Top 100 Character Was Quotes
#1. When we approached the project, the very first thing we did was take each character and say, "Okay, where would this character be?" We didn't want them to be caricatures of themselves. We wanted them to live and breathe, and grow with the audience and with us.
Jon Hurwitz
#2. I would not want to be a politician ... Let me tell you this: If I was campaigning, and I go against my opponent and he started attacking my character, and I leap over the table and choke him unconscious, would that help my campaign?
Chuck Norris
#3. The strange thing is, if I was speaking to drama students about the thing that you should do if you're lucky enough to know or to meet the character that you're playing, I'd say, 'It's obvious: you quiz them diligently about their experience.'
Rhys Ifans
#4. Finn crossed his arms and glared at Volusian. It was kind of a bold move, considering Finn looked like a cartoon character and Volusian looked like he ate the souls of small children. For all I knew, he probably did.
Richelle Mead
#5. I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
Tamra Davis
#6. But [Patrick's] character is partly based on a boy named Mark who lived across the street from me when I was growing up ... I liked hanging out with him and was sad when he moved away after only a year in the neighborhood. I guess writing about Patrick is a way for me to spend more time with Mark.
Linda Sue Park
#7. We had a script that was really solid and we knew how we were going to shoot and how the energy of it was going to go. So it gave us a lot of freedom to use the camera as a character.
Marguerite Moreau
#8. Shields Green was not one to shrink from hardships or dangers. He was a man of few words, and his speech was singularly broken; but his courage and self-respect made him quite a dignified character.
Frederick Douglass
#9. My scars tell a story. They are a reminder of times when life tried to break me, but failed. They are markings of where the structure of my character was welded.
Steve Maraboli
#10. Well, everybody knew their character. I was the only one who didn't have a partner. I basically showed up when people got in trouble. Where I came from, I don't know. Nobody knows. But I would show up to help.
Bubba Smith
#11. In fact, the underlying principle of the baroque is the idea of transformation, of movement, and animals becoming man, and man becoming animals, and mythology. It was a way to inspire pre-Christian character.
Camille Henrot
#12. A novel I read when I was about 17 or 18 - 'The World According to Garp,' by John Irving - really made me want to become a writer. The character of Garp is a novelist, and at the time, the whole lifestyle of being a writer was hugely appealing to me.
John Niven
#13. She was spontaneous. Even in her cleverness. She never looked at people; people looked at her. It was her reward for being natural.
Anuradha Bhattacharyya
#14. The harsh light above them caught her face, and Sean could see what she'd look like when she was much older - a handsome woman, scarred by wisdom she never asked for.
Dennis Lehane
#15. I was a Sedgewick without the smarts. It infused its way into me and I feel like it formed my character in a big way because of what I was exposed to.
Rob Morrow
#16. My mom was such a strong character. I don't want to say she was like a man, but she was tough.
Lance Armstrong
#18. Especially when you play a character for so many years, the character ends up reflecting a lot of who you are and I think I've changed a lot since then, but that represented a lot of who I was as a teenager.
Sara Gilbert
#19. In high school, I was performing "forensics." You take a section of a play and portray all the characters. I even went to camp for forensics.
Allison Silverman
#20. People realize that Salieri is not the man we saw in the Amadeus movie. That man had no talent. It was a great movie, but the Salieri character was a big fiction.
Cecilia Bartoli
#21. My favorite artists from comics were early ones like Jack Kirby or Steve Ditko who had a real heavy ink style. Captain America, co created by Jack Kirby, was a favorite of mine and I sometimes use an altered version of his costume on some of my characters.
Marcel Dzama
#22. A man kept his character even when he was insane.
Graham Greene
#23. Exquisitely embroidered tapestries lined the walls of Medb's bedroom, but their impact was somewhat reduced by the room's ambience. A musky odor with pungent accents of stale piss.
David H. Millar
#24. My dad says that when I was two or three I used to go out dressed as a different character every day. I remember thinking it was perfectly normal to wear different coloured shoes and carry a pink umbrella. But now I've got a goddaughter of that age; I realise it's not normal at all.
Alice Eve
#25. I was about to be attacked by a Doberman pinscher. He was a leading character in an earlier version of this book. ***
Kurt Vonnegut Jr.
#26. I was the biggest Harry Potter fan. I read all the books. Ron was always my favorite character, because I feel like I relate to him, like weve both got red hair, we both like sweets, weve both got lots of brothers and sisters. Ive got one brother and three sisters, and both scared of spiders.
