Top 32 Quotes About Play Directors
#1. The best complement I ever got from the public or producers or directors is that I just totally blend in and become the character and they don't notice me and that the play happens or the movie happens or the TV show happens.
J.K. Simmons
#2. I do listen to a lot of music. Actually, I very often ask directors if they can offer up a play list. They very often have one anyway that they're listening to.
Dan Stevens
#3. I've been fortunate in my career to have the opportunity to pick and choose the parts I play. I've also been lucky to always be involved with quality actors, quality directors, quality writers.
Powers Boothe
#4. When I was going for my graduate degree, I decided I was going to make a feature film as my thesis. That's what I was famous for-that I had my thesis film be a feature film, which was 'You're a Big Boy Now.'
Francis Ford Coppola
#5. The director is responsible for interpreting the playwright's work through the cast with the help of the staff. It is the director's artistic concept of the play that the cast, staff, and crew work to obtain.
Laurence Sterne
#6. Developing films with directors, developing films with actors, is a poor percentage play for a screenwriter.
Tony Gilroy
#7. What worries me are these so-called radio stations with program directors who don't play all the different flavors of hip-hop. They should play the old with the new, 24/7, 365 days a year. A lot of these program directors are just jiving around and not playing all the good music for the people.
Afrika Bambaataa
#8. I used to play a lot of foreign women in my youth because I was prettier then. I would go for interviews, and directors would look at these sultry, exotic looks, hear this clipped accent and think the two don't go together. So they would give me a foreign accent.
Kate O'Mara
#9. I was meeting a lot of directors and reading scripts, and I was like, "Well, I'd love to play this part," but I couldn't.
Joel Kinnaman
#10. I love working with new directors. There's so much drive and effort. It still comes down to the character for me, but if it's a character I really want to play, I would never not do the project because of a new director.
Pauley Perrette
#11. Television in America is so elaborate. There are so many remote cranes, and they have all the toys to play with. The directors are really good. They really work with you. So, I'm not really on set thinking, "Oh, my God, this is television. It's very different."
Franka Potente
#12. A lot of the best acting training I had was in junior high and high school. We had very demanding directors and did real plays. You put our plays up against any theater troupe of any age, and they usually did pretty damn well.
Jello Biafra
#13. Let the child be the scriptwriter, the director and the actor in his own play.
Magda Gerber
#14. Let the tree of the Knowledge of Good and Evil fall, soundless in the moldering woods.
Rudy Rucker
#15. The object of all the former voyages to the South Seas undertaken by the command of his present majesty, has been the advancement of science and the increase of knowledge.
William Bligh
#16. When I was younger, I used to write to directors when I was unsure I could play a role. I'd say: 'You've made a terrible mistake.'
Kelly Reilly
#17. I need to work with great directors and actors, people who are better than me, so that I am challenged. It is like playing sports - surfing, basketball, it doesn't matter what it is, if you play with people who are better than you, then you get better too. It is the same thing with acting.
Paul Walker
#18. I love England though; I've been back a few times and just love it. My favorite thing to do there is going to museums and all the castles. Oh, and my husband and I went mountain biking across England on our honeymoon!
Catherine Bell
#19. I get to play a great character while working with great actors and great directors on a great show.
Harry Hamlin
#20. What's wrong with creative block? Might it not just be that periods
even extended ones
of productive hiatus are essential mechanisms of gestation designed to help us attain higher standards in our pursuit of creative excellence?
Alexi Murdoch
#21. Some directors are very free and some directors are very specific. It seemed like doing a play.
Michael Pitt
#22. I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, 'Well if I'm going to fight against this, I should learn how to direct.'
Adam Rapp
#24. The only other things, and again these things are hearsay, is that he could be pretty rough on directors, because he knew exactly the way he wanted to play the part. And he did so.
Tommy Bond
#25. Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.
Sam Waterston
#27. The first time I went over to [my director's] house, he said to me, This is a very strange play. I was pleased that he reminded me of that. [He] understands the play [VENUS] intellectually and emotionally and the humor, the funny bone.
Suzan-Lori Parks
#28. As a female, you are often being asked by directors to be warmer, softer, flirt more, smile more etc ... None of those things are bad, and obviously we are capable of a variety of human behavior, but it gets really old having to play into somebody's stereotype or ideal.
Trieste Kelly Dunn
#29. With his long red beard, and bristling with firearms and knives, he reminded me of a pirate. A very mellow pirate, but a pirate nonetheless.
Larry Correia
#30. I'm a slave to the culture, so I see an Audi, a Denali, or an Escalade, my neighbor got the four-door Porsche. I have a really nice truck. But it's a Durango and I like frontin'! I like to ride by and show off.
Patrice O'Neal
#31. I was really amazed when I started hearing 'Songbird' on the radio. I couldn't believe that the record company promotion department had actually convinced radio music directors to play it -because there wasn't anything like it on the radio at the time.
Kenny G
#32. Whenever I've been asked to be in a film, directors only want me to play myself ... I'm fascinated by the thought of being an actor, but it's too hard. And I think Shakespeare-which has been suggested to me-might be a bit of a stretch.
Tom Jones
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