Top 33 Raymond Pettibon Quotes
#1. There's always a latent or inferred image in my writing. And I can almost always assume if I do a drawing that it will eventually have text.
Raymond Pettibon
#2. It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
Raymond Pettibon
#3. Everybody has his own great ideas about what my art should be. But I can do whatever I like and there aren't many constraints to the way I work, whether I'm using a brush with ink or paint.
Raymond Pettibon
#4. I really don't see any influence of my work on any artists. But I do think I've had an influence on drawings' being shown. I've had an influence on the economics of it.
Raymond Pettibon
#5. I don't want to express violence or anger or hate in my art. I want to express forgiveness.
Raymond Pettibon
#6. It was never my goal to capitalize on punk. I could never make it as a commercial artist. I didn't back then and I still don't have the temperament and don't care for drawing or painting or making art for any other purposes other my own.
Raymond Pettibon
#7. There are instances where lines in my work are borrowed or stolen from sources, mainly from books, or they become my own versions. A lot of the writing is my own, too. But if someone were to take each drawing and trace it back to its source, most of them could be traced back to a book or a text.
Raymond Pettibon
#8. I'd rather do anything than make commercial art. I didn't go to school for art. Making art has certain advantages for me but they would never be in commercial direction.
Raymond Pettibon
#10. I was very influenced by comics. The drawing style, definitely, I was interested in. My style of drawing is largely a comic style, but it's also much more obvious than comics.
Raymond Pettibon
#11. I don't know if it's good to be stuck at one place. I'm probably too close to home on that. Because that can happen-where I'm not the best judge of my own work.
Raymond Pettibon
#12. It's an extreme to go from an artist like myself to a commercial artist with art directors looking over your shoulder, or any other knucklehead telling you what your art should look like.
Raymond Pettibon
#13. Forgiveness is the nature of my art in general. It's expressing love and compassion, the kinds of things that don't make sense in any other context other than emotive expression.
Raymond Pettibon
#14. I don't feel that I decided deliberately I'm going to write something and have it stand alone. Somewhere by the end I think it would probably revert to imagery.
Raymond Pettibon
#15. Most writers do similar things in their minds. It's how the mind works, basically.
Raymond Pettibon
#16. Whenever I reference something, it usually comes back at some point. I don't know why.
Raymond Pettibon
#17. I don't make art with grandiose delusions. I do know there are limits to what art is capable of. That makes it all the more appealing to me. And I can do as I will whenever I choose.
Raymond Pettibon
#18. No one can help me with my work. I think I do best when I am just left alone.
Raymond Pettibon
#19. Back in the '80s, a lot of the images I used were from TV or from films on TV.
Raymond Pettibon
#20. I don't have extravagant tastes or expenses - like with cars, clothes, or whatever.
Raymond Pettibon
#21. It's possible to do your best work at your highest level without competing. I'm not anticompetition, but at an individual level, it can be degrading for both sides. And it doesn't have to be that way. I've done pretty well at getting past that sort of thing, and it's a relief not to have the rancor.
Raymond Pettibon
#22. Anyway, the way political history is passed down is influenced and spoiled by the closeness of the writers to the political figures that they're writing about. It's a sad state of affairs, but there's probably more veracity of reporting in my work than there is in the newspapers.
Raymond Pettibon
#23. I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.
Raymond Pettibon
#24. It's very rare that someone gets the death penalty for charges of conspiracy, for his influence, for his Svengali-Rasputin act.
Raymond Pettibon
#25. I don't drive often, because the parking makes it too much of a nuisance. And I could never go back to commuting or anything. I'd just get fed up with it.
Raymond Pettibon
#26. I'm not God, but I'm working within my own means as an artist and a person, and I possibly have more power than God does, in whatever form he has, if he exists, because I can work without the overarching ambition of wanting to rule over everything. I can work just for the heck of it.
Raymond Pettibon
#27. Art comes after the fact, as a witness to certain things that have happened.
Raymond Pettibon
#29. In communist Russia, their major organ was Pravda, which means "truth." The Russians knew how to read between the lines. They didn't take their literature literally.
Raymond Pettibon
#30. Art can be a kind of therapeutic, or kind of a fantasy life, or wish fulfillment ... o r creating this alternate universe. Art gives me the freedom to do that.
Raymond Pettibon
#32. If you don't use an image now you might have a place to put it in further down the line - and I have a lot of unfinished drawings.
Raymond Pettibon
#33. My work is more driven by the creative word. It's immersed in other writing and printed work, rather than drawn so much from life or past experience.
Raymond Pettibon
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