
Top 75 Re Editing Quotes
#1. I became really aware that when you're making a movie, you're making it three times. You're making it when you're writing it. You're making it when you're shooting it. And then you're remaking it again when you're editing it.
Mark Ruffalo
#2. I'm in awe of directors like the Coen brothers who can shoot their script and edit it, and that's the movie. They're not discovering the movie in postproduction. They're editing the script they shot.
Spike Jonze
#3. When you're editing the film, you use a temp track. So you're putting music in there for a rough cut to keep track of what's going on. It can be a hindrance if wrong, it can be an enormous asset if you get it right.
Nicholas Jarecki
#4. If you're working on a computer and you're editing bass, it looks like a warm curvy, sort of feminine object.
Colin Greenwood
#5. When you're editing, you want to be the perfect appreciator, not another writer.
Joseph Kanon
#6. I never ever see a film of mine after I release it to the public. I see it when I shoot it in my dailies and while I'm editing it, re-editing it and reshooting it and all that. By the time it's finished I never want to see it again.
Woody Allen
#7. I think Gram did his best work in co-writes. Sometimes when you're working with one other person, it's such a magical thing. You're editing each other and you're trying to create that one spark.
Chris Hillman
#8. Sometimes when you're editing a movie, you have the thing that you don't expect - which is you make it longer and longer as you go along.
Wes Anderson
#9. There's some things that you learn as you're shooting, and as you're editing that are key, because when you start you don't have the brain that can finish it. You don't really know what it is, and that's the key job; figuring out what you actually have, not what you're dreaming of having.
Mike Mills
#10. When you're writing is when the "god should I just drop this" feeling can hit. When you're editing is when the "god this is awful and I've wasted everyone's time and money and will be revealed as a fraud" feeling can hit.
Rian Johnson
#11. Even Jack Kerouac, who famously said, "First thought, best thought," benefited from editing. His earliest works are the most edited, and they're the best of his writing.
K.M. Soehnlein
#12. When you're in the editing room, the dangerous thing is that it becomes like telling a joke again and again and again. Eventually, the joke starts to not be funny. So you have to be careful that you're not throwing the baby out with the bath water.
Ridley Scott
#13. Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed in the editing stage, most of my early films are flawed in the cutting.
Satyajit Ray
#14. Sometimes when you're heavy into the shooting or editing of a picture, you get to the point where you don't know if you could ever do it again.
Martin Scorsese
#15. You have to know what you're shooting. Don't just make your movie in the editing room and just get everything you can on the day.
Patrick Wilson
#16. If you give the same 200 frames to 200 different people, they'll all probably pick a different frame. The key is editing. Be intuitive enough to be shooting at the right moment, and when you're seeing the action happening just as you want it, shoot. And in the edit you have to go with your gut.
Russell James
#17. When I go into the editing process, I re-look at the original intuitive thoughts and then it becomes the written performance or text work. Because they look quite big there's this assumption that there isn't much editing, but that's a huge part of it.
Sue Tompkins
#18. In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.
Viggo Mortensen
#19. We're so quick to cut away pieces of ourselves to suit a particular relationship, a job, a circle of friends, incessantly editing who we are until we fit in.
Charles De Lint
#20. Finding the fine line between satisfying a daytime TV audience and an afternoon radio audience. That involved editing down my delivery to under an hour. I've been blessed to have great producers and a great staff to achieve that. I have a small team but they're very efficient.
Wendy Williams
#21. We never end up with the book we began writing. Characters twist it and turn it until they get the life that is perfect for them. A good writer won't waste their time arguing with the characters they create ... It is almost always a waste of time and people tend to stare when you do!
C.K. Webb
#22. I remember doing one day of work, and I was so good I ended up doing 25 days on that movie. And all of it ended up on the editing room floor. That was my first Hollywood lesson: Just because you filmed a movie doesn't necessarily mean that you're in it.
Eddie Griffin
#23. I love directing more than anything in the world, and I love being in the editing room. I love cutting. When I'm shooting, I cut it in my head anyway. That's not to say that it always turns out that way, but you have a sense when you're composing a sequence or a scene how you want it to look anyway.
Hart Bochner
#24. If you re-read your work, you can find on re-reading a great deal of repetition can be avoided by re-reading and editing.
