
Top 100 Album Of Quotes
#1. About six months ago, I listened to Siamese Dream. That was the first time I'd ever really heard my own album, because I had separated from the experience of making the record. And it really moved me. It made me cry, it's so beautiful.
Billy Corgan
#2. I imagine many of my fans share a similarly chaotic feeling in their own lives. This album 'ARTPOP was written to make sense of that chaos.
Lady Gaga
#3. Been there, Remiel. Done that. Wore the T-Shirt, ate the burger, bought the original cast album, choreographed the legions of the damned and orchestrated the screaming.
Neil Gaiman
#4. I have a solo deal with Columbia Records. So it's about, do I want to release an album, when can we do it, what kind of album should it be, how should it be released and marketed and what's the right timing? Do I have time to do it? It's all about questions.
Cory Monteith
#5. I think the record industry has gotten to be more about labels wondering what the new single is rather than labels nurturing artists. It's gotten away from making a full album of music that someone would want to listen to all the way through.
John Varvatos
#6. I really wanna do a Spanish album. I have that Latin culture background. It's a part of me. I'm not the best Spanish speaker, but I have a longing to connect with that. I just think how supportive the Latin community has been, even during 'Idol.' I'd like to give back with something like that.
David Archuleta
#7. I heard a quote once in a documentary about a band that said you're better off owning everything 100 percent and selling 20,000 copies of an album than signing with a record company and selling a million copies. There has never been a truer statement about show business than that.
Bill Burr
#8. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients. I love hip hop.
Erik Hassle
#9. I've started working on a new album, I'm writing a new book ... there are a lot of good things on the horizon.
Ace Frehley
#10. I'd actually like to make a country album one day. One of my idols is Neil Young, because he's kept himself from being bored.
Art Alexakis
#11. All my money comes from show money. You might get your deals, your advancements to do your album, but it wasn't in great abundance. Everybody's money in the '90s came from doing shows. That's a whole lot of show money, and that's it.
Redman
#12. Affectors Harmagedon is a solid blast of PROG metal complete with burning solos, odd time signatures, orchestral highlights, and Rock riffs that will tear your head off! Excited that I could be a part of this album!
Jordan Rudess
#13. I don't know if I was as ambitious as to change the world, but I do feel like - the reason why I called the album "Our Version of Events" was that I feel a lot of people are not represented in pop music and popular culture.
Emeli Sande
#14. Just like zillions of children, album covers educated and informed me, and certainly did I later transpose organically, rather than by intent, those principles both in fashion design and photography.
Hedi Slimane
#15. 'American Horror' goes for a very specific kind of Seventies suburban downer ambience - 'Flowers in the Attic' paperbacks, Black Sabbath album covers and late-night flicks like 'Let's Scare Jessica to Death.' It even has 'Go Ask Alice'-era urban legends.
Rob Sheffield
#16. I actually didn't want to have control of the writing on my first album. To write, you have to have time to connect with yourself. I don't have that time right now, because I'm so busy.
Hilary Duff
#17. On first listening, Joni Mitchell's 'Court And Spark,' the first truly great pop album of 1974, sounds surprisingly light; by the third or fourth listening, it reveals its underlying tensions.
Jon Landau
#18. Now that that album's done [TModern Vampires of the City], I have time to revisit things that I was working on earlier, previous to it. I actually found it very helpful to be working on some music on my own.
Rostam Batmanglij
#19. The album is a thing that you can hang out with between shows. I think that it's really nice to give people something they can enjoy in a private situation or walking around, just as the soundtrack of their lives.
Alex Ebert
#20. Ralph Stanley is like an uncle to us and now that all my uncles are gone, Ralph's singing is even more precious. This album of classic folk songs is one of his best.
Garrison Keillor
#21. Being a purely instrumental album, it makes a musical statement, not a religious one, and I hope that people can feel the emotion of the great melodies, even without the words.
Kenny G
#22. Barbra Streisand, for one, is one of my idols. I've listened to her since I was a little kid - the first album I ever bought was 'A Star is Born' with Kris Kristofferson.
Idina Menzel
#23. An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it because it's all of a piece.
Bat For Lashes
#24. And then the last album, 'Get It', was done over a shorter period of time and I started using other musicians, as opposed to playing all the instruments myself like I did on the other two.
