
Top 100 Quotes About Drawings
#1. I've had my own personal stalker. I would get nude drawings of my body with a knife and a message saying 'I'm watching you' and 'I'm going to get you.'
Erin Gray
#2. Movie actors disappear - any young person wouldn't know Cary Grant. They're going to disappear. Fifty years ago, you thought film was here to stay. But nothing is here to stay, actually - except perhaps paintings and drawings.
David Hockney
#3. Some drawings are better than others ... Some are utterly spoiled ... I keep them all. I find a use sometimes even for the worst drawing ... But their chief use is to mortify one's conceit, to show how thoroughly incompetent it is possible to be, and to shame one into better ways.
Walter J. Phillips
#4. Possibly the strangest book ever made, the 'Codex Seraphinianus' is an encyclopedia of an imaginary world, with illegible calligraphy - it is written in an alphabet no one can understand - and surreal drawings of odd beasts and machines.
Russell Smith
#5. I was like the family clown. The middle child entertaining. I was a lousy student, but interestingly, the nuns always let me write plays or do drawings, endless special projects.
Eileen Myles
#6. Where history concerns mainly personalities, the drawings become either black or white according to the interests of the writer.
Isaac Asimov
#7. One of the reasons why you like to do your own drawings is, your style changes over time. And there's something about that that keeps it fresh to the viewer.
Scott Adams
#8. He suggested devils, skulls, harsh masculine drawings. This thing was ... heart poundingly good. She wanted to pluck it, and bury her face in it, and keep it in a vase by her bedside.
Charlotte Stein
#9. My dad and I collaborate on the artwork. He does all of the design and layout. He uses my sketches and drawings or weird things to mix into it or put on the merch.
Sherri DuPree
#10. I had drawings that were the first time that mathematics was put into visual form.
Agnes Denes
#11. As a kid I read Jules Verne, H. G. Wells, and a few others. As an adult have admired Leonardo da Vinci's drawings and notebooks.
Viggo Mortensen
#12. We tell them that we believe it will be beautiful because that is our specialty, we only create joy and beauty. We have never done a sad work. Through the drawings, we hope a majority will be able to visualize it.
Christo
#13. I use dull colors in my drawings because I started out using a root beer base because it seemed like an interesting idea and when it turned out that it worked quite well as an ink I started using other colors that would compliment it.
Marcel Dzama
#14. Somehow I started introducing writing into my drawings, and after a time, the language took over and I started getting very involved with the handwriting and then the look of the handwriting.
Patti Smith
#15. I have made it a rule for a long time, not to part with the copyright of my drawings, for I have been so copied, my drawings reproduced and sold for advertisements and done in ways I hate.
Kate Greenaway
#16. I have to hope that my instincts will do the right thing, because I can't erase what I have done. And if I drew something first, then my paintings would be illustrations of drawings.
Francis Bacon
#17. When drawings of the main buildings I have designed in the last five years are juxtaposed, the fact that they all involve the pursuit of certain configurations is obvious to anyone.
Yoshio Taniguchi
#18. In middle school, I started to draw, and my pencil sketches were huge. They were these 4ft by 3ft drawings, and I got a lot of attention for that, so that was very validating. But I didn't start cartooning until I was in college.
Jeff Kinney
#19. Buildings are always better than drawings and models.
Rafael Moneo
#20. The first ten thousand drawings are the hardest. Put another way, you have ten thousand bad drawings within and should expel them as quickly as possible.
Wallace Tripp
#21. Every artist returns to things. The drawings that you make as a child or as an adolescent and the ideas that you have as a young beginning artist, no doubt they crop up again and again.
Elaine De Kooning
#22. A few grass mats, some cave drawings, the heads of my enemies mounted on the wall ... it could be quite pleasant.
Greg Farshtey
#23. I suppose we carry photographs now, but I think it's rather wonderful that people used to carry drawings and watercolours. I wish people did that more often.
