Magnakron Quotes

#1. The dizziness in the face of les espaces infinis
only overcome if we dare to gaze into them without any protection. And accept them as the reality before which we must justify our existence. For this is the truth we must reach to live, that everything is and we just in it.

Dag Hammarskjold

#2. I will not hang back here in Alicante while Magnus is in danger. Go without me, and you disrespect our parabatai oaths, you disrespect me as a shadowhunter, and you disrespect the fact that this is my battle too.

Cassandra Clare

#3. What doesn't kill us, makes us writers.

Sherry Isaac

#4. When you smile, it's like the world is perfect. But when you say that ugly shit about yourself, I can barely keep from tearing this world apart for hurting you the way it has.

Bijou Hunter

#5. Every movie I've been in has ended up on television.

Tony Curtis

#6. On the theft of his material by Denis Leary: I have a scoop for you. I stole his act. I camouflaged it with punchlines, and to really throw people off, I did it before he did.

Bill Hicks

#7. We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day's work at Auschwitz in the morning.

George Steiner

#8. Diplomacy was what I wanted to do. From really quite an early age and I think I had a false impression that diplomacy equals travel.

John Gimlette

#9. I had a pretty public divorce. They're not easy - divorces - and it took me a long time to really get through.

Nas

#10. Snow isn't just pretty. It also cleanses our world and our senses, not just of the soot and grime of a Fife mining town but also of a kind of weary familiarity, a taken-for-granted quality to which our eyes are all too susceptible.

John Burnside

#11. Our love is a hurting delicacy, an old killer whiskey, a curse, and too beautiful for words.

Louise Erdrich

#12. Light is a metaphoric thing. There is green light and red light. Then there is black light, which is mostly danger.

Sigmar Polke

#13. It's hard for me to get interested in stories that ignore death, which is what American marketing culture would like to do: pretend that death doesn't exist, that you can buy immortality; just buy these products, and you'll be forever young and happy.

Alan Ball

#14. Within each piece, I create an intriguing balance between jewelry and the body, and an intensity which draws others to it.

Sarah Richardson