Dave Edmunds
#25. We've had a number 1 album in the UK and that was a really big thing for me. So now all we've got to do is do it in America and that will have the domino effect of doing it across the rest of the world.
Dan Hawkins
#26. I wanted out of my record deal with EMI. They wanted me to record one type of album; I wanted to record the type of music I wanted to make.
Joss Stone
#27. I went along and basically learned a few of the songs they were doing at the time, which were quite a few of the songs we ended up doing on our first album.
John Deacon
#28. A lot of times, people have forgotten about an album by the time it's released, because it leaked three months earlier. Very strange days we live in.
Matt Smith
#29. I hear an album so many times during the course of making it that when I've just finished it, I don't want to hear it again. After you've taken a little bit of time away from it, you can come back to it, which can be scary. I'm happy with 'Sonik Kicks,' man.
Paul Weller
#30. I'm Here All Weak might be the strangest comedy album I have ever heard. But I've listened twice, which is more than I listen to 90 percent of all comedy albums, so I think I love it?
Tom Scharpling
#31. I did Albert Hall, I got to play the Hall of Fame with Prince. So I've done that kind of stuff for ages. It wasn't until after we finished working on Brainwash, my dad's album after he died, then it was like 'That phase is over in my life now, now we can get on with our music, with our band.'
Dhani Harrison
#32. Steve and I caught Neil Young promoting his first solo album, his signature black Gibson plugged into a tiny Fender amp, blowing out the walls of the Bitter End.
Bruce Springsteen
#33. But when I record my next studio album, of course I'll do the lead vocals.
Lita Ford
#34. There isn't one album that says 'Hall & Oates.' It's always 'Daryl Hall and John Oates.' From the very beginning. People never note that. The idea of 'Hall & Oates,' this two-headed monster, this thing, is not anything we've ever wanted or liked.
John Oates
#35. The final picture in the album was of Aunt Lovey and Uncle Stash, their black-and-white wedding photo. I hated that their picture came last, because it felt like they were saying goodbye.
Lori Lansens
#36. The collectability of music is something lost in the age of MP3s and album downloads. Holding an album in your hands and having the full-sized artwork reconnects the artist and the listener.
Mark Hoppus
#37. I think my first hit was probably '24 is a Rubberband Man,' which was my second album. My first project, it was very well received in the Southeast region, all throughout the South and parts of the Midwest. It was very well received, but I didn't get national exposure on my second album.
T.I.
#38. I'm very proud of Seungri. I worked over a year for my album, but one day YG told Seungri to make an album and he made one in just 2 weeks. Ah, maybe 3 weeks. He's a true genius. I'm jealous of his propulsion.
G-Dragon
#39. Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.
Adele
#40. If you take the hard facts of a failed relationship, it's pretty grim. But if you make an album out of it, and if the violins represent all the tears, you create something magical out of something very normal.
Lykke Li
#41. I think we all attract troublemakers; I don't think it's particularly about anyone. I had it actually as an album title, and I thought it would be really cool to write a song about a girl that's a bit of troublemaker.
Olly Murs
#42. There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
Hillary Scott
#43. At one of my old schools, I didn't tell anyone I was doing my first album because I was worried they'd be like, 'Who does she think she is?' So I just let them find out for themselves.
Dionne Bromfield
#44. Elvis Presleys' first album had more energy and more enthusiam than any other album at the time - when it was released it just blew everything else out. It changed the whole landscape of music
Brian Setzer
#45. I was wanting to do an album but I didn't know if I was really ready. Jerry Wexler was one of my closest friends and allies, like my godfather. He said, "Let's do an album." I couldn't sing worth a damn, but there were some good songs.
Donnie Fritts
#46. All of these reissues were not authorized by me, I do not endorse them, the live album was put out without my permission, and I've not seen a dime at this point, either.
Jello Biafra
#47. As an artist, you dream about accumulating enough successful music to someday do just one greatest-hits album, but to reach the point where you're releasing your second collection of hits is beyond belief.
Gloria Estefan
#48. After the 'Grey Album,' everyone thought of me as the hip-hop guy, the remix maestro. I didn't know how to show them otherwise.