Rupert Grint
#27. My thing was always more character-driven comedies, not sketch comedy - not that there's not room for both or one isn't enjoyable, just my personal taste, I like movies that comedy comes from out of flaws of people, things that are uncomfortable, out of tragedy.
Vince Vaughn
#28. It's funny - Frankie Valli's story and that advice that he was just getting from, you know, Christopher Walken's character, is very true for someone who's in a creative field.
John Lloyd Young
#29. And from my character's point-of-view in Ravenous, he had been collected by Robert Carlyle's character, he had become infected by this ravenous, cannibalistic power, and he was making the best of it.
Jeffrey Jones
#30. Because I was able to submerge myself into the character, I didn't have to go back and forth. You don't have to work hard to bring emotions. It all just comes naturally, you're there living it.
Camilla Belle
#31. I really enjoyed playing Vinny Vedecci, the Italian talk show host. He was the first character I ever came up with where I gave him a name and a way of dressing.
Bill Hader
#32. I've been doing It's Aways Sunny for 12 years, and so I have this cable sensibility. When I read the Grinder script, I was like "this is edgy," which is great, but in a different way from Arrested Development. I feel like the characters are a little more relatable, so maybe that's the difference.
Mary Elizabeth Ellis
#33. Until the Crusades Islam was indistinguishable from Judaism and ... only then did it receive its independent character, while Muhammad and the first Caliphs are mythical figures.
Nikolai Alexandrovich Morozov
#34. There is a shortage of hard R. It was the story and the character. He's never played a character like this and so that was the thing that really won him over. The story itself, on the surface - Patrick and I love actors almost in a geeky kind of way.
Todd Farmer
#35. I was a solid C student because I was doing so many plays. I was a drama nerd, but I was also kind of a Zelig-like character; I would shift between different groups of people. But the people I spent most of my time with were either chorus or swing choir or the drama nerds.
John C. Reilly
#36. Pigmentation was a quick and convenient way of judging a person. One of us, Dr. Martin Luther King, Jr., once proposed we instead judge people by the content of their character. He was shot.
Jon Stewart
#38. I had to audition for the part of Jnior, and I wanted the role terribly because I knew it was a great character. This guy is a wonderful, funny, mean old guy.
Dominic Chianese
#39. 'Ugly Betty' has been the most important thing I've ever done, easily. I was able to do more with one character than I can ever imagine doing again - Hilda was hilariously funny and emotionally deep ... I really got to showcase what I could do with a character.
Ana Ortiz
#40. Each week the machine is spitting out a number for a new person or a new world within New York that you get to know. And the idea from the beginning was that some of the characters would stick around and become part of the lives of the show, and the world of the show itself will continue to grow.
Jonathan Nolan
#41. Comedy comes from a place of hurt. Charlie Chaplin was starving and broke in London, and that's where he got his character 'the tramp' from. It's a bad situation that he transformed into comedic one.
Chris Tucker
#42. It was observed of Elizabeth that she was weak herself, but chose wise counsellors; to which it was replied, that to choose wise counsellors was, in a prince, the highest wisdom.
Charles Caleb Colton
#43. I think main storylines are what always intrigued me, with those that were the relationships between the characters against whatever backdrop, whether it was in an ordinary universe or a universe in the future.
John Noble
#44. I'd love to do a romantic comedy. And perhaps, if the character was right and I had a good gut instinct, a Bollywood movie. And I'd love to direct. One day. I'm learning a lot on the set of 'The Good Wife.'
Archie Panjabi
#45. Picking an assistant coach, the first thing I was interested in was the man's character.
Woody Hayes
#46. At the wondrous moment you were born, as you took your first breath, a great celebration was held in the heavens and twelve magnificent gifts were granted to you.
Charlene Costanzo
#47. It was great to do August Rush and have all the challenges of playing that character, especially the American accent for the first time and also playing the guitar and the conducting I had to do.
Freddie Highmore
#48. My sister and I had jointly heard the narration of 'Revolver Rani' in Tigmanshu Dhulia's office. After hearing the narration, my sister was very scared and adamant that I should not do this film, as my character was twisted, neurotic, violent and abusive.
Kangana Ranaut
#49. Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact.
