Top 100 Stories With Quotes
#1. And so my story begins, like so many stories, with a woman
Daniel Defoe
#2. I'm used to writing stories with a beginning a middle and an end in four minutes.
Steve Earle
#3. Mapping and visualization is a huge area of work and is of interest to many people. We're working on reinventing a new kind of 3D cartography to make it easier to tell stories with 3D maps.
Jack Dangermond
#4. Digital-Original publishing embraces the non-conventional and genre-busting story. It allows me to share good stories with readers who will enjoy them, and at a reasonable price.
Michael A. Stackpole
#5. Evidently there is difficulty, real difficulty, in learning a foreign language at all, as if it sprinkled all the sweet flavor of the Greek mythical stories with a foul taste.
Augustine Of Hippo
#6. I don't want to be embarrassed when I go to see something on the screen. I don't want to listen to foul language, watch a lot of violence or see something immoral. I prefer stories with sensitivity and family values; films that strive to lift you up to a higher place in life.
Debra Paget
#7. There are some people who believe that these are not real stories with real people, but they actually are.
Samantha Bee
#8. I look around myself wildly, my heart bursting with grief and fear and joy. I am leaving, but I will take this place and its stories with me wherever I go.
Jennifer Donnelly
#9. Throughout the ages, stories with certain basic themes have recurred over and over, in widely disparate cultures; emerging like the goddess Venus from the sea of our unconscious.
Joan D. Vinge
#10. I do tend to gravitate to the more dramatic side of things. I love feeling intense emotions when I'm acting. I just love characters and stories with conflict.
Aaron Paul
#11. I wasn't writing stories with the intention of creating a particular collection. I simply wrote stories, and then discovered common themes among a good number of them.
Bonnie Jo Campbell
#12. Us writers all like each other and want to write stories with each other; we're having a good time.
Charles Soule
#13. I think people are really starting to rebel against that. And I think there's going to be more and more gray areas. Hopefully that means we'll see more stories with characters that could be interchangeable with men.
Evan Rachel Wood
#14. It's not like I'm narrating stories with music behind them. It's all kind of one thing. You hope you can provoke a specific emotional reaction, but in ways that aren't quite plain.
Jonathan Meiburg
#15. I have always loved really dense, complicated stories with lots of layers, tons of obscure literary references, and a plethora of inside jokes.
Alethea Kontis
#16. I hate to think that all my current experiences will someday become stories with no point.
Bill Watterson
#17. I get all the truth I need in the newspaper every morning, and every chance I get I go fishing, or swap stories with fishermen to get the taste of it out of my mouth.
Ed Zern
#18. Impossible stories, stories with No Entry signs on them, change our lives, and our minds, as often as the authorized versions, the stories we are expected to trust, upon which we are asked, or told, to build our judgements, and our lives.
Salman Rushdie
#19. Life stories with themes of ruin can trap us. Life stories that are triumphant can transform us.
Meg Jay
#20. People have to identify with their own stories, with their own lives, so a movie belongs to a country and to a culture. Sometimes we can share, but it's very rare.
Carole Bouquet
#21. So many of us are hungry for stories with more racial diversity, more truth in representation, and I am anxious to help tell those stories in the future.
Cameron Crowe
#22. We tell stories with maps about global warming, biodiversity; we can design more livable cities, track the spread of epidemics. That makes a difference.
Jack Dangermond
#23. I love telling stories with images. But I think there's more to just saying a movie is great visually.
Asif Kapadia
#24. Funny, that we always told stories with wolves and beasts and demons as villains, but in real life it seemed the humans were always the worst enemies. You could be your own villain.
Liesl Shurtliff
#25. Pictures are very important. I remember at home we had illustrated editions of Rudyard Kipling's 'Just So Stories' and 'The Jungle Book,' which were read to me. Living in Zimbabwe made it very real, especially the 'Just So Stories' with the 'great grey-green greasy Limpopo.'
Korky Paul
#26. I like the stories with the historical themes.
