Scene 4 Quotes

#1. There's an old saying that applies to me: you can't lose a game if you don't play the game. (Act 1, scene 4)

William Shakespeare

#2. [Act 5, Scene 4, ROSALIND] If I were a woman I would kiss as many of you as had beards that pleased me, complexions that liked me and breaths that I defied not: and, I am sure, as many as have good beards or good faces or sweet breaths will, for my kind offer, when I make curtsy, bid me farewell.

William Shakespeare

#3. There is magic in the web Shakespeare (Othello, Act 3, Scene 4)

William Shakespeare

#4. I like to imagine that all the choices you make during the day that you're doing a particular scene are going to feed into the creation of that scene. It's not a movie-by-movie or a part-by-part basis. It's a day-by-day thing, and sometimes an hour-by-hour thing.

Thomas Jane

#5. I think it's very hard to be naked in a scene and not be upstaged by your nipples.

Susan Sarandon

#6. Then, like a scene in a comedy - their lips but a breath away from touching - the door to the library burst open and Sam charged into the room like a bull, a map in his hands and Jasper hot on his heels.
Bloody hell, they had brilliant timing.

Kady Cross

#7. It's nice that the independent scene is taken seriously, and has been.

Bob Odenkirk

#8. When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little.

Anita Ekberg

#9. Imagine yourself in the scene. See what there is to be seen. Listen to the sounds. Touch the world. Smell the air. Taste it. Use all of your senses. Then evoke those experiences for the reader. If you give the audience the flavor, they'll flesh out the moment in their own imaginations.

David Gerrold

#10. I've gotten very good at scheduling my life, scheduling the scene and preparing myself for knowing, saving the energy, consuming the energy, knowing when to go for it and having the available reserves to be able to do that. You have to think about that, because it's endurance.

Tom Cruise

#11. In scene after scene, meaning sneaks in and sometimes roars.

Manohla Dargis

#12. I like to photograph miniature constructed scenes - I'll buy a very sad cake decoration like a plastic computer for a dreary office birthday party and construct a wildly colorful scene to put on its screen, or do a series of dollhouse chairs frozen in ice cubes.

Matthea Harvey

#13. My strongest quality as an actor is taking direction. I will give my performance as a template and if the director gives any instruction, I take that information, process it and morph it into the next take. I love the feeling I get when nailing a scene through direction.

James Preston Rogers

#14. I can't tell you how much we laughed on the set to have Alec Guinness in a scene with a big, furry dog that's flying a space ship.

Mark Hamill

#15. If I don't cry while writing a key emotional scene, my gut feeling is it's failed.

Jojo Moyes

#16. I don't really have those kinds of intentions when I write a scene. I try to follow the internal logic of the fiction, rather than make an argument or an assertion.

Rachel Kushner

#17. Also, there are seats in the diner that always fall off the table. If you have a scene where you're packing up at the end of the day and putting them on the table, they just slide off.

Dannii Minogue

#18. Your ghost,' she said, 'Nicholas Nickleby. Do you think he might still be at the crime scene?' 'How should I know?' I said. 'I don't even believe in ghosts.

Ben Aaronovitch

#19. Kids at skate parks will step up and challenge me to a game of Skate, but I'm over that, I really don't care. I'm all about participating, and I'm all about being a part of this scene, but there's certain vibes I just don't get along with.

Mike Vallely

#20. When I started using the extreme short depth of field and single point of focus, I was trying to replicate my changing eyesight. We have binocular vision; one eye perceives space from the other. I don't experience a scene visually at F32. It's more like F1.4.

Keith Carter

#21. But jealous souls will not be answered so.
They are not ever jealous for the cause,
But jealous for they're jealous. It is a monster
Begot upon itself, born on itself.

William Shakespeare

#22. I become a better actor after I step on a stage in front of, like, 500 people when it's just me, a microphone and my guitar. You don't get as nervous walking into a room in front of 3 or 4 people and to do a scene or to walk on a set. You gain confidence.

Bryan Greenberg

#23. I am beyond critical of my own work. I always tell actors they have to watch themselves 4-7 times in a given scene before they can be remotely objective.

Julie Ann Emery

#24. I first came on the scene during the Johnson years and that crowd was out all the time enjoying themselves. Nixon wasn't particularly social but a lot of the people in his administration were.

Sally Quinn

#25. What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.

Paul Feig

#26. Andy [Warhol] was on the scene, but he wasn't an artist at first; he was more an illustrator. He was always surrounded by about ten people who worshipped him. He'd go to a party and they would all come along. But he was drawing shoes and that sort of thing.

Claes Oldenburg

#27. Sometimes the scene just comes together, and other times, we have to build the scene from scratch, just using different takes.

Drake Doremus

#28. Performing on stage is my first love - it's why I wanted to be an actor in the first place - and 'Arcadia' is the highlight of my career so far. I love the intimacy of a live theatre audience - you can really squeeze every last drop out of each scene.

Tom Riley

#29. Whenever there's a nude scene, it's always uneasy. You're not in the comfort of your own home with your significant other.

Laura Prepon

#30. The scene where I took my eyelashes off we did in two takes.

Marie Windsor

#31. If you're filming a scene on horseback, if you're trying to control an animal that's much larger than you and trying to get it to do the exact same thing so you can match things up, that can get tricky, especially if the horse gets tired or angry or something.

Daniel Portman

#32. People are appreciating the old stuff again and there's no MTV-style scene police to try to make us all listen to Machine Head and Pantera *puke*!

Mat McNerney

#33. So much of what I do ... is coming up with new characters and trying to invent voices for them, and to have people fully fleshed out in my head and to know who can say what in the scene and who these characters are ... I love it.

Rob Thomas

#34. I think I've been waiting for the big gesture, the one where the guy stands in the rain and declares his love or makes some scene at a football game that ends with the crowd doing the slow clap. It's official. Romantic comedies have ruined me.

Lex Martin

#35. Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I'm very glad that it's happening.

A-Trak

#36. Barbara [Stanwyck] and me in our only scene alone in Titanic. It wasn't much of a scene, but it sparked one of the most intense and rewarding relationships of my life.

Robert Wagner

#37. There is, of course, a world of difference between cricket and the movie business ... I suppose doing a love scene with Racquel Welch roughly corresponds to scoring a century be fore lunch.

Oliver Reed

#38. I wouldn't have minded a rather more detailed conclusion (to Pride and Prejudice) - say, a twenty-page sex scene featuring the two principals, with Mr. Darcy, furthermore, acquitting himself uncommonly well.

Martin Amis

#39. When I got the episode where Spider-Man meets Aunt May (voiced by Misty Lee), it was another one of those things where I was like, "I can't believe I have a scene with Aunt May. That's just amazing to me." And they drew her a lot younger and hotter then the Aunt May that I remember.

Clark Gregg

#40. I do an opening, and then I go up to the high balcony in the back and watch the bulk of the play, but then I have to leave my seat about seven to 10 minutes before the end of that final big scene ... and it's a bummer.

Will Oldham

#41. We mountaineers always live with the feeling that we came on the scene too late.

Galen Rowell

#42. Sometimes I just want to write a really intense love scene. But I can't do that in my books for teens, or parents will complain - believe me, I've tried.

Meg Cabot

#43. I love working with Alexander Skarsgard. He brings such gravity to a scene.

Nelsan Ellis

#44. There are many cultural scenes in Lahore, just as there are in London. And there is a celebrity culture here, just as there is in London. But in Lahore, the celebrity scene doesn't drown out the rest quite so much.

Mohsin Hamid