Top 41 Philip Glass Quotes
#1. When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.
Gavin Bryars
#2. The music's still going, going absolutely nowhere, like Philip Glass on Quaaludes.
David Foster Wallace
#3. I love Philip Glass' work, not only as a film composer but also as a musician. The film score work that he does always amazes and shocks me.
Park Chan-wook
#4. A friend of mine gave me a Philip Glass record. I listened to it for five hours before I realized it had a scratch on it.
Emo Philips
#5. My first job was when I was eight. I did this opera, which was a Robert Wilson/Philip Glass opera, called 'White Raven.' That was a very confusing and trippy creation tale, and I was a kid who brought up the sun and rotated the earth. It was very empowering.
Ezra Miller
#6. I'm trying to use people like Meredith Monk and Philip Glass and Terry Riley as the backing tracks for new pop songs. It's really hard trying to use the format and write a pop song on top of avant-garde music, so we'll see. It could be cool, or it could totally flop.
Autre Ne Veut
#7. Traditions are imploding and exploding everywhere - everything is coming together, for better or worse, and we can no longer pretend we're all living in different worlds because we're on different continents.
Philip Glass
#8. What you hear depends on how you focus your ear. We're not talking about inventing a new language, but rather inventing new perceptions of existing languages.
Philip Glass
#9. A new language requires a new technique. If what you're saying doesn't require a new language, then what you're saying probably isn't new.
Philip Glass
#10. The music that I was playing and writing in those early years, that I was importing to Europe, was quintessentially New York music in a way that I always hoped it would be. I wanted my concert music to be as distinctive as Zappa at the Fillmore East, and I think I ended up doing that.
Philip Glass
#11. Don't build a glass house if you're worried about saving money on heating.
Philip Johnson
#12. The past is reinvented and becomes the future. But the lineage is everything.
Philip Glass
#13. A Jew without Jews, without Judaism, without Zionism, without Jewishness, without a temple or an army or even a pistol, a Jew clearly without a home, just the object itself, like a glass or an apple.
Philip Roth
#14. The work I've done is the work I know, and the work I do is the work I don't know. I don't know what I'm doing.
Philip Glass
#15. Rather than words comes the thought of high windows:
The sun-comprehending glass,
And beyond it, the deep blue air, that shows
Nothing, and is nowhere, and is endless.
Philip Larkin
#16. If you remember your lineage, you will never feel lonely.
Philip Glass
#17. If you don't know what to do, there's actually a chance of doing something new.
Philip Glass
#18. Philip Johnson is a highbrow. A highbrow is a man educated beyond his capacity. His house is a box of glass - not shelter. The meaning of the word shelter includes privacy.
Frank Lloyd Wright
#19. There is nothing sooner overthrows a weak head than opinion by authority, like too strong a liquor for a frail glass.
Philip Sidney
#20. I don't know what I'm doing and it's the not knowing that makes it interesting.
Philip Glass
#21. I think it's a great handicap to be discovered at an early age. I didn't have that burden of early success. I had the much more livable and durable career where success comes late, and comes slowly, and you ease into it. So by the time it comes, you're ready to deal with it.
Philip Glass
#22. Sociologists have a theory of the looking-glass self: You become what the most important person in your life (wife, father, boss, etc.) thinks you are. How would my life change if I truly believed the Bible's astounding words about God's love for me, if I looked in the mirror and saw what God sees?
Philip Yancey
#23. But the difference between the little pieces and the big pieces - I'm not actually sure which are the little pieces. With some of the big pieces, it's a lot of musical running around, whereas the little pieces, you can say everything you want to say.
Philip Glass
#24. You get up early in the morning and you work all day. That's the only secret.
Philip Glass
#25. there is no better looking glass than an old friend.
Philip Armour
#26. This is the only real revelation - that God is only a trick with mirrors, our dark reflection in a glass.
Philip Appleman
#27. I'm interested in what happens to music when other people use it. Whereas there are composers who don't like anyone to touch their music, I think people should because they do things I can't think of.
Philip Glass
#28. I always knew what I wanted to do and I did it.
Philip Glass
#29. My biggest problem about writing is whenever I write piano pieces, because I then have to learn to play them, which is sometimes not so easy.
Philip Glass
#30. The hardest thing about traveling is that mostly you get to a point - and it always happens on every tour - where you can choose between eating and sleeping, but you can't do both.
Philip Glass
#31. My own work in spin glass and its consequences has formed some of the intellectual basis for these interests.
Philip Warren Anderson
#32. What came to me as a revelation was the use of rhythm in developing an overall structure in music.
Philip Glass
#33. You practice and you get better. It's very simple.
Philip Glass
#34. In order to arrive at a personal style, you have to have a technique to begin with.
Philip Glass
#35. It doesn't need to be imagined, it needs to be written down.
Philip Glass
#36. What I've noticed is that people who love what they do, regardless of what that might be, tend to live longer.
Philip Glass
#37. I've been called a minimalist composer for more than 30 years, and while I've never really agreed with the description, I've gotten used to it.
Philip Glass
#38. If you don't have a basis on which to make the choice, then you don't have a style at all. You have a series of accidents.
Philip Glass
#39. So the real drama for me is balancing live performances and writing, and one of the ways I balance it is I write in hotel rooms. That's not exactly balancing. Actually, writing in hotel rooms means that I'm refusing to deal with the problem.
Philip Glass
#40. It is wonderful to be in the country in a glass house, because no matter what happens out there, you're nice and safe, you know, cuddled in your little bed, and there it is, raging storms, snowing - wonderful.
Philip Johnson
#41. I travel the world, and I'm happy to say that America is still the great melting pot - maybe a chunky stew rather than a melting pot at this point, but you know what I mean.
Philip Glass
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