Sarah Sutton
#27. I think that's why I'm an actor: so I can tell those stories without having to really live through those stories with real consequences and real stakes, real responsibility.
Aaron Lazar
#28. Don't confuse stories with facts. ...When you generate stories in the blink of an eye, you can get so caught up in the moment the you begin to believe your stories are facts.
Kerry Patterson
#29. I do not allow fan-fiction. The characters are copyrighted. It upsets me terribly to even think about fan-fiction with my characters. I advise my readers to write your own original stories with your own characters. It is absolutely essential that you respect my wishes.
Anne Rice
#30. Scrivener is where I live. I'm planning the next novel, two screenplays and a couple of short stories with it and it's amazing how fluid the software makes the process. I genuinely think this is the biggest software advance for writers since the word processor.
Michael Marshall Smith
#31. For Eva, there is no better day than one spent with her laptop writing love stories with a naughty twist.
Eva Lilly
#32. Men like to share outrageous stories with one another - embellishing the keenness of our instincts and exaggerating the metallic compounds that make up our genitalia, or "brass balls" as they say.
Noah Fregger
#33. I am drawn to writing books about magic and the supernatural because those are the types of books I like to read. I've written many short stories with realistic settings, and I certainly wouldn't rule out realistic novels in the future!
Cassandra Clare
#34. Anytime you share life stories with other people, you know, you are acknowledging their humanity and kind of accessing some things about yourself, and other people start to expect things about themselves. It's kind of like a fellowship.
Jill Scott
#35. Google and others truncate headlines at 70 characters. On the Manti Teo story, Deadspin's scoop fell down the Google search results, overtaken by copycat stories with simpler headlines. Deadspin's headline was 118 characters. Vital information - 'hoax' - was one of the words that was cut off.
Nick Denton
#36. The regional tags are often pejorative and dismissive. Don't think of place-bound stories, in other words, but of stories with a strong sense of place.
John Dufresne
#37. The epic implications of being human end in more than this: We start our lives as if they were momentous stories, with a beginning, a middle and an appropriate end, only to find that they are mostly middles.
Anatole Broyard
#38. I want to tell authentic, real stories with real characters.
Adepero Oduye
#39. Some after-the-fact storytelling is inevitable, and, in fact, very good and useful. But then we want always to be able to enrich the stories, or maybe change the stories with a fresh infusion of specificity.
Nicholson Baker
#40. Girls have always read comics. There's nothing intrinsically masculine about telling stories with pictures.
Kelly Sue DeConnick
#41. I would imagine that if you had a media brand that is solely focused on publishing 5,000-word stories with beautiful proprietary photographs and highly-produced videos, it would be a tough thing to make that economically sustainable.
Jim Bankoff
#42. Subtle horror is where you rarely see the blood and gore. The violent people are called splatter-punks, who prefer graphic, unrelenting, violent, fast-paced horror. I prefer horror stories with mysterious elements that are chock-full of suspense.
Richard Chizmar
#43. My very first lessons in the art of telling stories took place in the kitchen ... my mother and three or four of her friends ... told stories ... with effortless art and technique. They were natural-born storytellers in the oral tradition.
Paule Marshall
#44. It's funny how the ruthless, murderous gangster has really been romanticized by the media. I mean, I grew up watching the 'Godfathers' and 'Scarface,' and they were the coolest. They're just really interesting stories with great characters. They're rock stars.
Elena Satine
#45. Even the adults were charming, traditional Barue, who readily shared kitchen stories with him over mugs of Swigny.
Suresh Guptara
#46. I remember, for the first time, sitting down and consuming books in a matter of hours. This was such a new experience for me because reading, up until that point, had been such a struggle and source of stress. I think I just needed to find the right kind of stories with which I could identify.
John Corey Whaley
#47. We are essentially in the business of telling stories. We would like to think that most of our stories are basically human stories with sports as a backdrop.
Bryant Gumbel
#48. I can make up stories with the best of them. I've been telling stories since I was a little kid.
