Quotes About Time Scene

#1. It's kind of up to the actor to deconstruct the scene and deconstruct the character and figure out how to make it real. That's what I love about this job: It's sort of a puzzle each time, and figuring that out is sort the key, whether I'm playing a cop or a killer.

Shawn Hatosy

#2. As an actor, I like as much time with the material as possible and given the opportunity, time spent with the other actors in the scene. But that is a rare luxury in working in any TV series.

Vincent Piazza

#3. It was fun to be in a scene again with [my wife LaTanya Richardson]. We used to do plays together all the time. We hadn't really worked together since Losing Isaiah [1995]. That was kind of early on in both of our cinematic careers. Things have changed a little bit since then.

Samuel L. Jackson

#4. Soon it began to drizzle for the second time that night. The drops grew heavier and became visible in the headlights of the cars. It was said by some of the police on the scene that God was crying for the girl in the garden. To others, it was only rain. (final lines)

George Pelecanos

#5. On a fair prospect some have looked, And felt, as I have heard them say, As if the moving time had been A thing as steadfast as the scene On which they gazed themselves away.

William Wordsworth

#6. There isn't much of a music scene in Hermann, unless you like polka. But the landscape I grew up in is a part of me. I spent a lot of time in the woods doing a lot of nothing to break the boredom.

Nathaniel Rateliff

#7. I want to sell tracks but at the same time I want to stay true to the music I like. This is why I love the underground scene because they can stay true to what they want to do.

Rahki

#8. When Bird came on the scene, it was just as shocking as in the Bible: everything was dark, and then the light appeared for the first time.

Shorty Rogers

#9. My wife is from Chicago, and every time we go, I just love it. I love the restaurant scene, and people here are so into the food. It's one of the most exciting food cities in the country.

Daniel Humm

#10. I've been a full-time composer for many years, and I'm still learning all the time. There is always more than one musical "solution" to each movie scene, but my goal is to compose music that works perfectly for the director, and me!

John Keltonic

#11. When it comes time to write the book itself I'll shut the lights out, picture the scene I'm about to write then close my eyes and go at it. Yes, I can touch type.

Jeffery Deaver

#12. The New York Dolls did not think of themselves as punk rock. There was no such term at the time. They were just another band in what was called the New York scene.

Todd Rundgren

#13. I'm certainly not one of those actors who remain in a dark place the entire time in order to be doing the scene. I sort of come in and out of it. It can be to the detriment of my performance sometimes!

Matthew Rhys

#14. Every time you do a take on a movie, you're not sure if it's going to succeed. Even if you have a great cast, like we had, every scene you're kind of waiting for the release. 'Oh, yes; it happened. We got it!' There's always the possibility that it's just not going to work.

Wes Anderson

#15. Every scene, even the commonest, is wonderful, if only one can detach oneself, casting off all memory of use and custom and behold it, as it were, for the first time.

Arnold Bennett

#16. You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.

David Twohy

#17. When you grow up by the sea, you spend a good deal of time looking at the horizon. You wonder what on Earth the waves might bring - and where the sea might deposit you - until one day you know you have lived between two places, the scene of arrival and the point of departure.

Andrew O'Hagan

#18. I am really proud to be a part in whatever way of women becoming active in the political scene. I think it was the first time that people came to terms with the reality of what it meant to have a Senate made up of 98 men and two women.

Anita Hill

#19. Personally, I need to learn every word on the page before I go in and audition. I have not mastered the skill of holding pages in my hand and acting with pages in my hand. I find that every time I have to look at the page it takes me completely out of the scene.

Freddy Rodriguez

#20. There are elements of that, where you'll see a scene again and you'll recognize it, but I wouldn't say it's got one conceit like that, at all. It definitely has those jokes, but it would be wrong to say this is a show where, every time you see it, you see a new angle.

Mitchell Hurwitz

#21. That's one thing I never had to do on a Mike Bay set is sit around and pontificate about the next scene; there's no time for it. You're already in the next scene.

Shia Labeouf

#22. Where is this Hollywood scene, where is it? I'd like to find it one day ... If I want to go out and have a good time, I go to New York.

Natasha Henstridge

#23. On 'B&B,' we shoot so fast and eight episodes a week, so we have to always be on our A-game. There's really no time to make certain adjustments. We usually shoot a scene in one take, maybe two or three only if needed.

Texas Battle

#24. The best moments can't be preconceived. I've spent a lot of time in editing rooms, and a scene can be technically perfect, with perfect delivery and facial expression and timing, and you remember all your lines, and it is dead.

