The Game Film Quotes

#1. Yeah, I played video games on and off for quite a few years. I played Doom and was a fan of the game and that was my prime reason for doing the film.

Karl Urban

#2. Something like small English films were in vogue you had something like The Crying Game and everyone piled into London and wanted to make small English movies.

Eric Fellner

#3. If you say you're going to do something, you do it. If you start it, you finish it. Yes sir, no ma'am. And you've got to have that kind of structure in your life. It kind of helped me be that disciplined person that I am, whether it's with workouts, film or just the game of football.

Robert Griffin III

#4. Then there's going to be another project I am involved with, in fact, I'm going back to film it next week. It's a game for the Internet called Advance Warriors, and my character is Max, who is blind, but he has special powers. It will be a new game played on the Internet.

Jeremy Bulloch

#5. Console game publishing has become more like theatrical release film-making and it is very hard if you are not one of the major publishers, and even for them it is hard unless they are working with major game brands.

Trip Hawkins

#6. The film looks suspiciously like the game itself!

Bum Phillips

#7. Mondays I sleep. I go in at ten, do my lift, watch the game from the day before. Tuesday is off, but I go in, lift, watch film. Then I have French toast with my sister.

Ndamukong Suh

#8. Making a film, you do need stamina, whether you're doing fight scenes or not. It's important to keep fit. I'm not talking about having perfect abs and stuff, but you've got to be on top of your game, especially if you're playing the lead. You have to look after yourself.

Liam Neeson

#9. I think if you're writing a play, it should be its own end game; you'll never get to do a good one unless you know it's not a blueprint for a film; you're not going to get the action right and the story right.

Martin McDonagh

#10. I do think a good story in a novel is fair game and there's nothing wrong with adapting that. It sometimes gets a bit facile where they think: "Let's get the next best-seller and see if we can turn it into a film."

Colin Firth

#11. My only close-to-game-plan is to follow good writing. If the writing is in TV or if it's in theater or in film, that's it. It doesn't really matter what the medium is.

Adam Driver

#12. The video game culture was an important thing to keep alive in the film because we're in a new era right now. The idea that kids can play video games like Grand Theft Auto or any video game is amazing. The video games are one step before a whole other virtual universe.

Vin Diesel

#13. So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses.

Danny Elfman

#14. Before the Beatles, America was musically a very conservative country. You can see film footage of people at a baseball game, they all had hats and ties on, and the women were dressed up like they were going to church. That was the America that I started getting interested in musically.

Don McLean

#15. I owe baseball all that I have and much of what I hope to have. Baseball made my entrance to the film industry immeasurably easier than I could have made it alone. To the greatest game in the world I shall be eternally in debt.

Chuck Connors

#16. You don't hear a film director saying 'Money mustn't go out of the industry' to actors. You don't hear a concert promoter saying 'We must make sure that money doesn't go out of our industry' to Elton John. Some people in football seem to think, 'Never mind the players, let's get on with the game.'

Gordon Taylor

#17. One episode of 'Game of Thrones' is equivalent to my film 'Centurion' in budget and scope. 'Centurion' has a longer running time, but that's kind of the only difference, and I think people now, if they want drama, they watch TV.

Neil Marshall

#18. It's something that I am going over in my head about the whole video game thing, and whether you support violence by being in a film like this. I mean, to me, it's incredibly unreal and it's all about the action, and just explosions.

Rosamund Pike

#19. That is the thing I'm most grateful for in this industry to be able to spin in those different mediums, with television, film and the stage - at this stage of the game.

Blair Underwood

#20. And because performing for a game involves real acting. The way they create a game is very similar now to how they create a film. I've always wanted to stretch my acting skills, and the timing being what it is, I couldn't say no.

Josie Maran

#21. If you look at the game and everything, it's not quite like looking at an animated film, because that's total character. This, this is really movement, but it's got funny little things if you look for the humor. They're actually getting to the character.

