Top 26 National Gallery Quotes
#1. In hindsight I can see that my love for the arts began by watching my father and his colleagues perform on stage in Jamaica, and running a muck among the exhibits of fabulous Jamaican art at the National Gallery while mum was upstairs curating.
Michael Hyatt
#2. It was my father's hope, and it is ours, that the National Gallery would become not a static but a living institution, growing in usefulness and importance to artists, scholars and the general public.
Paul Mellon
#3. In a way, my father was lucky. He had a hunch that his vision of the National Gallery would interest other collectors and persuade them to come in with him, and that hunch proved to be right.
Paul Mellon
#4. At one point Trudeau mentioned to me that the National Gallery wanted to buy a masterpiece by the great Italian painter Lotto, and it needed a million dollars from the Treasury Board. "Is that Lotto-Quebec or Lotto-Canada?" I joked, but I got the message, and the National Gallery got the painting.
Jean Chretien
#5. Which painting in the National Gallery would I save if there was a fire? The one nearest the door of course.
George Bernard Shaw
#6. If God meant for pictures to be sent through the air He'd have never would have given us cinema. Or the national gallery.
Alan Bradley
#7. You're very good. Are you a professional artist?"
"I dabble," she said.
Shadow had spent enough time talking to the English to know that this meant either that she dabbled, or that her work was regularly hung in the National gallery or the Tate Modern.
Neil Gaiman
#8. If I go to the National Gallery and I look at one of the great paintings that excite me there, it's not so much the painting that excites me as that the painting unlocks all kinds of valves of sensation within me which return me to life more violently.
Francis Bacon
#9. I find old copies of National Gallery catalogues, which are written in the dryest possible prose, infinitely soothing.
Howard Hodgkin
#11. I like all sorts of art, that's why I love wandering around The National Gallery.
Samuel Barnett
#12. Museums collect what's important in their respective countries. In Berlin's National Gallery, however, this isn't the case. They're interested neither in me nor the other usual suspects. It's simply a German reality.
Georg Baselitz
#13. You didn't eat some days for two days you didn't eat properly.
Chingy
#14. If I were a place, the area of South Bank, in London. Between the Hayward Gallery, National Theatre and all other activities, I'm never bored. I would also say New York for the breathtaking skyline formed by the buildings and the fast pace of the city, whatever the time of day.
Robert Pattinson
#15. So invite me in."
Now that way lay trouble. "What are you, a vampire that needs an invitation?"
"Worse. I'm a Sweet.
Avery Flynn
#16. One of my symptoms included my obsession with ghosts and law enforcement
I carry around a police badge with me, for example. I became obsessed by Hans Holzer, the greatest ghost hunter ever. That's when the idea of my film Ghostbusters was born.
Dan Aykroyd
#17. This is the second Old Master I have encountered that has the signatures of another artist forged over it. A painting that has been created by another artist entirely. It's like they played mix and match.
Dayna S. Rubin
#18. It doesn't matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serve a great cause: accretion of the national wealth.
Anton Chekhov
#21. Such creatures of accident are we, liable to a thousand deaths before we are born. But once we are here, we may create our own world, if we choose.
Mary Antin
#22. I love going to galleries, particularly the National Portrait Gallery.
Mark Gatiss
#24. I am not against marriage - without marriage, ninety-nine percent jokes will disappear from the world. How I can be against marriage? I am all for it.
Rajneesh
#25. If you focus on the sweeter things of life, that's exactly what you're going to get out of life
St. Germain
#26. In 1856, shortly before his death, Lord Ellesmere gave the painting to the new National Portrait Gallery in London as its founding work. As the gallery's first acquisition, it has a certain sentimental prestige, but almost at once its authenticity was doubted.
Bill Bryson
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