Danger Mouse
#49. A lot of good has come from drugs. I think 'Penny Lane' is worth 10 dead kids. Dark Side of the Moon is worth 100 dead kids. Because a lot of kids wouldn't even be born if it weren't for that album, so it evens out.
Bill Maher
#50. When creating an album, one of the first things you have to think about is what you want your production style to be.
Laura Bell Bundy
#51. George Carlin's album, 'Class Clown,' came out when I was in high school. I memorized a lot of that album. I'd come home from school, put it on, and listen over and over. I started memorizing it. I don't even know why. I loved it so much I memorized it.
Steven Wright
#52. A verbose, prosaic review which mentions whistling winds and the timeless feeling of jade doesn't mean anything to me; I don't need a novella telling me about how an album is like a fine meal.
David Cross
#53. Certain artists have a role to echo the echoes of the people and that's what I'll be doing on my next album.
Jimmy Cliff
#54. I feel like there's a lot of beauty in the darkness of Narrow Stairs, but that's not really a place I'm ready to go to for a while. I'm interested in taking a different approach and having the next record be different in tone - I'm just not interested in making another dark, dark album.
Ben Gibbard
#55. We have been trying to play a lot of different kinds of music, and probably the next album will go back more towards the direction where you couldn't classify each song as a certain kind of music. This album you can.
Mike Gordon
#56. There were a lot of people doing new and interesting things with rock. But I wanted to take it farther than that. My real influence was punk. I must have listened to the first Patti Smith album 300 times.
Glenn Branca
#57. Major labels act as banks in terms of how they produce and release your album. No major label is really good or bad; they just 100 per cent operate as a business, which makes sense ... no hard feelings.
Solange Knowles
#58. There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.
Edgar Winter
#59. Like all bands, the first two albums are always the ones most written about, and the most covered. When a band gets to their third of fourth album, the story of the band has already been told.
Kelly Jones
#60. There were a couple of companies that wanted to put me with a producer, and I said, "Well, I just produced my last album," and I wasn't about to go backwards.
Shuggie Otis
#61. When you work on an album for three and a half years, you're kind of ready for it to get out there. To have your songs reach people.
Kimbra
#62. I like to believe a true fan of music or an artist has a genuine respect for what the artist does and has a distinct understanding of their actions. In that buying an album they are helping the artist to continue making music. It's hard because everyone wants something to be free.
Ben Howard
#63. When 'The Dark Side of the Moon' was a new album in 1973, a friend of mine walked into my room where I was working with a copy in his hand and said, 'You really have to do a play about this album.'
Tom Stoppard
#64. Of course I am stressed after I finish working on an album about what an audience will think, if it will be successful or not.
Rokia Traore
#65. My next project will be a Christian album, another one. I wrote the songs for the ones you're referring to, but I want to do some of my old gospel favorites. That's what my next album's going to be.
Charlie Daniels
#66. When I hit my 20s, I took a chill pill and relaxed because throughout my teens I was churning out an album a year. It was a treadmill of work then recording, promoting and touring.
Vanessa Mae
#67. If I weren't making music, I'd be the kid who writes into the magazines and says, "why don't you guys ever cover anything that's different? Hip hop is so much of the same thing over and over again." I love hip hop, so I wanted to make an album from that standpoint, 'cause that's who I am.
Mike Shinoda
#68. Each album comes from definitely a different period in the evolution of each of us individually as creators and the role that we take in life. The external stimuli changed ... so the songs are full of lots of different meanings.
Robert Plant
#69. Even though there are some great keyboard players on the album, there are a number of songs with no keyboard on them and the backing is all guitar oriented. This is first time I've ever done this actually.
Lee Ritenour
#70. Cube's album Death Certificate: "Let me live my life, if we can no longer live our life, then let us give our life for the liberation and salvation of the black nation.
Ta-Nehisi Coates
#71. I finished 'Beautiful Creature,' and I felt somewhat unfulfilled. I felt like this other side of me needed to be released. Some of the songs I left off the album weren't intense enough to be what I wanted. They weren't hard enough.
Juliana Hatfield
#72. I want to sell out arenas and make an album and work with some of the best artists in the world.
Niall Horan
#73. I don't wanna get into that space where a lot of guys now, their solo album is like eight or 10 songs with other people, you don't get an idea of who this guy is. I just wasn't interested in that.