Alison Jackson
#24. The thing that makes me happiest about Simpsons Illustrated are all the drawings that we get from readers. I wish we could print them all. They're really imaginative. They show a lot of hard work.
Matt Groening
#25. The lines are careful. They reveal he pays attention. People don't think he does, because he daydreams and skips class and neglects his homework, but when I see his drawings, I know they're wrong.
Stephanie Perkins
#26. Then draw everything. Do a hundred drawings a day,' he said fiercely. 'And remember that it's a hellish life.
Elizabeth Kostova
#27. My favorite drawings at the Muhammad cartoon festival in Texas were the two chalk outlines out front.
Evan Sayet
#28. I tried to exploit such freedom to create those drawings like if I was a boy. I tried to draw with that freedom and that love that I remember from being a child and spending a day drawing without worrying about whether what I'm drawing is real or strange.
Alex Abreu
#29. During photography's first decades, exposure times were quite long ... So, similar to the drawings produced with the help of a camera obscura, which depicted reality as static and immobile, early photographs represented the world as stable, eternal, unshakable.
Lev Manovich
#30. When I was a child, my grandmother used to mix a paste for me of flour and water. Then I would go out into the yard and pick grass and make drawings out of pencil and grass pasted to the paper.
Norma Cole
#31. In this same library we saw some drawings by Michael Angelo (these Italians call him Mickel Angelo,) and Leonardo da Vinci. (They spell it Vinci and pronounce it Vinchy; foreigners always spell better than they pronounce.)
Mark Twain
#32. Comics are drawings, not photographs, and as such they present a subjective view of reality.
Frederik L. Schodt
#33. I am going to do some drawings or paintings ... in the mirror of my wardrobe..with myself as a figure doing something.
Gwen John
#34. My drawings have to be quick. If they don't happen in 20 minutes or a half hour, then they're no good.
Ellsworth Kelly
#35. I really don't see any influence of my work on any artists. But I do think I've had an influence on drawings' being shown. I've had an influence on the economics of it.
Raymond Pettibon
#36. I enjoyed art in school. I've always done little drawings and stuff like that. I don't really know what I'm doing with the painting, but I experiment.
Alex Lifeson
#37. I want to do drawings which touch some people ... In either figure or landscape I wish to express, not sentimental melancholy, but serious sorrow.
Vincent Van Gogh
#38. Cartoons are not real drawings, because they are drawings intended to be read.
Chris Ware
#39. I do have great respect for painting, but I am definitely not a painter. I make drawings of paintings, and I'm jealous of painting for sure, but, for me, the paper gives my work a limit.
Robert Longo
#40. But now with technology I could sit down and do a bunch of character drawings and scan them into a computer, and the computer using my exact style could bring it into life, where it would have been edited by various human beings before.
Bill Griffith
#41. Before he did all those lovely line drawings, Matisse would make really detailed charcoal drawings and tear them up. He wouldn't leave them about ... I understand what he was doing: discovering what's there ... to make the line meaningful, to find a linear solution ...
David Hockney
#42. Something about glamour interested me. All my schoolbooks had drawings of women on terraces with a cocktail and a cigarette.
Bill Blass
#43. Mostly, drawings are things I make for myself - I do them in sketchbooks. They are mental experiments - private inner thoughts when I'm not sure what will come out.
Sigmar Polke
#44. I don't work from drawings and colour sketches into a final painting. Painting, I think, today - the more immediate, the more direct - the greater the possibilities of making a direct - of making a statement.
Jackson Pollock
#45. In Arlington, people would laugh at you if you tried to get people to look at your drawings or listen to your poetry. It was like you thought you were special.
Eileen Myles
#46. I have designed my style pantomimes as white ink drawings on black backgrounds, so that man's destiny appears as a thread lost in an endless labyrinth. I have tried to shed some gleams of light on the shadow of man startled by his anguish.
Marcel Marceau
#47. When I left art school and went in search of work, visiting publishers and showing them my drawings and illustrations, I was met with a polite and sometimes enthusiastic response but no commissions.