Rabih Alameddine
#49. 'The Hunger Games' for me is I love the books so much and the character and the story were incredible. That's kind of the game plan is just do really interesting stories with interesting characters.
Josh Hutcherson
#50. It's sometimes surprising how people can open up when you demonstrate a willingness to listen to their stories with attentiveness and respect.
Kevin Fedarko
#51. I use the time to finish reading Of Mice and Men, which turns out to be just as awful as I thought it would be. I hate stories with dead puppies. So depressing.
Hannah Harrington
#52. It's a director's job to tell a story and he's very well versed in telling stories with a bit of comedy in them and keeping the pace of the movie right and that's exactly what he did. He was observant of a world he didn't understand but he told a wonderful story.
Cuba Gooding Jr.
#53. I am not an artist, and I never intended to be one. I hope I have made some good photographs, but what I really hope is that I have done some good photo stories with memorable images that make a point, and, perhaps, even make a difference.
Cornell Capa
#54. I've long been interested in the tale-within-a-tale phenomenon. I'm familiar with many tales which use this framework or the device of many people in one place, telling their stories, or multiple storytellers commenting on each others' stories with their own.
Chitra Banerjee Divakaruni
#55. Country music to me is heartfelt music that speaks to the common man. It is about real life stories with rather simple melodies that the average person can follow. Country music should speak directly and simply about the highs and lows of life. Something that anyone can relate to.
George Jones
#56. Journalism is about covering important stories-with a pillow, until they stop moving.
David Burge
#57. She devoured stories with rapacious greed, ranks of black marks on white, sorting themselves into mountains and trees, stars, moons and suns, dragons, dwarfs, and forests containing wolves, foxes and the dark.
A.S. Byatt
#58. I think that we're moving into this new phase of television where audiences are really embracing stories with a beginning, middle, and end.
Carlton Cuse
#59. I didn't know I was doing film noir, I thought they were detective stories with low lighting!
Marie Windsor
#60. There is enormous need for professionals who know how to tell stories with narrative punch and nuance, who can work proactively and not just reactively, and whose approach is multi-faceted. We need more "useful photographers."
Fred Ritchin
#61. If you want to be a director, work with writers and find different ways of telling stories with film, then do a course. This way you can consolidate what you've learnt and use the course to go further.
Gurinder Chadha
#62. If you know that youth is dying on the run and my daughter trades dope stories with your son we'd better see what all our fearing and our jeering and our crying and our lying brought about. Take Time Out.
Maya Angelou
#63. I love opera, I love writing for the voice, I love telling stories with music.
Anthony Davis
#64. Whether through TV, film, online, app, or web, we will find ways to tell our stories with authenticity, and engage with our viewers beyond traditional means.
Sam Branson
#65. Sometimes I make my life a living hell by writing complex stories with complex characters. But I love it.
Kevin James Breaux
#66. If you don't share your stories with other people. do they even count? If you don't share your stories, do they even need an ending? I know, it's that stupid if a tree falls in the forest sort of question, but I mean it.
Aaron Starmer
#68. My mother was an avid reader ... She loved books about romance. Books that took place in faraway places and times. Stories with costumes ...
Adriana Trigiani
#69. In many ways, home is an image for the power of stories. With both, we need to live in them if they are to take hold, and we need to stand back from them if we are to understand their power
J. Edward Chamberlin
#70. Solitude is an essential element for the spiritual health of a child. If we only stimulate our children - keep them busy with endless stories with no space to be alone - that's not good.
Henri Nouwen
#71. I didn't set out to do a gay comic, but given the current political and religious climate in this country, I feel it is important as a gay person, and a Christian, to create stories with humor and honesty.
Paige Braddock
#72. Authors tell stories with "the express intention of wanting people to believe them, at least until the book is closed.
Elizabeth Edmonson
#73. Lyrics paved my teenage route to loving words. I take those passionate mini-stories with me everywhere.
