Top 25 Georg Baselitz Quotes
#1. Asked what role he believes art plays in society, Baselitz replied, 'The same role as a good shoe, nothing more.
Georg Baselitz
#2. Museums collect what's important in their respective countries. In Berlin's National Gallery, however, this isn't the case. They're interested neither in me nor the other usual suspects. It's simply a German reality.
Georg Baselitz
#3. You cannot deny your origins: I love Kirchner more than Matisse, although Matisse was a greater artist. That isn't to do with nationality. It's a stronger feeling.
Georg Baselitz
#5. I begin with an idea, but as I work, the picture takes over. Then there is the struggle between the idea I preconceived ... and the picture that fights for its own life.
Georg Baselitz
#6. I don't like things that can be reproduced. Wood isn't important in itself but rather in the fact that objects made in it are unique, simple, unpretentious.
Georg Baselitz
#7. An object painted upside down is suitable for painting because it is unsuitable as an object.
Georg Baselitz
#9. Unlike the expressionists, I have never been interested in renewing the world through the vehicle of art.
Georg Baselitz
#10. The artist is not responsible to any one. His social role is asocial ... his only responsibility consists in an attitude to the work he does.
Georg Baselitz
#12. I dont want to create a monster; I want to make something which is new, exceptional, something that only I do ... something that references tradition, but is still new.
Georg Baselitz
#13. What I could never escape was Germany, and being German.
Georg Baselitz
#14. The idea of changing or improving the world is alien to me and seems ludicrous. Society functions, and always has, without the artist. No artist has ever changed anything for better or worse.
Georg Baselitz
#15. I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens.
Georg Baselitz
#17. In Germany, we often hear the absurd complaint that museums don't have the money to buy paintings. Of course, I'm not talking about me and my paintings. There are, after all, more popular painters in this country.
Georg Baselitz
#18. I always work out of uncertainty but when a painting's finished it becomes a fixed idea, apparently a final statement. In time though, uncertainty returns ... your thought process goes on.
Georg Baselitz
#19. There is no communication with any public whatsoever. The artist can ask no question, and he makes no statement; he offers no information, and his work cannot be used. It is the end product which counts.
Georg Baselitz
#20. The reality is the picture, it is most certainly not in the picture.
Georg Baselitz
#21. I always feel attacked when I'm asked about my painting.
Georg Baselitz
#22. What counts most is finding new ways to get the world down in paint on my own terms.
Georg Baselitz
#23. I love my old paintings as postulates as fresh starting points but I have to destroy them. I have to make a new manifesto.
Georg Baselitz
#24. Women don't paint very well. It's a fact. There are, of course, exceptions. Agnes Martin or, from the past, Paula Modersohn-Becker.
Georg Baselitz
#25. I had always loved expressionist painting, like every European. In fact I admired it all the more because these were precisely the paintings despised by my father's generation.
Georg Baselitz
Famous Authors
Popular Topics
Scroll to Top