Griffin Dunne
#50. Evil is a broad church. There are so many different ways to be evil. Sometimes it's fun to be the guy who doesn't know that he's bad, like the character I played in True Blood. He was pretty angsty about it, but he thought he was doing the right thing.
James Frain
#51. It was new to play a woman who plays with her sincerity, and who is a seductress, a manipulator and a liar! I was able to compose a character as opposed to being very natural, so it was very interesting for me. It was great to realise that I could be this kind of real woman!
Audrey Tautou
#52. The fact that political ideologies are tangible realities is not a proof of their vitally necessary character. The bubonic plague was an extraordinarily powerful social reality, but no one would have regarded it as vitally necessary.
Wilhelm Reich
#53. I realized I never played a character that was skilled at anything, or skilled at anything that I couldn't become skilled at.
Jonah Hill
#54. Ah, there you are," said Scarsbury. "George Lovelace was beside himself. He wanted to assemble a search party for you." Simon regretted his spiteful thoughts about George's horsemanship. "Let me guess," said Simon. "Everyone else said 'Nah, being left for dead builds character.
Cassandra Clare
#55. A victim to certain obscure forms of gout, he was in character neither stupid, nor inhuman, but he suffered from the usual drawbacks of his class, - too much money, and too few ideas.
Mary Augusta Ward
#56. Portugal was born in the shadow of the Catholic Church and religion, from the beginning it was the formative element of the soul of the nation and the dominant trait of character of the Portuguese people.
Antonio De Oliveira Salazar
#57. 'The Cape' is a really good comic! They invented the whole character, and now they've built a book of 'The Cape' for the show. When I was a kid, I used to love Batman, and I loved Spider-Man. My favorite was this guy called Judge Dredd. I know they made a movie of that in the '90s.
James Frain
#58. It was the most pleasurable thing I've ever done, playing this character, and I just remember feeling so at home and so - I don't know, I was just happy - and it just wasn't ever work! It was like a sandbox for me, and I would crack myself up rehearsing.
Jenna Elfman
#59. At first, I didn't realize it was gonna be a character. I just thought I was gonna be doing me.
Larry David
#60. My character in 'Cocktail' was different from my personality. Homi Adajania took me to London, showed me how girls dress and behave there. I had not seen that kind of lifestyle before.
Deepika Padukone
#61. I'm crazy about Grant: his character, his nature, his science in fighting and everything else. But I don't like the idea that he never accepted the blame for anything, always found someone else to blame for any mistake that was ever made, including blaming Prentiss for Shiloh.
Shelby Foote
#62. The only time I ever met a character that I wrote was when I met Ian McKellan, when he was playing Magneto in the 'X-Men' movies.
Grant Morrison
#63. My Bond character was meant to look like a virgin. I don't think they do that very often.
Jane Seymour
#64. One of the things I noticed more in this draft than in any recent drafts was the importance of the character issue. Players who had baggage, like Justice, fell much farther than his talent dictated. But a lot of coaches didn't want to take the chance.
Ron Jaworski
#65. There was a best-selling book in the late '60s and '70s called 'The Adventurers' by Harold Robbins. The lead character's name was Dax. Anyone that's roughly my age that's named Dax is named from that book.
Dax Shepard
#66. I was shocked by the reaction I got for Bleak House. It was very intensive but one of the best jobs of my life. It was a chance to play a character that grows and develops and I was very enmeshed in it. But I didn't realise how stylish it was and how much people would love it.
Anna Maxwell Martin
#68. But my relief that David Auburn's Proof is less about its ballyhooed higher mathematics than the fragility of life and love was matched by my delight in his fine and tender play. ( ... ) Proof surprises us with its aliveness and intelligent modesty, and we have not met these characters before.
John Heilpern
#69. It was a great joy for me to develop a strong female character in the spirit of an Icelandic woman. Icelandic women tend to be very strong and very independent, and I think that came in very handy.
Anita Briem
#70. Walking into a show when I was 16, at that time when it was the No. 1 hit show, and replacing a character comes with so many expectations. I felt a lot of pressure with that.
Sarah Chalke
#71. Goering was a contradictory [and] complex ... character.
Richard Overy
#72. There was also no character arc. Change only comes when we face the difficulty of reality head-on. Fantasy changes nothing, which is why, once we're done fantasizing, it feels like a bankrupt story.
Donald Miller
#73. Or maybe I was just in progress. Hatching another character for another extraordinary story, yet untold.
