Different Movie Quotes

#1. The first movie was mostly about George and Julia. This one is mostly about me and Catherine and our love story and our whole history. So it's a very different movie.

Casey Affleck

#2. I read the book and I think, "Well, this is the movie we're going to make," and then someone else reads it, and they take a completely different movie from it. And both are valid.

Casey Affleck

#3. With Eclipse, I felt like I was doing a completely different movie and a completely different character. So, yeah, it was nice and challenging.

Robert Pattinson

#4. It took me a long time to film the plastic bag, and then I had to get the cut of the scene right. But if you find it as beautiful as the character does, then suddenly it becomes a different movie, and so did he as a character.

Sam Mendes

#5. If you go with the principle, you should go with the principle. If I really saw the subject very differently than ten years ago, I would have done a different movie.

Michael Haneke

#6. As different as me and Sigourney look is as different as these two characters are. I'm not filling her shoes. I'm doing a part that has the same monsters, but it's a completely different movie.

Sanaa Lathan

#7. Well, I mean, the original is certainly the jump-off, it certainly is what it is, you know, I grew up around that era so I watched all those shows. The basic concept is there, it's just a different movie. Totally different actors, different filmmakers, different script, but same concept.

Antoine Fuqua

#8. Oliver Stone is a great director and I've seen many films over the years, but I try to create stuff out of my own imagination. I want to break all the rules and mess about with it and make a different movie just for the fun of it.

Anthony Hopkins

#9. Anytime I make a movie, I really have absolutely no idea how it's going to go over. I've had the whole range of different kinds of reactions.

Wes Anderson

#10. The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.

A.R. Rahman

#11. You can't create a movie as you think about it. And what's in the scene is not what's being seen. A shot always means something other than what it is. All are vehicles. A landscape is just a vehicle. The viewer might think different things, and I'm not going to intervene.

Bruno Dumont

#12. The scariest people to turn a movie over to are always the people who are drawing up the poster, because that's the first impression it's going to make. And very often it's portraying a very different film from the one the actors actually did.

Jesse Eisenberg

#13. Movies have been doing so much of the same thing - in slightly different ways - for so long that few of the possibilities of this great hybrid art have yet been explored.

Pauline Kael

#14. Star Wars, the original movie, was all the various old genre of pictures: the swashbucklers, the war movies, all those things were put n there in a different look.

Bruce Boxleitner

#15. Reading a script is usually as exciting as reading a boilerplate legal document, so when you read one that makes you feel as if you're seeing the movie, you know it's something different.

Tom Hanks

#16. Over and over again-in the movie, I have nine different people who have worked for Fox News network who have come forward and talked on camera, three of them anonymously, by the way.

Robert Greenwald

#17. I wanted to do a naval film and I flirted with different ideas, most of which ended up being too intense. So when the idea of 'Battleship' was first suggested, I was instantly drawn to the challenge - could I invent a movie around the idea of five ships fighting five ships?

Peter Berg

#18. As a movie-goer, I really like to watch all different kinds of movies and, as an actor, I always feel like I could do pretty much anything but a musical.

Luke Wilson

#19. I think title sequences are an opportunity to sort of set the stage or to get people thinking in different terms than maybe whatever they understand the movie to be going in.

David Fincher

#20. For example, I'm a great fan of pornography, but I don't see any reason not to restrict it so that people walking down the street who hate pornography don't have full color pictures outside of movie theaters. Let them be in a different district. I'm kidding about pornography, but you get the point.

Paul R. Ehrlich

#21. I grew up with two different parakeets - one that lived for five years, and one that lived for 13 years - so I always had a bit of an attraction to birds and it's an oddly good fit to be in a movie about birdwatchers.

Jim Parsons

#22. It's really nice to go down to an extremely low-budget movie, but that is very daring and courageous and try something different, where the roles usually are more complicated.

Stellan Skarsgard

#23. If you're trying to be realistic and bring real life to the screen, you are going to have different elements. That's what I'm trying to do. As I make the movie, different elements come in naturally.

Takashi Miike

#24. Basically I was no different than a rock star or a movie star. I was a coke star.

George Jung

#25. I like making sci-fi movies because I like watching sci-fi movies. I like watching horror. I like being in a horror movie. I'm a fan. My perspective's a little different just because I get to participate as well as spectate.