Chris Riddell
#48. The reason I love comics is that they DON'T move, and there is NO sound. As a creator I have to evoke those elements in the drawings and writing, and the reader has to create those elements in their own minds.
Dave McKean
#49. There's the artist's intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn]. Picasso drawings are like that ... the Rembrandts are like that. The artist who most often did that was Van Gogh.
John Berger
#50. I have kept a diary as long as I can remember, and drawings are really another kind of diary.
Louise Bourgeois
#51. I filled my sketchbook with drawings, very much as any educated girl of my generation might have kept a diary.
Gabriele Munter
#52. The novels have done so well because the drawings are abstract, black-and-white. This adds to the universality of the story. "Persepolis" also has dreamlike moments, and the drawings help maintain cohesion and consistency.
Marjane Satrapi
#53. It's very important to understand that we never do the same thing twice; each of our projects is unique. We'll never do another 'Gates.' Each project is a unique image. We do not know in advance how the work will look. I do preparatory drawings, but they are only projections of our vision.
Christo
#54. I used to always make art for girls. That was the thing I did for girls to like me. I did portraits, drawings, letters that formed outlines of significant things in our relationship. Art. I just used art in general. It usually worked.
Cary Fukunaga
#55. They've found a way to privately, or within a small family group, share expressions, or other images, drawings, and then gain access to some of the world's great expressions and images and make them real, make them tangible.
John Doerr
#56. If you start with character, you probably will end up with good drawings.
Chuck Jones
#57. Every artist has thousands of bad drawings in them and the only way to get rid of them is to draw them out.
Chuck Jones
#58. I do a lot of work that's permanent. The drawings, the sculptures, they're permanent.
Christo
#59. Lines that are drawn makes merely drawings which is Art separated from Life.
Lee Wen
#60. I love drawing, whether it's considered work or not, but I'm always drawing, and that's the core of the work. Everything comes from drawing.
Ryan McGinness
#61. All art is but dirtying the paper delicately.
John Ruskin
#62. I had so many ideas that I wanted to get out at once that it led to simple little drawings and paintings.
Neil Farber
#63. A drawing of the nude is a most revealing expression because it is at once the most private and the most personal. Often such drawings are made with no thought of public exhibition. They possess the intimacy of diaries.
Mervyn Levy
#64. I really wanted to be a cartoonist, and I was in 4th or 5th grade and I would bring my drawings in, and I'd look around, and everyone could draw better than me. Everyone. My drawings were just awful. So that's why I had to write.
R.L. Stine
#65. Playing acoustic and line drawings are the two things I'm most competent at.
Robyn Hitchcock
#66. Women are important in the Pre-Raphaelite movement. But while their faces are seen everywhere- in oil paintings, watercolours, drawings, - their voices are never heard.
Jan Marsh
#67. My work is so unorthodox that from one panel to the next, the drawings are completely different ... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.
Sergio Aragones
#68. The war was a mirror; it reflected man's every virtue and every vice, and if you looked closely, like an artist at his drawings, it showed up both with unusual clarity.
George Grosz
#69. The work, I suppose, is made in the editing, whereby I make literally hundreds of drawings, and then a much smaller percentage of those become the finished work.
David Shrigley
#70. There is a symbiotic desire to get closer and closer, to enter the self of what is being drawn, and, simultaneously, there is the foreknowledge of immanent distance. Such drawings aspire to be both a secret rendezvous and an au revoir! Alternately and ad infinitum.
John Berger
#71. I don't look at my films or my old drawings much, so that was an interesting way to kind of reconnect with myself a bit.
Tim Burton
#72. I have been doodling since childhood. I have a passion for illustrating but cannot paint or colour for that matter. I illustrate what I am trying to communicate through my writing. My images are like drawings in a science text book.
Devdutt Pattanaik
#73. In Miami they're building all these hideous monstrosities. It's just so easy to be an architect, once you've got the ability to do your computer drawings. They just knock off each other. There's nothing creative in any of them.
