
Top 100 Paintings Of Quotes
#1. I mostly paint animals I'm familiar with, but I did a series of paintings of ravens, so I read everything about them.
Jamie Wyeth
#2. He looked like those paintings of baby angels - what do you call them, hubbubs? No cherubs. That's it. He looked like a cherub who'd turned middle-aged in a trailer park.
Rick Riordan
#3. Feminists amuse me more than illusionists. They are the only type of people that can make an illogical argument seem even more illogical with paintings of delusions.
Lionel Suggs
#4. Some books had shiny pages that showed paintings of landscapes unlike anything Matty had ever seen, or of people costumed in odd ways, or of battles, and there were many quiet painted scenes of a woman holding a newborn child.
Lois Lowry
#5. With answering howls of rage, the vampires charged the werewolves, who met them head-on in the center of the ballroom.
The noise was like nothing Clary had ever heard. If Bosch's paintings of hell had come with a soundtrack, they would have sounded like this.
Cassandra Clare
#6. How many of the people I know - sons and daughters - have intricate abstract expressionist paintings of their mothers, created out of their own emotions, attitudes, hands. And how many have only Polaroid pictures of their fathers.
Ellen Goodman
#7. The visual palette suggests the creepy pastel paintings of Guy Peellaert (Rock Dreams); the fantasy battles with monsters and samurais echo the muscular landscapes of Frank Frazetta and Boris Vallejo. The movie is like an arrested adolescent's Google search run amok.
Richard Corliss
#8. Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-existing film.
Jerry Saltz
#9. Mathematics is an activity governed by the same rules imposed upon the symphonies of Beethoven, the paintings of DaVinci, and the poetry of Homer.
Edward Kasner
#10. Modern paintings often seem to have been made quickly, by comparison with the paintings of earlier centuries, and that seems to give us the license to look at them quickly - to consume them and move on.
James Elkins
#11. How are we going to make painters by lecturing to them? We are going to make questioners, doubters, and talkers. We are going to make painters by painting ourselves, and by showing the paintings of others. By working frankly from our convictions, we are going to make them work frankly from theirs.
William Morris Hunt
#12. I think there is status to having a house full of pretty things, to buying expensive paintings of seashells from her arty friends and spoons from Tiffany's.
E. Lockhart
#13. When you see paintings of some of the saints, or of Christ, they all have lights around their heads. What the painters are trying to convey is the psychic light, which is around everyone.
Frederick Lenz
#14. The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, 'let's get on to the Botticellis as soon as possible.' I have lingered, of course.
Clive Barker
#15. In an exhibition wherein paintings of nudes were commonplace, that of Madame Gautreau in her black evening dress was considered scandalously erotic. -from The Greater Journey
David McCullough
#16. Indeed, the idea that doubt can be heroic, if it is locked into a structure as grand as that of the paintings of Cezanne's old age, is one of the keys to our century. A touchstone of modernity itself.
Robert Hughes
#17. I made work specifically for them not to like. If you made paintings of flowers and someone says they hate it, it's like, "What do you mean? It's a flower!" But if you make a painting of your name and somebody says they hate it, it's like, "Well, why would you like a painting of my name anyway?"
Josh Smith
#18. What can books of men that wive
In a dragon-guarded land,
Paintings of the dolphin-drawn
Sea-nymphs in their pearly wagons
Do, but awake a hope to live ... ?
William Butler Yeats
#19. Chris Ofili's suave, stippled, visually tricked-out paintings of the nineties, with their allover fields of shimmering dots and clumps of dung, are like cave paintings of modern life. They crackle with optical cockiness, love, and massive amounts of painterly mojo.
Jerry Saltz
#20. In Germany, we often hear the absurd complaint that museums don't have the money to buy paintings. Of course, I'm not talking about me and my paintings. There are, after all, more popular painters in this country.
Georg Baselitz
#21. I continue to make paintings of people and their moments in our time because I am of that time. Out of that I hope to make pictures that are timeless.
Burton Silverman
#22. I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figurative or abstract, seem to me like prison windows in which the lines, precisely are the bars.
Yves Klein
#23. The Realists
HOPE that you may understand!
What can books of men that wive
In a dragon-guarded land,
Paintings of the dolphin-drawn
Sea-nymphs in their pearly waggons
Do, but awake a hope to live
That had gone
With the dragons?
W.B.Yeats
#24. When I was in the NFL, whenever I got cut from a team I would do paintings of the players, they would pay me $4,000 to $5,000 to do their painting of their family, and that's how I survived until another team picked me up.