Nathan Fillion

#26. Material Girls was so different for me, I'd never done a teen movie.

Lukas Haas

#27. You can either be a vain movie star, or you can try to shed some light on different aspects of the human condition.

Leonardo DiCaprio

#28. People think if you're a movie star, you're the boss. But first of all, I'm not a movie star, I'm in a very different place. I'm not looking to do what I want - I am looking for what we can find. It's a creative process.

Rutger Hauer

#29. I always wanted to be part of a movie that creates a different world.

Ansel Elgort

#30. I'm a veteran, and I come from a family of veterans and people who served in that war. And the stories that I heard were a hell of a lot different than the movies that I was seeing, so I wanted to make a movie about the people that were really there.

David Ayer

#31. In a funny way, acting, to me, is all make-believe, even if the film has unicorns in it or is a normal movie that can be set in real-life time. I'm still imagining that I'm a different character, so it's all, in a funny way, like fantasy.

Elle Fanning

#32. What's the best part of a movie? I love to know what my name is. It's just so fun. That's the first thing I ask. It's just fun because you have a different name in every movie.

Elle Fanning

#33. For something to be profitable doesn't necessarily mean it's the best thing in the world for the director. You judge a movie by different standards - I've worked on comedies, and now I've worked on superhero movies, and the reviews are almost parenthetical in both of those genres.

Jon Favreau

#34. I'm so excited to see 'Horns' because it's so many different genres in one film. It's a sci-fi, it's a love story, it's a horror movie, it's a fairy tale.

Juno Temple

#35. A book and a movie are different animals. You need a cinematic perspective to be involved in the motion pictures. And this is something I lack.

Ashwin Sanghi

#36. I'm Italian and Spanish and Jewish. I'm 100 different things meshed into one. I think that shows girls that uniqueness is beautiful. They can look at me on a magazine cover and see me in a movie and say that they have someone they can relate to.

Lea Michele

#37. I worried about playing God (in the movie Oh God). We're about the same age, but we grew up in different neighborhoods.

George Burns

#38. Why do I use the same actors in different movies? One of the things I really stress in casting is I need to find someone who is suitable for the role in the movie. That's always the main reason.

Stephen Chow

#39. I really like the animated film process. It's kind of like doing a play, because you can experiment with it, rewrite it, screen it, go back, then work on it a little bit more. If the joke doesn't work, you can fix it. It's different from a live action movie.

Steve Martin

#40. The movie itself was very interesting, but I didn't think it was very good because I didn't really feel different when it was over.

Stephen Chbosky

#41. Yeah, getting the company that would help advertise and cross promote the movie on the release was an important factor for New Line, so we went out to a lot of different companies.

David R. Ellis

#42. It's very different when you're reading a script to when you're watching a movie for the first time.

Maisie Williams

#43. I can never read this book, just like I can never see a movie that I wrote a screenplay for. I can read it and see it physically, but I can't accurately judge it. I'm too close to it. If I read it ten times I'll have ten different reactions.

Richard Price

#44. Every movie is different. Every movie requires its own sort of photographic voice.

David Ayer

#45. It's the universal feeling that we all are alone - that we're all different. I think the movie's one resounding theme is that everybody feels the same, and we're all alone together. Some people come up to me on the street and thank me for helping them get through their teen years.

Molly Ringwald

#46. If you really pay attention to the movie, it comes into play, in many different sections.

Chris Diamantopoulos

#47. I can imagine [the government] trying to tell Steven Spielberg 'We need 50 different cuts of your movie for each state.' It will screw us up in a real way.

John Riccitiello

#48. It's been an obsession of various genres, disciplines, and aspects and elements of movie-making. It's always been something that I've really aspired to, so doing something new and different, reinventing myself and working with new people is just the passport to the amazing world that is the movies.

David Gordon Green

#49. Other kinds of movie stars, it's a different thing, they bring their persona to the part and that's what people like to see, and they are not really transforming in terms of their character.

Joel Coen

#50. Hey, I saw this old British movie, all the people spoke so different, you could hardly understand them. But everyone here speaks American as good as you and me. What's with that?

Max Barry

#51. Each time I make a movie, it's like a paid scholarship to a different university course.