Adele Griffin
#74. Boudicca MacDaede was not the most striking of women, but she had a wryness in character and heartiness in form that recommended her to the rough demands of a farmer's daughter and a soldier's sufferance." ~ First two lines of book 1 in the Haanta Series
Michelle Franklin
#75. But the same thing was true in the army. You slept in a barracks with all kinds of people of every nationality, every trade, every character and quality you can imagine, and that was a good experience.
Shelby Foote
#76. Is as if the music is another character or as if it was a part of this great opera. I also through about this project as a structure or as a sculpture made out of colors, rhythm, characters, and brush strokes, but with every single one of these always supporting one another.
Alex Abreu
#77. But the character was so successful, that first one, that they wrote him again and he came in right at the end of the first year in a show called THE BOX. I was up for the Emmy for that one too.
Gavin MacLeod
#78. I try to bring elements of my own personality to every character I've played, but I think I'm pretty similar to the character I'm playing now. The biggest departure would have to have been Freaks and Geeks Sara, who was this sort of subordinate and shy girl.
Lizzy Caplan
#79. There were time when I was into method acting that I did have moments of residual character emotions, because the method bases your emotional responses as a character on emotional experiences from your real life.
Corin Nemec
#80. To Lilo, Suleika, Constance, and Raul, thank you for coming up with some really good character names when I was in a pinch.
Kayti Nika Raet
#81. I was never a leading man. I've always been in the outer concentric circles in the company, being a character actor, which is a good place to be. It gives you that diversity.
Geoffrey Rush
#82. I was a supporting character in other people's lives, which seemed right and familiar to me. I was also an outsider: English in the U.S., American in England, dogged yet comforted by that familiar feeling of alien-ness, which occupied that space where my sense of self should have been.
Allegra Huston
#83. Manliness means perfect manhood, as womanliness implies perfect womanhood. Manliness is the character of a man as he ought to be, as he was meant to be.
James Freeman Clarke
#84. A hound it was, an enormous coal-black hound, but not such a hound as mortal eyes have ever seen.
Arthur Conan Doyle
#85. I had no idea of the character. But the moment I was dressed, the clothes and the make-up made me feel the person he was. I began to know him, and by the time I walked onto the stage he was fully born.
Charlie Chaplin
#86. The doctors say it dates back to a film where I had these huge prosthetic breasts because my character was breast-feeding. The weight of them, and of the baby, did my back in.
Anna Friel
#87. 'Blade' was amazing; I can't imagine the character without Wesley Snipes. He just made a long, black leather trench coat look so cool.
Kat Graham
#88. I'm not doing a Mulder, there was no character reference-point. I think Mark Buchman shot it very David Fincher, but we did not know what the [X-Files] show was going to be.
David Giuntoli
#89. The skin of my character in 'The Man Who Fell to Earth' was some concoction, a spermatozoon of an alien nature that was obscene and weird-looking.
David Bowie
#90. The dysfunction was not the character of one person, it was the split of family by divorce, with the ripples felt for eternity by bloodline.
Amber Garibay
#91. I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
Rainn Wilson
#92. I lost 90 pounds and my blood pressure went down to a normal level and the salt in my urine disappeared. And that was when I had to make the transition from fat character actor to thin character actor.
Ron Perlman
#93. The fictional character with whom I most profoundly identified was Yossarian in Catch-22. Always did, still do.
Neil Cross
#94. The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.
Abbas Kiarostami
#95. My parents had raised me to not judge a person based off the color of their skin but by the composition of their character. A man was nothing if he wasn't true to his word and honorable.
Chelle Bliss
#96. Staines was not a terribly good judge of character. He loved to be enchanted, and so was very often drawn to persons whose manner was suggestive of tragedy, romance, or myth.
Eleanor Catton
#97. It was hard to judge a man's full character by his bachelor party etiquette.
Lola Dodge
#98. Yeah, and the language the "we" has, and the character the "we" has. Because that was the part of the book that I didn't plan out, but the part that I was most curious about as I was writing. You know what you're doing, but you're sometimes still sort of curious as you're writing it.
Chang-rae Lee
#99. To tell an adult exactly what steps to take towards his salvation was apt to weaken him. It deprived him of his inalienable right to trial and error which was tonic to the character.
Frances Gray Patton
#100. A lot of times, scripts are written so the character is all one way. Even with 'Bringing Out the Dead,' the character was written a little more generic.
Ving Rhames