Terry Crews
#25. The question before me, now that I am old, is not how to be dead, which I know from enough practice, but how to be alive, as these worn hills still tell, and some paintings of Paul Cezanne, and this mere singing wren, who thinks he's alive forever, this instant, and may be.
Wendell Berry
#26. Why does no one speak of the cultural advantages of the country? For example, is a well groomed, ecologically kept, sustainably fertile farm any less cultural, any less artful, than paintings of fat angels on church ceilings?
Gene Logsdon
#27. Working on 'Raising Hope' is a very hurry-up-and-wait activity, and I just always liked the idea of being as productive as I can be. I write because I don't just want that time to dissolve, where I'm sitting in a trailer staring blankly at the paintings of moccasins that came with the trailer.
Lucas Neff
#28. Why all these paintings of you? Because I'm an artist, Emma. These pictures are my heart. And if my heart was a canvas, every square Inch of it would be painted over with you." - Julian Blackthorn
Cassandra Clare
#29. I taught principally German language and literature at Eton. But any master with private pupils must be prepared to teach anything they ask for. That can be as diverse as the early paintings of Salvador Dali or how bumblebees manage to fly.
John Le Carre
#30. However," he continued, "this canvas is preferable to the paintings of that varlet Rubens, with his mountains of Flemish flesh sprinkled with vermilion, his waves of red hair and his medley of colors.
Honore De Balzac
#31. All still lifes are actually paintings of the world on the sixth day of creation, when God and the world were alone together, without man!
Robert Musil
#32. Like Salvador Dali's paintings of watches melting in the sand, time wanders at its own curious pace whenever you're on vacation in a foreign country.
Laurie Nadel
#33. I began observing, making paintings of my surroundings, taking a vow of silence, listening, composing music, writing, and making time for formal education. Then I started telling stories.
John Francis
#34. I'm from Holland and the history of "Admiral" is something you would read about when you're at school. Nobody knows about these stories and when you go to any museum in Holland, you will see these paintings of these 17th century sea beckels that the Dutch were in to, so it always intrigued me.
Roel Reine
#35. Through the 13th century, paintings of Angels exhibit a predominantly masculine appearance. Over the next 300 years, their images become more delicate, gentle, and feminine, until Angels are shown as androgynous or even distinctly female.
David Connolly
#36. When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions.
J.G. Ballard
#37. This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark. And it's something that we do - we bring out elements that we want to emphasise.
Abbas Kiarostami
#38. The skins matched all the tones of chocolate, coffee and wood. There were many white suits and dresses, and many of those flowered dresses which in the realm of printed dresses stand in the same relation as the old paintings of flowers and fruit done by maiden aunts to a Matisse, or a Braque.
Anais Nin
#39. A kid just couldn't see the difference. It was like being color-blind or something, or preferring Frazetta to all those blobby old paintings of haystacks and French people in rowboats.
Tim Powers
#40. The air we see in the paintings of the old masters is never the air we breathe.
Edgar Degas
#41. Dwight is a sad clown. You've seen those paintings of sad clown.
Rainn Wilson
#42. Rays were blazing through the atmosphere of the earth, the horizon became bright orange, gradually passing into all the colors of the rainbow: from light blue to dark blue, to violet and then to black. What an indescribable gamut of colors! Just like the paintings of the artist Nicholas Roerich.
Yuri Gagarin
#43. I have 12 paintings of Kaufman art. He is an amazing artist.
John Travolta
#44. It would be nice once during my life to go over [to Europe] and study the original paintings of the Masters.
E. J. Hughes
#45. Destroying a tropical rainforest for profit is like burning all the paintings of the Louvre to cook dinner.
E. O. Wilson
#46. Culture, of course, is an extremely vague word, covering everything from the shaping of hand-axes to corporate mission statements, as well as the finer appreciation of the sonnets of Shakespeare and the paintings of Hokusai;
Nicholas Ostler
#47. In my house on the ceilings I have paintings of the rooms above ... so I never have to go upstairs.
Steven Wright
#48. There was very little art in my childhood. I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings of birds.
Jasper Johns
#49. Photography started as a means of getting reference material for my paintings of nature subjects.
Nigel Dennis
#50. In the Raphael Room, the secret turned out to be that only some of the paintings were made by the great master; the rest were made by students. I had liked the ones by Raphael. This was a big jab for my self-confidence in my ability to appreciate art.
Richard P. Feynman
#51. I thought, enough of this, I'm not an abstract painter, what the hell am I going to do? Should I get a job in a shoe store, sell real estate, or what? I was really depressed by the whole thing, because I felt like a painter, yet I couldn't make paintings.