Barbara Hulanicki
#74. Just as the unmusical ear is not competent to judge music, so it is likewise with pictures, whether they are paintings, drawings or photos. Only a sensitive and trained eye gives us the right to judge ...
Josef Albers
#75. Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.
Sol LeWitt
#76. I started my own magazine with drawings, commentary, news, film reviews and drawings.
Carlos Fuentes
#77. In entertainment, I adore Ricky Gervais in 'Derek.' His performance is unbelievably charming, funny and poignant. In life, I adore my girlfriend. She is the most adorable person I have ever met - from her silly jokes to her cute teeth to her little drawings.
Josh Zuckerman
#78. Being on a trapeze is like dreaming. I feel totally outside of myself when I'm flying. You know, designing shoes, my imagination is flying in my drawings.
Christian Louboutin
#79. Drawings, paintings, and sculptures. That's the three pillars of art academia.
Barry McGee
#81. Unlike the photography and prints, I never catalogued, kept track of or exhibited the sketches. I sold some occasionally, but never saw myself as a graphic artist. They became more important to me thanks to the exhibition, however, and I realized that these drawings were quite interesting after all.
Gerhard Richter
#82. Here I am, a not over-good business man, a second-rate engineer. I can make poor mechanical drawings. I play the piano after a fashion. In fact, I am one of those proverbial Jack-of-all-trades who are usually failures. Why I am not, I can't tell you.
Charles M. Schwab
#83. I've been very influenced by Inuit art especially some drawings and watercolors I've seen.
Marcel Dzama
#84. I do make some drawings for wall pieces. I do work out some ideas for large-scale wall pieces where I have to organize words or get proportions right. I do keep them in my files. Not an exhibit or a show; just as part of my records, my archives.
Robert Barry
#85. From my personal taste, it needed more of a visual style. It's so hard when you're adapting something that's so visually scrumptious like Mike Oeming's drawings. They're so unique to comics, but they're a voice.
Brian Michael Bendis
#86. I like making books but I'm not sure exactly what I'm doing. Perhaps I just try to arrange a bunch of seemingly random drawings into something that makes a vague narrative sense. Sometimes it sort of makes sense, sometimes it doesn't.
David Shrigley
#87. And for every project, because it takes years, you can see the early drawings and collages as just a simple, vague idea, and through the years and through the negotiations of getting the permit, you see that every detail is now clarified.
Christo
#88. 148She once said, "Just because you have talent doesn't mean you have to you have to do something with it.
Nanette Vonnegut
#89. You have to make thousands and thousands of drawings before an illustration is perfected.
Richard MacDonald
#91. Our visions are the plans of the possible life structure, but they will end in plans if we do not follow them up with a vigorous effort to make them real, just as the architect's plans will end in his drawings if they are not followed up and made real by the builder.
Orison Swett Marden
#92. 14th- and 15th-century drawings are almost unheard-of - and as a result, they generate jealous desire among dealers and curators. Museums in particular value rarity and pedigree more than attractiveness.
Peter Landesman
#93. In reality some images or drawings have a greater impact than many buildings that are built.
Emilio Ambasz
#94. My drawings are another kind of music for me ... they relax me and I think they all connect somehow.
Shelby Lynne
#95. I don't usually go in for reviews of buildings that aren't yet built, since you can tell only so much from drawings and plans, and, besides, has there ever been a building that didn't look great as a model?
Paul Goldberger
#96. Animation is not the art of drawings that move but the art of movements that are drawn.
Norman McLaren
#97. During the winter when the weather is too poor to work outside, I do use drawings and photographs, but I change my work so it is not just a time and place study.
John Dyer
#99. N MY early boyhood I was enraptured by the great fairytale illustrators of the period: Arthur Rackham, Edmond Dulac, Kay Nielsen. As a schoolboy, I was to discover Aubrey Beardsley, and I was extremely fond of an edition of A Midsummer Night's Dream with most imaginative drawings by Heath Robinson,
John Gielgud
#100. After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures.
Jack Prelutsky
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