Carla H. Krueger
#74. I always wanted to experience what performance would be like without the fourth wall, so I formed a company in Australia, and we did avant-garde theater, playing with gender norms, conversations about race - we just had a box of issues that we wanted to subvert with our stories, with dance.
DeObia Oparei
#75. She'd known he'd understand. Brothers and sisters had their own language, their own shorthand. She was glad to be able to share the weird, ridiculous impossibleness of it with the only person who knew all the same stories, with the person who'd made those stories in the first place. (pg. 117)
Holly Black
#76. There is no off position on my visual switch, and I don't want one. I love, and always have, telling stories with my camera.
Bill Frakes
#77. I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.
D.J. MacHale
#78. I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy', because I think we all have potential to do good things and all have the potential to do bad things.
Guy Pearce
#79. It is the job of art to replace unhappy true stories with happier inventions.
Sophie Hannah
#80. I looked back at some of my earlier published stories with genuine horror and remorse. I got thinking, How many extant copies might there be, who owns them, and do they keep their doors locked?
Richard Russo
#82. Cartoons for girls don't have to be a puddle of smooshy, cutesy-wootsy, goody-two-shoeness. Girls like stories with real conflict; girls are smart enough to understand complex plots; girls aren't as easily frightened as everyone seems to think.
Lauren Faust
#83. Maybe we guzzle forty stories with every breath we draw and they soak into us and flavor and thicken and spice the wild stew we are.
Brian Doyle
#84. I like stories with a collision of disparate tones. Look at 'Shameless' or 'House of Lies'. They go from big, silly, and comedic to very real dramatic moments in the wink of an eye.
David Nevins
#85. I wonder why you see him and I hear him," Will said.
"You hear him?" Ivy reached over and switched off the motor. "You hear him?"
"So does Beth."
Ivy's mouth dropped open.
"She writes stories with messages that aren't hers. I draw angels I don't mean to draw.
Elizabeth Chandler
#86. I'm great at telling stories with the kids. I do all my different accents. We make our own stories up all the time, the four of us, me and Hannah and the kids.
Stephen Graham
#87. We are writing stories with light and darkness, motion and colors. It is a language with its own vocabulary and unlimited possibilities for expressing our inner thoughts and feelings.
Vittorio Storaro
#88. Marvel does a fantastic job about bringing human stories - because you're telling big stories with a heart at the centre of it - and that's what connects all of the characters to our audience members.
Mike Colter
#89. I seem to enjoy telling stories with a central absence, with a lacuna tunnelled into them.
Junot Diaz
#90. I get to collaborate and tell stories with moving photographs.
Gia Coppola
#91. Many readers share their stories with me and if one speaks to me (or if the same theme keeps coming at me), I will research it and decide if it would make a good book. But, straight down to it, people inspire me.
Ellen Hopkins
#92. I don't go looking for stories with the idea of wrongness in my head, no. But the fact is, a lot of great stories hinge on people being wrong.
Ira Glass
#93. I'm not sure I can name a kind of story that wouldn't work in comics form. It's words and images, and we've been telling all kinds of stories with that combination since theatre was invented thousands of years ago.
James Vance
#94. She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.
David Nicholls
#95. I love stories with a happy ending, Inspector Me said.
Derek Landy
#96. Skill sheets, workbooks, basal reader, flash cards are not enough. To convey meaning you need someone sharing the meaning and flavor of real stories with the student.
Jim Trelease
#97. I've always wanted to be a writer. Ever since I learned to read, I've wanted to share stories with others the way my favorite writers shared their stories with me.
Jennifer Chiaverini
#98. It was a different life out here, but make no mistake: Lazlo was every bit the dreamer he had always been, if not more. He might have left his books, but he carried all his stories with him.
Laini Taylor
#99. I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.
Alex Winter
#100. When I was younger, I loved math. Everything about math. But in school, math now has letters. Like what does x equal? There are also long stories with characters, and although the story is supposed to end with some number, all the words block my path to getting there.
Lynda Mullaly Hunt