Viggo Mortensen

#52. 'Scary Movie' was a different type of comedy than I'm used to. I've mostly done sitcoms, so working with David Zucker, who wrote the film and who directed the last two 'Scary Movie's and 'Airplane' and 'Naked Gun,' was a lot of help.

Ashley Tisdale

#53. My philosophy on life is that we're here to love and to learn. And I've learned a lot, so I can't say "I wish this didn't happen or I didn't make that movie." And I take responsibility for being open [about relationships] in the past. I have to, and now I'm doing what I can to make it different.

Jennifer Lopez

#54. It's not quite the same as other kinds of performing, but I love animation. It is just a different kind of experience. The difference is that making a live action movie you are using your whole body.

John Leguizamo

#55. Every movie I've made is different, but it's because I'm different. I'm not the same person I was in 1992 or 1999

Gregg Araki

#56. When you make a movie, you know you're making a long-form thing, so the visuals are different than for a video where it has to be more obvious or in your face, I think, a little bit.

Anton Corbijn

#57. Miramax can buy a small independent movie that isn't very good, but because it has great relationships with different theaters, it can get into a big theater.

Marguerite Moreau

#58. I've been around the movie business, so I can play it cool and all that, but when people are different they have that off thing about them. Their whole presence is just a little innocent, I think.

River Phoenix

#59. We watch a romantic comedy because we want to cry, say, or an action movie so we can participate in heroics. Horror's different. It can hit you with a moment of revulsion so hard you might want to erase the last five minutes of your life, please.

Stephen Graham Jones

#60. I love to listen to lots of different genres of music, but mostly movie soundtracks and music theater.

Joseph Gatt

#61. I love films from all these different points of views that used the idea of the school as a way to talk about the American experience. It took me a while to figure how to write a movie like that, because that's not something you learn at film school

Justin Simien

#62. I think we're tremendously different than the series, if they were to tune in to the series after seeing the movie they might be disappointed. That there was, you know, that they might have some kind of adverse reaction.

Gillian Anderson

#63. I came from doing Wushu and other martial arts, and then I got into movies, and I had to learn that as well - the language of martial arts movie fighting. It's a different thing; it's a different kind of logic.

Daniel Wu

#64. I wouldn't like to be in movies. Movie people are strange. They live a different life than musicians do.

Stevie Nicks

#65. The challenges should be familiar. They should have some relationship to the feelings - like, if a movie's about being demoralized at work, it should feel familiar to people, whether you're a roofer or a lifeguard. But there's a million different ways to be demoralized, especially at work.

Steven Conrad

#66. I do small cameos here and there but nothing that requires more than a paragraph of talking, because I'm just an amateur. The movie is a whole different reality.

Richard Price

#67. In some ways, except that in that movie [Skyfall] I was mostly screaming and running away from the bad guys, whereas in this one I'm generally jumping into the action and fighting with them. So, yeah, it was somewhat similar, but also very different.

Naomie Harris

#68. I am so happy because I want more people to like martial arts movie not just martial arts audience. Even martial arts can be used in comedy, in drama, in horror movies, in different kinds of movies.

Jet Li

#69. Good heavens, I suppose a man may eat his own muffins in his own garden."
"But you have just said it was perfectly heartless to eat muffins!"
"I said it was perfectly heartless of YOU under the circumstances. That is a very different thing."
"That may be, but the muffins are the same!

Oscar Wilde

#70. A movie and a stage show are two entirely different things. A picture, you can do anything you want. Change it, cut out a scene, put in a scene, take a scene out. They don't do that on stage.

Cab Calloway

#71. We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

Jerry Only

#72. Any good business person applies financial discipline to everything they do. The movie business is and should be no different; I don't believe you have to sacrifice creativity to have business success. To the contrary, great art requires discipline.

Paula Wagner

#73. When fans get very passionate about a movie, they just want you to do it well. They don't want you to screw it up. Their idea of doing it well might be different than yours, but ultimately, they really just don't want you to mess up the thing that they love.

Nina Jacobson

#74. What's so cool about movies is once you're done with the movie, you put it away and come up with a whole new different idea with different characters and a different world. But in TV, you build these characters, and you build this world, and then you're there for however long you do the show.

Adam DeVine

#75. There are different kinds of passages in the movie [Chicken with plums]. One of the passages is like a sitcom and another is a bit more delicate and another is more bizarre, so you have to have people who know how to navigate that.

