrive at theoretically.
Georges Braque
#74. People should quit their jobs, move to Oklahoma, move in with 34 people, pay $100 a month in rent and start a band or start painting. That way you'll feel like you have a purpose if you lose your mind, and you'll have some fun on the way.
Josh Jones
#75. I love book books, real books, books with spines and heart, dust jackets, books that smell of books. Take the frame from a painting and you have a painting, not art. Take the pages from a book and print them on a screen and you have the ghost of a book. Not a book.
Chloe Thurlow
#76. Painting is at once a form of meditation and an utter, complete personal engagement with life.
Steven Whitney
#77. One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.
Benjamin Haydon
#78. It's good when someone comes to a book or a movie and interacts with it. It's the difference between an illustration and a painting. An illustration serves a specific purpose, and a painting is something you can immerse yourself in.
Charlie Kaufman
#79. God comes to us in theater in the way we communicate with each other, whether it be a symphony orchestra, or a wonderful ballet, or a beautiful painting, or a play. It's a way of expressing our humanity.
Julie Harris
#80. It seems impossible that she could have liked someone like Mitchell when there was someone like this guy in the world, someone tall and lanky, with tousled hair and startling green eyes and a speck of mustard on his chin, like the one small imperfection that makes the whole painting work somehow.
Jennifer E. Smith
#81. If history were a photograph of the past it would be flat and uninspiring. Happily, it is a painting; and, like all works of art, it fails of the highest truth unless imagination and ideas are mixed with the paints.
Allan Nevins
#82. There is no civilization that did not begin with art, Whether it was drawing a line in the sand, painting a cave or dancing.
Toni Morrison
#83. If Painting be Poetry's sister, she can only be a sister Anne, who will see nothing but a flock of sheep, while the other bodies forth a troop of dragoons with drawn sabres and white-plumed helmets.
Augustus William Hare
#84. What a funny thing painting is. The abstract painters always insist on their connection with the visible reality, while the so called figurative artists insist that what they really care about, is the abstract qualities of life.
Marlene Dumas
#85. It takes more time to rework a painting than it takes to fill in the canvas in the first place. I wish I could get them all right with the first coat like many of the old masters could, but seem destined to have to rework to make them even passable.
E. J. Hughes
#86. If it hurt me to have to give up a painting I figured it had to hurt them to write the check. That's how I came up with the price for my work.
Keariene Muizz
#87. I enjoy painting, cutting the lawn and working in the garden when I have time. That's therapy for me. I enjoy working with my hands.
Billy Williams
#88. Writing is like painting with words, the paper is the canvas, the pen is the brush, the words are the colors and the verbs, nouns and adjectives are the blending of the hues that add depth to the picture you are creating.
-Reed Abbitt Moore-
Reed Abbitt Moore
#89. I don't obsess over things that other girls care about, like clothes, movie stars, hair, painting nails, knitting or whatever shit they're into. I just want to eat a bunch of hot wings, sleep, play ball, and maybe, someday, make out with Ty.
Miranda Kenneally
#90. The painter folded back the heavy curtain, standing in the stream of light breaking through the damp thickness of the room. He paused, still holding the drape in his hand as he considered with suspicion that a world could exist outside the window.
Thomas Lloyd Qualls
#91. Whereas painting is a more rarefied art form, with a limited audience, I recognized film as this extraordinary social tool that could reach tremendous numbers of people.
Kathryn Bigelow
#92. Quality and perfection are achieved with time. You do not create a perfect painting or a perfect poem by hurrying. Time is always coming.
Satish Kumar
#93. Painting seems like impossibility, with only a sign now and then of its own light.
Philip Guston
#94. Victoria was an innocent country gentlewoman who spent her time reading, teaching the local children, painting, gathering armfuls of heather in the meadow. Vivien, by contrast, was pleasure-loving and self-serving... with a moral compass that was most definitely skewed.
Lisa Kleypas
#95. Not the victims of any specific ideology of the left or of the right, but of the ideological posture as such. This has to do with the everlasting human dilemma in general: to work for a revolution and fail ...
Gerhard Richter
#96. Create with the heart; build with the mind.
Criss Jami
#98. His account books reflect a concern with fashion, as shown by periodic visits to a French tailor, and his sartorial elegance is confirmed in portraits. In one painting, he wears a double-breasted coat with brass buttons and gilt-edged lapels, his neck swathed delicately in a ruffled lace jabot.
Ron Chernow
#99. It's a real triumph taking a painting out from a pit-hole with a loose and open approach. Some aspects in its favour are those strange accidents that can produce amazing results.
Bill Vaughan
#100. I fell in love with painting. Painting allows me to see things as I want to and not necessarily as they are, it's an escape, a way to preserve thoughts and memories, a way to create hopes and dreams.
- Marina
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