Brad Pitt

#25. Unlike the close-knit, DIY queer scene you were once at the center of in San Francisco, the queer scene in LA can feel like everything else in LA: partitioned by traffic and freeways, oppressively cliquish and bewilderingly diffuse at the same time, hard to fathom, to see.

Maggie Nelson

#26. The ability to share whole scenes form our lives will be a valuable thing over time.

Mark Zuckerberg

#27. As soon as we finished filming, I felt like I had been woken up from a magical dream and had to pinch myself to remember that it was real. Every scene is now a blur. I feel like I will be watching it for the first time with the rest of the world. I am nervous. But excited.

Lucy Fry

#28. Virgil Donati is clearly the best drummer to come along in the music scene in quite some time. He is extremely unique and has embraced an original sound that has given him a signature that is unmistakable and impossible to duplicate.

Tony MacAlpine

#29. I started using Twitter about year after its very early adoption and ended up investing in it around that same time. I'm involved with the Tech scene and companies ranging from Facebook, Stumbleupon and Twitter.

Timothy Ferriss

#30. I want to watch it again tonight even though I know I won't have enough time to masturbate over the scene where the woman is getting drilled to death by a power drill since I have a date with Courtney at seven-thirty at Cafe Luxembourg.

Bret Easton Ellis

#31. Just about any story we think about doing, whether we've read it in a newspaper, heard it on the radio or come upon it through word of mouth - by the time you get there, every other network, cable station and talk show is already racing to the scene.

Connie Chung

#32. Improv is not something I had a lot of experience with, because for a long time, my only experience in front of a camera was all television, which is pretty rigid script-wise, except for the occasional scene where you toss in an ad-lib just to elongate something.

Gary Cole

#33. Every time you get a script and you have a scene, you start mining out how many layers there are within it.

Linus Roache

#34. Well, I have an idea, usually a visual image of some sort. A setting. A particular, I don't know, urban scene, a particular time of day. Something that grips my imagination for some reason.

Philip Pullman

#35. With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.

Gay Talese

#36. Probably my favorite thing about watching a movie that I'm in the first time is to see all the things I didn't know were happening in a scene around me.

Ed Helms

#37. I remember one time that I was filming a scene in whych my character rides through Troy on a chariot. I just looked around at this incredible set thinking 'This is the life'.

Orlando Bloom

#38. I haven't had the time to plan returning to the scene because I haven't left it.

Mick Jagger

#39. Any time you get two people in a room who disagree about anything, the time of day, there is a scene to be written. That's what I look for.

Aaron Sorkin

#40. I knew I would replay the scene countless times in the years before me, each time thinking of different things I should have said and done.
But all I did was walk away without looking back.

Lisa Kleypas

#41. She cried the first time she was pulled over by a cop. I explained to her that there is no reason to cry when getting pulled over
unless you're coming directly from from a crime scene.

Chelsea Handler

#42. My first band was an Argentinian folk group when I was 10. When I was 12 I had my electric guitar, and by the time I was 13, the Beatles came into the scene, and that was over. So I have a mixture of all these traditions, and I think that's who I am, a mixture of everything.

Gustavo Santaolalla

#43. I don't know what the hell I'm doing up there half the time. These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what technique means. But I do know what experience is. I know in my gut when I've done a scene right.

Elaine Stritch

#44. We were wise indeed, could we discern truly the signs of our own time; and by knowledge of its wants and advantages, wisely adjust our own position in it. Let us, instead of gazing wildly into the obscure distance, look calmly around us, for a little, on the perplexed scene where we stand.

Thomas Carlyle

#45. But you kissed her. I saw you."
"No, you saw her kiss me. You saw me not cause a scene in the middle of the club."
"Well, you didn't look like you hated it."
"But I did. The whole time, all I could think about was kissing you instead." He starts to bend his head toward mine.

M. Leighton

#46. I claimed identity as Jewish musicians for political reasons, because most of us were touring in Germany and, at this time, twelve years ago, there was a strong resurgence of Nazism in the places we were touring and part of that was on the music scene.

Marc Ribot

#47. In general, I don't even have the luxury of rehearsal time on most films that I make. It is just a scene-by-scene full cast read through. It's very much just doing the rehearsal sometimes the day before, at the end of the day, but just on the spot as the scene unfolds.

Wes Craven

#48. I think Wilco is going to definitely stand the test of time - no question - and Uncle Tupleo, and the whole No Depression scene, which is now alt-country. I think that's going to be around a long time.

Roger McGuinn

#49. Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.

Chad Lindberg

#50. I think of rounds of editing as hammer time. Then, when they interrupt my writing, I can say ... *shakes head* Nah, I just can't do it. Although when I come across a brilliant line, I do think, Can't touch this. And when I'm worried I'm overwriting a scene, I think, Hammer, don't hurt 'em.