Ralph Goings
#52. You will be remembered, in the long haul, for the quality of your work, not the quantity of your work. No one evaluates Picasso based on the number of paintings he churned out.
Tom Peters
#53. Twombly, frankly, was an acquired taste. I was not in love with Twombly the first time I saw one of his paintings.
Eli Broad
#54. I have, and do sometimes, work with other media. But there is something about the physical activity and the directness of painting that I find fascinating. I am very attracted to the materiality of paintings and the visual phenomena of hue and value.
Stephen Beal
#55. Memories were like tomb paintings, thought the Major, the colors still vivid no matter how many layers of mud and sand time deposited. Scrape at them and they come up all red and blazing.
Helen Simonson
#56. The only slight disconcertance being that in the middle of looking at a paintings [in the Museum of Modern Art] she always found herself desperately needing to take a pee. And grandmother's voice in her ear.
'My dear, if you really have to, only clean, very clean rest rooms will do.
J.P. Donleavy
#57. There is so much strife and tension in the world that I find the silent world of paintings from the past both hopeful and healing.
Susan Vreeland
#58. I used to do stop motion in my own garage and Claymation and all that stuff. That led to doing backgrounds and matte paintings. I started doing matte paintings professionally back before the computer, sort of painting on glass.
Robert Stromberg
#59. I look just like one of Brianna's UGLY finger paintings. Because now I'm completely covered with: 1. brown peanut-butter stains 2. purple jelly stains 3. white soap suds AND 4. bright fluorescent-green hand soap from the girls' bathroom.
Rachel Renee Russell
#60. I'll bet there are a lot of artists that nobody hears about who just make more money than anybody. The people that do all the sculptures and paintings for big building construction. We never hear about them, but they make more money than anybody.
Andy Warhol
#61. One of Cezanne's unfinished paintings ... appears to be a completed work even though only a few strokes of paint have been put down. My methods are similar ... I expect each of my paintings to appear whole in every stage.
Christopher Willard
#62. I try to create paintings that are a window for the imagination. If people look at my work and are reminded of the way things once were, or perhaps, the way they could be, then I've done my job.
Thomas Kinkade
#63. If a film is good, and I'm sort of able to sit there and absorb myself within that world. And get lost. That is a pretty powerful tool. And there's not many paintings out there, that make me want to stare at it for hours at a time, and wonder where I am!
Leonardo DiCaprio
#64. I don't approve of what Wall Street and the wealthy have done to this country, but they are the very ones buying my paintings.
Scott Kahn
#65. That's partly the success of my work-the ability to have a young black girl walk into the Brooklyn Museum and see paintings she recognizes not because of their art or historical influence but because of their inflection, in terms of colors, their specificity and presence.
Kehinde Wiley
#66. The paintings by dead men who were poor most of their lives are the most valuable pieces in my collection. And if an artist wants to really jack up the prices of his creations, may I suggest this: suicide.
Kurt Vonnegut
#67. On the opposite wall was a Damien Hirst spot painting, bought by Arabella after a decent bonus season. Roger's considered view of the painting, looking at it from aesthetic, art-historical, interior-design, and psychological points of view, was that it had cost forty-seven thousand pounds, plus VAT.
John Lanchester
#68. I experience a period of frightening clarity in those moments when nature is so beautiful. I am no longer sure of myself, and the paintings appear as in a dream.
Vincent Van Gogh
#69. I think most paintings are a record of the decisions that the artist made. I just perhaps make them a little clearer than some people have.
Chuck Close
#70. To human beings it won't look or feel like a war, it'll be more like ... one of those modernist paintings you lot do, if it melted. Inside all your brains. Forever.
Paul Cornell
#71. The Minimalists are idealist. They want to minimize themselves in favor of the ideal ... But I just can't. You see, my paintings are not cool.
Agnes Martin
#72. In my 20s, when I was a photojournalist in Beijing. I joined an underground art group and put on clandestine exhibitions of my paintings.
Ma Jian
#73. Bottles of wine aren't like paintings. At some point you have to consume them. The object in life is to die with no bottles of wine in your cellar. To drink your last bottle of wine and go to sleep that night and not wake up.
Jay McInerney
#74. I have no way of knowing what you are going to feel when you look at one of my paintings; I only know what I feel.
Danny Fox
#75. I don't know what motivated the artist, which means that the paintings have an intrinsic quality. I think Goethe called it the 'essential dimension,' the thing that makes great works of art great.
Gerhard Richter
#76. Why is comedy the only form of the arts where people think they have to agree with or approve the content? You don't walk through a museum with a towel and throw it over paintings you don't like.
