Top 42 London Music Quotes
#1. I'm basically just a normal girl from West London who speaks from her heart and who loves music.
#2. I have studios in the different places where I live - in Ibiza, Paris and London - but they're not crazy studios, they're just rooms with good monitors, and all I do is plug my laptop in. It's a different way to make music, but for me, I love it, because it's more connected to the world.
#3. I love all kinds of music. My dad's from London, so he loves David Bowie, the Stones, The Clash. I grew up with that influence while loving poetry and loving all kinds of current music.
#4. I've got a couple of bands that I'm working on. The one I'm really excited about, we're called London The Child. It's folky music and it's really cool.
#5. I was working in a music store in London, and this particular place happened to be the importers for Rickenbacker guitars into England. So I started seeing these basses coming in.
#6. I studied music all the way through college, but as soon as I graduated from university, I got straight into London and got straight into film music. So really my experiences have been being around the orchestras in London and being around the people who work in film music.
#7. It's striking and unique in London how you know to create this alchemy between the concept, the food, the music, the staff. From the beginning to the end, with all these different elements, it tells a full story that you know very well how to develop and cultivate.
#8. I went to the London Academy Of Music and Dramatic Art and returned to New York where I started my career.
#9. And as I grew older, I then auditioned for the Royal Academy of Music in London, and they said, well, no, we won't accept you, because we haven't a clue - you know - of the future of a so-called 'deaf' musician. And I just couldn't quite accept that.
#10. A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time ... so that's how it all came about
#11. London is a dead duck, as far as innovative new music is concerned, unless you want to have your head blown off with some outrageous, rubbish, pounding dance music.
#12. BMG has been an awesome partner throughout my career, and with New London, we plan to continue bridging the gap between soul, pop, London, and New York - uniting them through music.
#13. I believe that if writers want their readers to care about a character, they have to care themselves. I have to root for a detective who screws up as much as Thorne does, who shares my birthday, my North London stomping ground, and my love of country music, both alt and cheesy.
#14. Music is something I couldn't live without. My dad was into music, he played for pleasure - guitar, piano. I started off doing jazz, singing with a lot of fabulous musicians here in London before I went to the States. And I still take piano lessons every Wednesday.
#15. His heart slowed, winding down like a music box, a season at its end.
The last air left Holland's lungs.
And then, at last, the world breathed in.
#16. London thou art a jewel of jewels, & jasper of jocunditie -- music, talk, friendship, city views, books, publishing, something central & inexplicable.
#17. As Magnus turned to walk away from the church, he heard the sound of violin music carried to him on the cloudy London air, and remembered another night, a night of ghosts and snow and Christmas music, and Will standing on the steps of the Institute, watching Magnus as he went.
#18. I start really missing London when I go away. I have a little flat, but very central. I live above a pub and you'd think it'd be a nightmare, but I like hearing the music and it's quite comforting.
#19. I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
#20. Great music can come from anywhere around the globe. And there has always been a music business. It just wasn't recorded, nor was it centered in New York, London, Los Angeles or Nashville but rather St Petersburg, Vienna, Berlin, Milan and Paris.
#21. I spent my whole teenage life trying to get to London and go to dance school, but when I got there, I couldn't wait to get to the clubs on weekends. I knew I wanted to make music.
#22. I wound up becoming an A&R man at London Records in the 1990s, during the boom of Britpop, the last great gold rush of the music industry. I saw incredible greed and terrible behaviour. I was greedy and terribly behaved.
#23. It's wonderful doing concerts in places like New York and London, but I feel a responsibility to also bring my work home, to bring world-class, classical music to Somerset.
#24. Intricately plotted, beautifully paced, The Music of the Spheres is an elegant historical novel rich in detail, at times Dickensian in its description of London. Elizabeth Redfern has made an exciting debut.
#25. My home will never be a place, but a state of mind, which I find through my music.
#26. Manchester has it's own pride and London has it's sort of pride and sometimes we can be a bit mean to each other, but I think if we dig the music we can get on really well.
#27. In Victorian London they used to burn phosphorus at seances in an attempt to see ghosts, and I suspect that the pop-music equivalent is our obsession with B-sides and alternate versions and unreleased material.
#28. The English were fascinated with the Italian people and their amazing Epicurean culture. Italian poetry, painting, pornography, music, drama, fashion, wine, women, cheese, anything Italiano was a premium commodity in London during Shakespeare's day.
#29. I've got fans and letters from Israel, France Germany, Sweden, London, Africa. They all saying pretty much the same thing, 'Yo, we love you, we need you, put some more music out, please!'
#30. I became an actor by doing school plays and youth theaters, and then National Youth Theatre of Great Britain. And then I did study at the London Academy of Music and Dramatic Arts. For me that was a good way to enter the field, to work in the theater.
#31. Moving to London was a culture shock, but in a really good way. I'm more aware now, and I'm less trusting of people in the music industry.
#32. Right now I just finished writing the music for a Rugrats feature film and the third week of September I go to London, and the Orchestra is going to perform the score.
#33. I once worked at a record label called London Records. The company was owned by Roger Ames, one of the most successful figures in the British music industry. Roger always placed a value on loafing, on holidays, on not being in the office all the time.
#34. Well, I heard of Sunny Ade, and looks as if his music is gonna be big on a global level, because I was in London the other day and some people asked me to review the album.
#35. I was in Britain that year [1963] and some music publishing people in Denmark Street in London suggested me to the BBC. So I found myself in front of a British television show, which was a nice surprise.
#36. Folk music is where I come from originally. The very first thing that introduced me to playing guitars at all was skiffle - my cousin had been in London the summer that skiffle was big.
#37. I really like Katy Perry and the music she does. She's an amazing musician and it's an honour to be opening for her in London.
#38. London, London, London town,
You can toughen up or get thrown around.
#39. The climate suits me, and London has the greatest serious music that you can hear any day of the week in the world - you think it's going to be Vienna or Paris or somewhere, but if you go to Vienna or Paris and say, 'Let's hear some good music', there isn't any.
#40. His incredible untidiness, his addiction to music at strange hours, his occasional revolver practice within doors, his weird and often malodorous scientific experiments, and the atmosphere of violence and danger which hung around him made him the very worst tenant in London.
#41. After school I moved to London to get involved in music. I took the whole thing very seriously.
#42. I never really thought comedy was a career option, just something I did for fun. Suddenly I realised I was getting paid which was a bonus. I studied for a diploma with the London College of Music, and teaching was something I thought I might do but comedy intervened.
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