Mos Def
#74. I'm never doing a new album. I'll probably do nothing but singles. I'm as good as anybody out there lyrically and conceptually and can go toe to toe with the best of them throughout history. But I don't know how much longer I'll be doing it. It's not really fun anymore.
Coolio
#75. What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.
Barry Manilow
#76. When I get ready to do an album, that means I have something to say for the sake of words, and I listen back to all of the things I've been creating and pull things from out of the air to go with them. It's almost like I start creating the album before I even think about creating it.
Erykah Badu
#77. I've been working on my own music. I've been writing an album, stuff that's kind of personal to my own life.
Ariel Winter
#78. The opportunity to record the song came when Phil Collins' record label, Atlantic, was doing a tribute album to him and they asked all these different artists to do renditions of his songs.
Deborah Cox
#79. My first album is a lot of my personal experiences. I wanted people to relate to what I've been through.
Rebecca Ferguson
#80. Courting is always difficult when the one being courted has an elderly female relative in the house; they tend to mutter or cackle or bum cigarettes or, in the worst cases, get out the family photograph album, an act of aggression in the sex war which ought to be banned by a Geneva Convention.
Terry Pratchett
#81. The photograph of my brother that is in this album shows a young man, beautiful and perfect in the way of young people, for young people are always perfect and beautiful until they are not, until the moment they just are not.
Jamaica Kincaid
#82. My wife called me a mule. She once said, "I didn't marry a man; I married a mule!" I kept thinking about it. It was in the back of my head. I think it makes a good title for an album.
Tom Waits
#83. A song of mine called 'I'll Take Care of You' was on that 'Wide Open Spaces' Dixie Chicks album.
J. D. Souther
#84. A lot of my fans are young and hip and enjoy my pop album and know the lyrics to those songs as well, which is a real compliment to me.
Idina Menzel
#85. If part of the purpose of making an album is to get some radio play, then you might as well think about that. But that's not really how we picked the songs.
Mike Gordon
#86. Success has a lot to do with luck, but it also involves a lot of real hard work. The thing about success is you really can't gauge things by album sales.
Jerry Cantrell
#87. The mystical poetry of William Blake's artwork also forms the basis for the album cover.
Bruce Dickinson
#88. I mean, I don't think I would call Claus to do an album of big band tunes. You know, just like arrangers write for the artist they have in mind; you have to keep in mind if you're going to work with Claus Ogerman. You invite him to do what he does.
Diana Krall
#89. So we are not doing the traditional album, tour, album, tour, album, tour anymore. We're going to tour when we want to, regardless of whether we've got a record out.
Ed O'Brien
#90. It is so surreal to come into a shop and see pictures of myself everywhere and hear my album playing.
Michelle McManus
#91. I've been blessed because there are a lot of great singers out there that didn't make it past their first album.
Ruben Studdard
#92. You've got a new Spanish-language album out now ["90 Millas," released in September of 2007], and the single ["No Llores"] is #1 on the Billboard Latin chart.
Gloria Estefan
#93. I was trying to learn how to deal with the freedom that I had away from home for the first time. 'Long Black Train,' the song and the album, are very special to me. It was just one of those things that I felt like God gave to me for a purpose, and I've been out here promoting that purpose.
Josh Turner
#94. I did a lot of writing for a lot of different kinds of bands that I was in and out of during those five years and that left me with a little body of songs that I liked better when I played alone, so I ended up going out solo and very soon made my first album.
Bruce Cockburn
#95. A family's photograph album is generally about the extended family and, often, is all that remains of it.
Susan Sontag
#96. Have two A & R people who listen to songs for me all of the time. When they hear something that they think I will like, they send it to me. We usually listen to hundreds of songs before we find the right ones. It's a long process, but I believe that it's the most important in creating an album.
Jessica Andrews
#97. As a producer, I'm an objective observer, helping a band form their ideas into a cohesive album. It's a step back from the intimacy of creation.
Mark Hoppus
#99. I don't think I'd ever make an album of just covers because I love writing my own music.
Taylor Swift
#100. I feel like my best work is in front of me. I'm in the studio now, and I'm having an amazing time making this new album. It's something I can't help.
Lenny Kravitz
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