Carvel Cake Quotes

#1. The only love language is 'die to self.'

Christine Caine

#2. A lecturer once told me I could never be a director. I was 16. I believed him.

Paddy Considine

#3. I've come to realize that the contemporary creative culture is not generating the best possible outcome.

Elizabeth Gilbert

#4. I'm cool right? There's no lipstick left on me?" he asked, his smirk turning into a full-wated smile. "I love getting kissed by women who claim they don't love me - makes my dick hard as a motherfucker.

Gail McHugh

#5. You have to be the best of whatever you are, but successful, cool actresses come in all shapes and sizes.

Jessica Alba

#6. His proximity, that damn smile, just makes me hot in all the right places, but also pissed as hell. I don't know if I should knee him in the balls or hump his leg like a bitch in heat.

Ghiselle St. James

#7. I like The Smiths as well. They took a cue from The Buzzcocks. They have jangly guitars instead of distorted guitars. All the Manchester bands have a character about them. The Stone Roses and The Smiths and all that. Even if you don't like them, they have a certain original sound.

Steve Diggle

#8. I'm always listening and watching; my ear is like a boom mike. And judging, frankly. Constantly judging.

Kathy Griffin

#9. Their skin hung loose over their bodies like suits they had inherited from larger ancestors, with the trousers ridiculously baggy.

Roald Dahl

#10. The air conditioning in Lamborghinis used to be an asthmatic sitting in the dashboard blowing at you through a straw.

Jeremy Clarkson

#11. It's hard to get a hug wrong.

Kiera Cass

#12. I wanted to give readers the feeling of knowing the characters, a mental image.

Michael Chabon

#13. I think Britain has this tradition which suggests that if you make the readers laugh too much, you can't really be serious. Whereas, I think one of the functions laughter can perform in a book, as in life, is that it's a reaction to genuine horror.

Mark Haddon

#14. The main criterion for an award (of a research contract from the NCI) is the capacity to demonstrate the relevance of the project to the program's target. But the only sure way to prove this relevance is to have, in fact, already proved it.

June Goodfield