Don Bluth

#22. It feels good when it helps to get a good seat for a football game. But it never helped me make a good film or a good shot in a polo game, or command the obedience of my daughter. It doesn

Walt Disney

#23. There are lots of parts of filmmaking that I don't like. At the end of the day, especially on features, the film turns into a commodity. You have to play this entirely new game I'm very uncomfortable with.

Taika Waititi

#24. Crime is interesting. It's huge and fascinating, and it's what my business, TV and film, is largely based on. But the realities are tragic, and in crime drama you rarely see the pain of bereavement or any consequences. It's reduced to a chess game.

Peter Capaldi

#25. When you knock people out, it's sometimes a very scary situation - but I always hoped that no one got seriously hurt. Now when I see them get knocked out, I laugh. When you finish the game, it's funny. And when I look at film of myself, I think, 'I wouldn't fight that guy.'

Marvin Hagler

#26. With the film, you have a bunch of executive producers, directors, writers, scripts. There's, management, lighting, the union and etc. There are so many components a part of that game, so naturally it isn't my world.

Ashanti

#27. For this game, we shot it just like it as if it was a film so there wasn't that much different from doing a film other than some technical things for the costume that had to be done so they could transfer the footage later and make it look animated.

Josie Maran

#28. I knew nothing about football, then someone showed me a film of Petit and I realised how interesting the game could be. He is divine. When I met him I could barely speak, he was so gorgeous. Women will love that show.

Ruby Wax

#29. I completely take on the risk, the poker game, which being an artist means, and I'm going to try to make a film which honestly reflects what I have in my head.

Antonio Banderas

#30. I think that with piracy and tighter funds being around, people are realising that the game to play is to try and win people's respect with bold film making and then win a special place in people's collections, rather than just having the biggest opening weekends.

Riz Ahmed

#31. I would love to compose more fantasy music, whether it's for a film or a game. That genre has so much opportunity for harmonic experimentation, not to mention all the interesting instruments that become available when composing music for alien species and other worlds.

Jason Graves

#32. I'm always searching for a signature sound and melody that resonates with the film and audience and becomes integral to the film, game, or show.

David Raiklen

#33. I was playing the game where I was going to be a great TV or film writer some day and there was nothing else that I thought about, including other people.

Dan Harmon

#34. My first experience with film was through a still camera. I would sit, very much against my will, with my father in the game reserve, watching some elephant or rhino or whatever, through a 400 millimeter lens and wait, and waiting and waiting.

Gavid Hood

#35. The hardware manufacturers, game designers, cable companies and computer companies and, in fact, film studios are going to ensure that this thing marches on. They know that they are going to make an enormous amount of money from it.

Thomas Dolby

#36. Football is a chess game to me. If you move your pawn against my bishop, I'll counter that move to beat you. Football is the same way. I study so much film that I know exactly what teams are going to do. I love knowing what a offense is going to run and stuffing that play.

Junior Seau

#37. Peter Jackson and Steven Spielberg are men at the top of their game, and Jackson especially is going to change the nature of film-making.

John Rhys-Davies

#38. I just want to know if I'm truly not in the NFL, it's because of talent. Let it be because of my talents. But you've got to prove that I can't play this game. If you look at the film, clearly I can. So, I'll leave it at that.

Michael Sam

#39. House was the first film where I had no influence on the script. I had to buy the script with the game rights.

Uwe Boll

#40. But we had a fantastic coach, Simon Clifford, who runs a British football youth game which teaches Brazilian techniques - which is what we wanted to incorporate into the film. And some of those things we eventually got in.

Parminder Nagra

#41. We watch so much film, calling up pitch by pitch, count by count in order to spot tendencies. Technology is a big part of how I get ready for a game. What's funny is a lot of the NFL guys say they study the 'Madden' game; that's how they learn to read offenses and defenses.

Carl Crawford

#42. The cool thing about 'Spy Kids 3D: Game Over' was that Robert Rodriguez brought back 3D. I feel like he did with that film. Now, every film is 3D.

Daryl Sabara