Vincent Paronnaud

#76. I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at.

Colleen Atwood

#77. I think for us - the Weinstein name, the Miramax name - they've both become synonymous with brands. We have a real winning formula when it comes to championing a different kind of movie, and I think the audience trusts us.

Harvey Weinstein

#78. I would love to do a movie with Albert Brooks; we're so different, but I find him so funny, and I can be just as seemingly narcissistic as he comes off, the 'it's all about me' kind of thing.

Chevy Chase

#79. I think at the point when they were first starting to talk about a movie, it was a little bit different back then.

Mike Judge

#80. 'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.

Emmanuel Lubezki

#81. Shooting a movie can be so tedious. You're trying to get 20 different angles on the same swing. You never get into a rhythm. But I took it very seriously.

Charlie Sheen

#82. There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie.

Vilmos Zsigmond

#83. With any other movie, you're entering new territory, so it's quite different to be involved in something where it's the same characters, and the same people.

Anna Kendrick

#84. Your inspiration is better if it comes from many different sources and your sensibilities will transform all those influences and inspiration into your own visual world. It's like reading the book instead of watching the movie.

Peter Lindbergh

#85. I enjoy being a character actor; I enjoy being different in everything. I want a private life; I want to be able to go to 7-11 and not get into a fight with a guy because he saw me in a movie, or not have people hitting on me simply because they saw me in a movie.

Alexis Arquette

#86. Actually shooting a 3-D movie is not different at all than making a 2-D one. You never really notice that you're making a 3-D movie. The terminology used around the set is a little bit different, but other than that, you'd never know.

Billy Burke

#87. I find 'Edward Scissorhands' a very inspiring movie - it's one of the first movies about bullying, in a way - about being treated unkindly for being different.

Denise Di Novi

#88. Look at the movies of the sixties and seventies. They were making a different kind of movie then. Would 'Network' ever be made now? No. Would 'Kramer vs. Kramer' ever be made now? No. Would 'Tootsie' ever be made now? Probably not. Robert Altman films? Never.

Chris Pine

#89. The challenge, and also what I like most about a big ensemble movie, is that all actors have completely different processes and all of them prefer scenes to be done a different way.

Jamie Linden

#90. Also watching a movie on DVD is different than watching it in the theater.

Ivan Reitman

#91. First lead [in a movie] requires a different approach like trying not to give it all away in the first scene. It is a skill, a learned skill.

James Cromwell

#92. I've had people ask me to come and work for them. I went to Vienna and did three scenes in a movie for a guy that I met at a retrospective of Cassavetes films. It's a great way to travel, to meet people, to see different countries and cultures.

Seymour Cassel

#93. 'Ten Year' was probably - I might say 'Ten Year' was my favorite filming experience of anything I ever worked on. It was totally different from 'Moneyball' in that it was a small budget, independent movie. It had a giant ensemble of actors, all of whom were basically working for free.

Chris Pratt

#94. I don't really get recognized for Lost anymore or even the Disney movie I did because I was so much younger. I really looked so different. I've really grown a lot.

Sterling Beaumon

#95. In the studios days, the public's perception of movie stars was much different, because the stars were so much less exposed. This made them seem more special, more unearthly. Today they're no longer perceived as different - they've become human, so to speak.

Richard D. Zanuck

#96. Music in a movie might tell you about longing. It might tell you about fear. It might tell you any number of things, but it tells you something different. Something happy might be going on, but there can be this little sad tinge underneath that tells you something.

Fred Schepisi

#97. A movie is a movie and a book is a book, and they have different rules.

J. Michael Straczynski

#98. I believe in preparation. As you already know we had to deal with many crews, 2 cameras. Also as I said we had to get many different actors because they tried to tamper with the project. I just liked doing the movie how I envisioned it. I wanted it to be my own.

Tommy Wiseau

#99. I have never played a superhero in real life and I would imagine it is very different Voiceover is super easy. You just come in and do a bunch of versions of it and then the animators and directors on that side of the movie put your performance together.

Jeremy Sisto

#100. If you look at history, and if you look at all these different things that have threatened the movie industry - from Betamax tape to DVDs to the Internet - in the end, it has always turned out right, because ultimately people want to see that stuff.

Kim Dotcom