William Safire
#25. Normally, if you're lucky, the idea of a film you have in your head is more or less what you get back when you see it after the editing and the whole post-production process.
Chiwetel Ejiofor
#26. I'm just attracted to the action element of science fiction. It's great to sit in the editing room with the director and sound engineers and to create the feeling where your heart is racing and you're sitting at the edge of your seat and you find yourself holding your breath.
Gale Anne Hurd
#27. The one place I've seen something really come together is in editing. Sometimes you can save pieces in a way that you're really shocked.
Nick Kroll
#28. So if we're going to build new applications that require a large time investment, like say movie editing - today that doesn't matter for the enterprise desktop, but eventually it will when we get closer to consumers - you really need to have a cross-platform story.
Miguel De Icaza
#29. I think what holds people up in creative processes is the expectation of what it is they're doing. It's also the sense of judgement, you know, people editing themselves.
Antony Hegarty
#30. When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.
Zoe Kazan
#31. It's an ongoing process, in the script, on the set and in the editing room, to make sure you are being true to the emotion of the film without turning it into a melodrama, and making sure you're getting all the laughs you can without it turning into just some stupid comedy.
Jon Turteltaub
#32. Put down everything that comes into your head and then you're a writer. But an author is one who can judge his own stuff's worth, without pity, and destroy most of it.
(Casual Chance, 1964)
Colette
#33. Sound and Visual Effects and Editing are sometimes referred to as technical awards. They're not technical awards. They're given for artistic decisions. And sometimes we make them better than others, and I guess we made a couple of good ones on this one.
Randy Thom
#34. People think that writing is writing, but actually writing is editing. Otherwise, you're just taking notes
Chris Abani
#35. When you write a book, you spend day after day scanning and identifying the trees. When you're done, you have to step back and look at the forest.
Stephen King
#36. Editing is a very tough period. You're confronted with yourself. It's a deep, dark, truthful mirror.
Thomas Bidegain
#37. My novels tend to take a long time to become exactly what they're going to be. They're fluid messes until I've done a ton of editing and refining and rewriting. When I write novels, I always make related scrapbooks to help me organize and test my intentions.
Dennis Cooper
#38. Editing is hard but nowhere NEAR as tough as facing that blank page and blinking cursor each day. You're all alone and no one else can do it. At least with editing you have someone in the trench with you.
Sarah Dessen
#39. If you treat editing like you're making an abridged version of your book, it can help determine what's vital vs what can be cut.
Kira Hawke
#40. Her face was as red as her hair. "What are you doing," she cried.
Devon put a question mark next to the sentence. "Editing your paper." What did it look like he was doing?
"You're just cutting out stuff!"
"What do you think editing is?
M.M. John
#41. I never start editing a film until it's completely shot; I don't edit along the way, ever. When it's finished I come in here and we start with reel one, scene one and start editing shot by shot by shot until we're finished.
Woody Allen
#42. Editing while you're writing is like strangling the baby in the crib.
Quincy Jones
#43. We love seeing raw truth and openness in other people, but we're afraid to let them see it in us. We're afraid that our truth isn't enough - that what we have to offer isn't enough without the bells and whistles, without editing, and impressing.
Brene Brown
#44. There's no point in writing my kind of stuff, when they're printing that kind of stuff. So I gave up and started drinking.
Charles Bukowski
#45. Your job as an executive is to edit, not write. It's OK to write once in a while but if you do it often there's a fundamental problem with the team. Every time you do something ask if you're writing or editing and get in the mode of editing.
Jack Dorsey
#46. They make Spy Kids, they make Scream, they make A Scary Movie. This doesn't do that, so it could be a very bad marriage. I'm trying to keep this potential nightmare quiet because we're just finishing editing.
Terry Gilliam
#47. All you're trying to do in an improvisation is get as much material as possible for the editing room.
Martin Short
#48. When you're making the film, you don't really think the audience; it's only when you start editing that you really start to became aware of your audience because you're thinking of how you communicate these ideas, and how lucid can you be, and yet stay within the language you've established.
Jonathan Glazer
#49. The main thing that I learned from editing is that most people, when they're making a film, they start too early into the story. They will try to set up the characters, they will try to establish things before the plot actually starts.
Steven Zaillian
#50. And then to see the whole movie, you're pretty much waiting until the end of production. And the major lifting in terms of editing and all that stuff is done before you shoot the movie. That's an unusual way to work.