Brent Weeks

#51. I remember the first time Bill Fichtner and I had a scene together. I've seen him in a few movies, from 'Armageddon' to 'The Perfect Storm' and 'Contact,' and suddenly he's on a bunk bed and I'm on a bunk bed and we're doing this scene together. That was a real 'pinch me' moment.

Chris Vance

#52. If you explode onto the scene at a very young age, there are so many people pulling you in different directions. It takes time to recalibrate and see what's important.

Clive Owen

#53. What people don't realize is that the so-called Seattle grunge scene grew out of several close-knit gourmet supper clubs - we would only pick up guitars to pass the time while our dishes were simmering, baking, boiling, etc.

Kurt Cobain

#54. John Cusack is a dream. I did one one-on-one scene with him and we got to shoot it so many times, and he did it different every time.

Nora Dunn

#55. The camera must point at the exact spot the audience wishes to look at any given moment. To find that spot is absurdly easy: you only have to remember where you were looking at the time the scene was made.

Preston Sturges

#56. The modern woman is the curse of the universe. A disaster, that's what. She thinks that before her arrival on the scene no woman ever did anything worthwhile before, no woman was ever liberated until her time, no woman really ever amounted to anything.

Adela Rogers St. Johns

#57. The lighting is so important. One thing that makes me nuts about the lighting now is that they spend an enormous amount of time lighting the set, the background. But the most important thing in the scene is the actor.

Donna Mills

#58. It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things.

Jim Jarmusch

#59. To this day I over prepare. I draw storyboards for every scene - chicken scratches so crude that they amuse and horrify the crew. I send out shot lists, act out the scenes, and search for a theme that I can relate to. It's my favorite time of the process.

Eric Stoltz

#60. Working on a film, the setup for an action sequence takes a long time, and we need to shoot the scene many times to get different angles.

Jet Li

#61. You would think that a man who's spent as much time in the theater as I have would know when the proper time came for the hero to die-if he was to be a hero. I missed my cue for the great suicide scene

Kurt Vonnegut

#62. I was so grateful to have made 'Into the Wild' before I made 'Speed Racer' because on 'Speed Racer' I was indoors every single day, every single scene, on a green screen. Some of the time, just to pass the time, I would think back to climbing mountains in Alaska. That really helped me.

Emile Hirsch

#63. OK, I love 'The King and I.' I'm a huge Yul Brynner fan. I love the scene where they danced after the big banquet; that's one of my favorite scenes in a movie of all time. It's romantic and sweet and wonderful.

Tina Majorino

#64. It was a matter of survival for the local people, but it was the most violent scene I have ever witnessed. The people in my group, feeling helpless, were all spellbound and aghast at the same time. I became a vegetarian shortly after that.

Wendie Malick

#65. I remember telling the 'Tangled' crew about grimace moments: how when you watch a movie that you worked on and you think, 'Ah, I wish we could have done that scene better,' or, 'I wish that we'd had the time or the money to fix that particular story problem.'

Roy Conli

#66. When I draw the scene that I'd been dreaming about or had always wanted to draw, that is the time that I'm happiest.

Tite Kubo

#67. When someone's acting for a scene, they can fool the camera. But in everyday life, unless you're watching and censoring yourself every minute, or spending all your time in the company of ladies, what you feel is bound to show in your eyes.

Cesar Romero

#68. I was in prison with pretty much the who's who of the jihadist and Islamist scene of Egypt at the time, and Egypt was the cradle of Islamism for the world - it's where it began and where jihadism began as well.

Maajid Nawaz

#69. As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the thing that is left us in a bad time.

E.B. White

#70. The first time I heard Johnny play at the Fillmore East, I wasn't really impressed. He had come on the scene with everybody telling me how great he was, and I didn't hear it.

Rick Derringer

#71. I looked at her, exhausted in the hospital bed, and she looked at you, and you looked at me looking at her with eyes that had never known anything else, and for a moment there I swear we saw each other with a clarity that nothing can alter, not time, not heartbreak, not death.

Garth Risk Hallberg

#72. By the time I started doing stand-up, the club scene had died.

Jen Kirkman

#73. When it comes time to make the scenes concrete and shoot them, I want the freedom for it to exist which means adding, subtracting or modifying.

Abdellatif Kechiche

#74. When I moved to New York at 22, I didn't know what I wanted to do. I took an improv class, and the first scene I did, I felt like 'I want to do this for the rest of my life.' It was the first time I ever felt like that about anything. I tried to make a living off improv.

