
Top 13 Parktakes Camps Quotes
#1. I think there are pluses and minuses to being simpleminded. The minus is not having any sort of vision for the future. But on the plus side, my wife and I have really been happy through all of the ups and downs.
Ty Burrell
#3. You should have a fear of some things. That doesn't mean it incapacitates you from your ability to figure out a way to deal with it.
Chris Hadfield
#4. If you're lucky enough to get old, I think you should celebrate it.
Iris Apfel
#5. Film is the cheapest part of the movie making process. The expense is the 100-man crew and the financing and everything.
Albert Brooks
#6. Perfectionism is not a quest for the best. It is a pursuit of the worst in ourselves, the part that tells us that nothing we do will ever be good enough - that we should try again.
Julia Cameron
#7. I had a relationship with an Italian chick that was built on just fighting and sex. As much as all women won't let go of stuff, Italian girls won't let go of anything. And she punched really hard. I got tired of the arguing it took to get to the sex.
Denis Leary
#8. I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
Christopher Lee
#9. Whenever I'm onstage, I try my best not to think that I'm performing. It's simply another part of my day.
Bobby McFerrin
#10. What little private tutoring I'd done, to raise my standard of living, soon convinced me that the transmission of knowledge was generally impossible, the variance of intelligence extreme, and that nothing could undo or even mitigate this basic inequality.
Michel Houellebecq
#11. Two girls called me closed minded. I tell them that they are so open-minded their brains leaked out.
Tucker Max
#12. Because when you love someone, you don't be daft. You let them know. Who gives a shite if they throw it back at you or walk away from you? You tell them. As fucking loudly as you can. Just so they know. That's living, Joce.
Melissa Blue
#13. The writer must be able to revel and roll in the abundance of words; he must know not only the direct but also the secret power of a word. There are overtones and undertones to a word, and lateral echoes, too.
Knut Hamsun
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