Jim Norton
#77. WHEN I LOOK UP again, the paintings in my foyer, my Madonnas, bring a mirthless smile to my lips. The idealization of motherhood. All of them gazing at their infants, or staring inauspiciously down at me.
E.L. James
#78. I hope I have made it clear that the work is about perfection as we are aware of it in our minds but that the paintings are very far from being perfect - completely removed in fact - even as we ourselves are.
Agnes Martin
#79. The more I've gotten interested in writing about history and making sense of myself within the continuum of history, the more I've turned to paintings, to art. I look to the imagery of art to help me understand something about my own place in the world.
Natasha Trethewey
#80. It's weird making a drawing of painting. I start to realize that charcoal is this incredibly fragile material. I'm making images of paintings out of dust.
Robert Longo
#81. Think of Florence, Paris, London, New York. Nobody visiting them for the first time is a stranger because he's already visited them in paintings, novels, history books and films. But if a city hasn't been used by an artist, not even the inhabitants live there imaginatively.
Alasdair Gray
#82. They say that the eyes of some paintings can follow you around the room, a fact that I doubt, but I am wondering whether some music can follow you for ever.
Terry Pratchett
#83. Dozens of paintings could fit those general descriptions. Instead, claimants had to describe their stolen painting in detail, including if possible the canvas measurements - an important identifying point in paintings - and provide documentation of prior ownership.
Simon Goodman
#84. So long as people expect paintings to be simply coloured photographs they get no individuality and, in the case of portraits, no characterisation.
William Dobell
#85. In your works, you have realized what I, albeit in uncertain form, have so greatly longed for in music. The independent progress through their own destinies, the independent life of the individual voices in your compositions is exactly what I am trying to find in my paintings.
Wassily Kandinsky
#86. I had given up ( around 1950, fh) any ambition of making a career as an artist ... ..I had lost all interest in the art shown in galleries and museums, and I no longer aspired to fit in that world. I loved the paintings done by children, and my only desire was to do the same for my own pleasure.
Jean Dubuffet
#87. You were told how much space so it was a matter of whether you could send in two paintings or three paintings, you know, pending where the show was being held. You did submit work to be accepted. Once you were accepted that was it. You did your own selection of what went in.
Lee Krasner
#88. My paintings have gotten to be pretty popular and I've taken a little bit more interest in painting the last few years. In fact, my novel that I wrote not too long ago, 'The Hornet's Nest,' I painted the cover picture for it and I do a good bit of painting now.
Jimmy Carter
#89. In an era when museum curators were busy introducing the public to photographs of daily life taken by Robert Frank, Henri Cartier-Bresson, and Diane Arbus, why did they simultaneously disdain paintings depicting the same kind of people?
Burton Silverman
#90. All memories soften with age, and the good ones are also the most perishable ( ... ) conjured up till they faded to nothing. Like cave paintings by candlelight, she could only glimpse them now in the dark from the corner of her eye.
Ann-Marie MacDonald
#91. Some of the pictures are truly mysterious to me.. which is why I so often say publicly that I don't know or don't care what they're really about. And yet I can also say that the paintings are prayers.. that they have to do with whatever it is that makes you want more than what daily life affords.
Susan Rothenberg
#92. Sometimes my kids might tell me they had a dream or and maybe I'll paint some paintings from their dream. That's one good thing you get from your kids. Rob them of their dreams.
Julian Schnabel
#93. If I go to the National Gallery and I look at one of the great paintings that excite me there, it's not so much the painting that excites me as that the painting unlocks all kinds of valves of sensation within me which return me to life more violently.
Francis Bacon
#94. There is no interruption between my older paintings and my cutouts. Just that with an increasing sense of the absolute, and more abstraction, I have achieved a form that is simplified to its essence.
Henri Matisse
#95. I paint for the sheer joy of painting. I have never sold any of my paintings. I'd rather give them to people for free.
Takeshi Kitano
#96. I'm always changing things around. I have to change it all the time. I'm rearranging furniture and taking down paintings and putting up new ones, and buying new pieces of art.
Evangeline Lilly
#97. In a way records are like paintings. Instead of using paints and brushes we use sounds and instruments.
John McLaughlin
#98. A photo is like a map, a way of giving me a foot into a kind of reality I want ... I'm not trying to make paintings look like photos. I want to make paintings using photos as a reference, the way painters did when photography was first invented.
Peter Doig
#99. I think that the mythology of Van Gogh's life, and the beauty of his paintings, is unstoppable.
Billy Childish
#100. My inspiration came from the land, ... and, of course, from Paul Klee ... and the poetics of his paintings.
Renzo Piano
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