Kurt Braunohler

#75. Sometimes the scene is a sad scene but you have to play it with a laugh to find out that that doesn't work or that there's really a part of that in it, and that's what rehearsal is for, to take that time.

William Fichtner

#76. At any given time, there are a lot of million-dollar luxury charter boats cruising around the Mentawai Islands finding the most incredible waves. And yet the people on shore are suffering. The whole scene is wrong. As a surf community, we have to do something.

Rob Machado

#77. I really wanted to go to a city and get involved in a theater scene and a theater community. I had some friends who had moved out to Chicago and had said really good things about it and about the work. I didn't care at that time about making money.

Timothy Simons

#78. Picture time travel as nothing more than knocking your half-read book to the floor and losing your place. You pick up the book and open the pages to a scene too early or late, but never exactly where you'd been reading.

Chuck Palahniuk

#79. To part is the lot of all mankind. The world is a scene of constant leave-taking, and the hands that grasp in cordial greeting today, are doomed ere long to unite for the the last time, when the quivering lips pronounce the word - 'Farewell

R.M. Ballantyne

#80. How sublime Upon a time-blanch'd cliff to muse, and, while The eagle glories in a sea of air, To mingle with the scene around! - Survey The sun-warm heaven ...

Robert Montgomery

#81. There's a special gut-check moment the first time you write a scene in which somebody casts a spell.

Lev Grossman

#82. Sometimes you go into a film and you have no time to prepare and have to compress the details into a few days and then rely on the instinct and what happens when you're in a scene with other actors and that chemistry or not.

Sally Hawkins

#83. Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other person's back is turned or having other people parrot what they say.

Shoshannah Stern

#84. I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.

Jennifer Egan

#85. It all went the wrong way, like a carefully scripted scene I imagined ahead of time falling apart because nobody else knew their lines.

Mindy McGinnis

#86. It was only later, replaying the scene in her mind again and again, that she began to believe it was the expression of a man who was methodically unplugging himself from reality, one cord at a time. The face of a man who was heading out of the blue and into the black.

Stephen King

#87. That's the thing about prep, is that it's a joy to have it there and you can spend all this time prepping, but ultimately you have to look at your script and turn up on the day. It's embedded in there somewhere but you have to forget it all and play the scene because we are storytelling.

Jenna Coleman

#88. Shit, Millie thought. Did she look like she was about to croak or something? So what if she had just turned sixty; she didn't feel sixty and she didn't feel like she looked that old. This was happening all the time now. It pissed her off. She didn't want to make a scene, so she forced

Anita Page

#89. I first came on the scene during the Johnson years and that crowd was out all the time enjoying themselves. Nixon wasn't particularly social but a lot of the people in his administration were.

Sally Quinn

#90. You have to understand how the human eye behaves when it views a scene for the first time. Work with that knowledge, and your paintings will have more drama and will evoke strong reactions.

Mike Svob

#91. If all that's going on in your scenes is what's going on in your scenes, think about it a long time.

William Goldman

#92. To be honest, I was unaware of the huge frat-rap scene that was taking over the blogosphere until I found myself right in the middle of it. But there are really a ton of talented dudes out there doing this, and I'm just having a great time making music and being a part of it all.

Mike Stud

#93. Toronto may be the only city where novels are integral to high art, the alternative scene and mainstream culture all at the same time.

Stephen Marche

#94. I got introduced to the rave scene in 1992. At the time I was into skateboarding; I listened to a little hip-hop but was mainly into heavy metal and grunge.

Pedro Winter

#95. A majority of the successful women on the pop scene conform to what a woman is supposed to be. Some have tried to get things moving. They have tried to modify the image. But sometimes the image has a hard time changing the eye - to change the relationship between the image and the eye takes longer.

Orlan

#96. No matter when you had been to this spot before, a thousand years ago or a hundred thousand years ago, or if you came back to it a million years from now, you would see some different things each time, but the scene would be generally the same.

Neil Armstrong

#97. The whiskey died away in time and was renewed and died again, but the street ran on. From that night the thousand streets ran as one street, with imperceptible corners and changes of scene ...

William Faulkner

#98. Opera is music AND drama. I'm prepared to sacrifice the beautiful note for the meaningful sound any time ... I can make a pretty tone as well as anyone, but there are times when the drama of a scene demands the opposite of a pretty sound.

Beverly Sills

#99. I think I realized very early on that you can spend a lot of time constructing a really perfect scene in final draft and just end up throwing it away because you didn't figure out that mathematics of the story first.

Brit Marling

#100. One thing I've really never had a problem with was memorizing lines. Most of the time I don't memorize the lines until we're on the set shooting the scene.

Dennis Quaid