Charlie Kaufman
#51. When you're in the editing process, you try different things and you get creative ideas.
Catherine Hardwicke
#52. The lessons of slushing and editing build up over time, and you're not necessarily thinking about them while you're working, but they're in the back of your mind, probably influencing your choices.
Ann Leckie
#53. Having gone through editing process, I can see that in actor's faces there's point where they're not managing their performance and that's, I think, the best place to be. You've done the homework, you've learned the lines, at that point you just sort of let it out.
Ralph Fiennes
#54. When you're done shooting, the movie that you're going to release when you're done shooting is as bad as it will ever be. And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I'm really hard on myself and on the movie.
Barry Sonnenfeld
#55. People come up to me and say "Steve, what is film editing?" And I say "How should I know? You're the director.
Steve Martin
#56. I realized that a lot of the great directors that I admire from [Ingmar] Bergman to [Fredrico] Fellini re always shooting, then going into the editing room, and shooting again.
Marc Forster
#57. In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.
Campbell Scott
#58. There is anxiety, but it comes after you've finished filming because it's out of your hands; people are editing it, they're cutting it, marketing it. And it's ... part your career sort of rides on that. But when you're actually filming it's a team thing and it really feels good there for me.
Hugh Jackman
#59. If you're writing a screenplay for a feature, you don't have any involvement with the casting process, the editing process, the set design, the costume design, or any of that stuff.
David Benioff
#60. Books in the YA genre, in particular, should use proper grammar because they're more of an example to young people than adults books are.
Laura Kreitzer
#61. Once you start to realize that a film is the sum of its editing, then editing is the thing you're always looking at.
Anthony Minghella
#62. Even if I loved the script, the director has to be right because it's all about the filmmaker. It's their vision. They're the ones that go back into the editing room and reassemble the film.
Cameron Diaz
#63. When you're directing, you see your ideas. You see them created right in front of you on the monitor and the sound stage. You get that experience all over again when you get into the editing room and you start playing with it.
Christopher Gorham
#64. When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
Chris Pratt
#65. I guess if editing doesn't hurt, you're probably not doing it properly. I find it quite difficult. The hardest part is believing that it's actually working and getting rid of the doubt that always creeps in.
Markus Zusak
#66. The great thing about doing physical comedy for film is that if it doesn't work you're not exposed. It ends up on the editing room floor, so it gives you a lot more room to experiment I guess. But I really enjoy doing it. I'm very comfortable tapping into my inner idiot.
Isla Fisher
#67. What you write on the page has nothing to do with when you're on set. When you're on set, it has nothing to do with when you're in the editing room. And when you're in the editing room, it has nothing to do with the final movie. You just have to let it go.
Lori Petty
#68. Remember the waterfront shack with the sign FRESH FISH SOLD HERE. Of course it's fresh, we're on the ocean. Of course it's for sale, we're not giving it away. Of course it's here, otherwise the sign would be someplace else. The final sign: FISH.
Peggy Noonan
#69. I like every part [of the film process ] except the business and admin stuff. The initial idea. Writing. Re-writing. Casting. Directing, Editing. If I had to chose I'd say writing, followed by putting music on the picture. That is magical.
Ricky Gervais
#70. I never go to the monitor. I just look at the camera monitor and my favorite part of all of the directing, except for the writing and editing of it, is right when we're rolling and they do lines and I'll say "Try this, try this, try this."
Will Gluck
#71. Editing is like walking across a room strewn with rose petals and thorns. When you can walk across mostly unbloodied, you're finished.
Richard Due
#72. I love the idea that the editing room is the final time you write. You should still be creatively solving problems even at that point. It's not really until you're locked that you can call it quits.
Noah Hawley
#73. To be a film director is not a democracy, it's really a tyranny. You're the head of the project, for better rather than worse. I write the film and I direct the film, I decide who's going to be in it, I decide on the editing, I put in the music from my own record collection.
Woody Allen
#74. If you start to revise before you've reached the end, you're likely to begin dawdling with the revisions and putting off the difficult task of writing.
Pearl S. Buck
#75. I like to kind of change my performance so that there's more to play with in the editing suite. At the same time I think by the time you've done say 55 takes you're exhausted and you've kind of lost the power behind it that you had on take #1 or take #2.
Eleanor Tomlinson
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