
Top 100 Good Records Quotes
#1. Good records - from my point of view, where I grew up which was Led Zeppelin and Jethro Tull ... bands that were pushing the envelope a little - musically and in production.
Kip Winger
#2. Making good records tastes good in your mouh. And when that record sells, it tastes even better.
Courtney Love
#3. The Beach Boys have always been a part of the '60s spectrum, with The Beatles and that kind of thing. They were a part of the music business like everyone else. And they did quite well as a singing group, and I finished a lot of good records, and I'm very proud of them.
Brian Wilson
#4. I never could get into The Chambers Brothers. They make good records, but I never could get behind it.
Bruce Johnston
#5. It's funny - some producers ask me, 'Man, how do you work on a Bieber record? That would kill my career.' I can work on any record there is as long as they are good records and you're pushing things forward.
Diplo
#6. I think you'll do as well as most professionals. Most professionals don't beat the market. Let's not over-rate my industry. But if you have time, you can be in good mutual funds that have good records.
Jim Cramer
#7. Hip-hop and R&B are especially fertile bases of collaboration. It always makes good records and good music.
John Legend
#8. You can't trust an artist that just makes good records.
Nick Cave
#9. A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
Boy George
#10. Very good records exist about the Trail of Tears. Journals and other records kept by Cherokees and non-Indians tell such things as which people were where on which day.
Joseph Bruchac
#11. I don't think we have very good records about what they were thinking except, as I pointed out earlier today, that they did invent our political system.
David R. Brower
#12. My whole goal is to make good records and keep myself inspired and able to accomplish what I need to accomplish.
James Mercer
#13. Sly Stone doesn't make good albums: only good records. His style is so infinite and revolves around so many crucial aspects that it has only come together perfectly on a handful of his singles.
Jon Landau
#14. I wanted to make good records. But my problem is I've got a low boredom threshold, so I wanted it to look and sound different with each album, which is really tantamount to suicide, cause people lose it, they lose it - they say: 'I like that, and that's not this.'
Adam Ant
#15. Once you start altering your body's blueprint, things start falling apart. Some players take steroids, and two years later, after they've broken records, suddenly they have back problems, shoulder problems, arm problems. They're out of the game for good.
Charlie Sheen
#16. If you don't think drugs have done good things for us, then take all of your records, tapes and CD's and burn them.
Bill Hicks
#17. The human race does not have a very good record of intelligent behavior.
Stephen Hawking
#18. Nobody heard records of you playing whatever the melody was on those low strings. It worked out good, you know, about 25 or 26 million records later. I guess it worked out alright.
Lee Hazlewood
#19. The most important thing is how you program and how you choose your records. That really does sort out who is a good DJ and who is just playing records.
John Digweed
#20. I wonder a lot about making things meaningful. You want to do meaningful work and make art, but you're making records, which is good, but you don't want to weight them - it's a very curious thing.
Doseone
#21. The cash held by US companies are hitting all time records. Companies are using some of this money to buy back their own stock at record rates. When a company is doing this it is saying to it's investors: We don't have any good ideas what to do with this, so here--maybe you do.
Geoff Colvin
#22. The Hank Williams Syndrome: Come to Nashville, write some good songs, cut some hit records, make money, take all the drugs you can and drink all you can, become a wild man and all of a sudden die.
Waylon Jennings
#23. If it's a good record or a good recording, then word of mouth will build for that reason, not before the fact, not before anyone's heard it, not because of MySpace or the label.
Spencer Krug
#24. Well, the good news is that there's quite a lot of cynicism about major labels within radio and the press. I think they have been largely disillusioned by the manner in which the record companies have developed music.
Mick Hucknall
#25. I kind of decided that doing music is enough because I'm already running a couple small businesses. I'm a part of Bikini Kill Records, Le Tigre Records, and Digitally Ruined Records. In dealing with my health and everything, my ability to do that? I wouldn't be good at it.
Kathleen Hanna
#26. I look in music magazines now and see things on Luther Allison, and my name's getting out there more, thanks to all the good people at Alligator Records and at my management company.
Luther Allison
#27. Record stores are great because it's good to physically get your hands on the music instead of downloading. It's always better to get the artwork too.
Nathan Followill
#28. If you get rid of a lot of the poseurs by destroying record companies, maybe it's a good trade-off.
Mark Mothersbaugh
#29. I do want to sell as many records and win as many awards as I can. The awards though, they don't necessarily determine if you're good or not. I know that now.
Anthony Hamilton
#30. I don't do concept records anymore - I just prefer doing good songs.
Coolio
#31. I just write ... if it's really good, it's going on the record. If it's average, it's going in the trash.
Tommy Lee
#32. I'm in a very good place to make records. Needing to make money off music is very dangerous.
Ice-T
#33. 40% of homicides go unsolved. You know, it's not a very good record. And, also, 95% of convictions in America come from plea bargaining, which is often coerced. It's like we have the worst of both worlds. We don't convict the guilty enough, and we coerce the innocent too much.
Bill Maher
#34. You don't have to wait for a record company to tell you that you're good or to sign you. You can put your music out on itunes, youtube, soundcloud, so it's kind of a plus, I think.
Shanice
#35. There's nothing like it, but it's not as good as you think it's going to be ... I was disappointed because there are records of people finding things that have been there for years. I was hoping for a shirt button, or my club's badge - but not a sausage.
Billy Connolly
#36. We came from the '60s era, when we started and made so many hits. The song value from the '60s was so darn good, you've got The Beatles, The Beach Boys, all of Motown, and plenty of other people, too ... amazing records, amazing songs.
Mike Love
#37. If history records good things about good people, the thoughtful hearer is encouraged to imitate what is good; or if it records the evil of wicked people, the godly listener or reader is encouraged to avoid all that is sinful and bad, and to do what he knows to be good and pleasing to God.
Venerable Bede
#38. Hollywood is, I always argue, has a great track record of making good films.
Murray Horwitz
#39. The worst thing is always thinking of titles for records, with some reason behind them, and she just came out with the word, which she thought was a good word, a hard word, and since then we've sort of attached loads of meaning to it.
Emma Anderson
#40. My aspirations aren't to sell millions of records, but to write really good songs.
Tom Odell
#41. I head off to the back of the store where there are racks and racks of records. As I flick through them and breath in the smell, I smile. It's almost as good a the smell of books. Almost but no quite.
Zoe Sugg
#42. This is what I wanted to do from the very beginning: write songs and make records and tour them with a good live band.
Christopher Owens
#43. I wanted to get the fastest time in the world this year, but with everything going on, it's a pretty decent swim, ... I knew I was under world record pace. You could tell by the crowd. You can always tell at these meets when something good is going on because of the crowd.
Michael Phelps
#44. What's amazing about Sarah [Brightman] is that she's sustained such a career. She just keeps going - she's like a machine. She tours and records and loves what she does. I think she's a really good example to anybody in the industry that there is life beyond the shows.
Kerry Ellis
#45. You've got a fairly good idea as to what the questions are going to be. But how to record the best answer is another matter.
Nick Faldo
#46. When we're putting out records that people are responding to, it's amazing. And it's obviously what we shoot for every time. It's a tricky balancing act. But as long as it's sort of a righteous idea, then you're good to go.
El-P
#47. I think I've had the longest career of strength, focus, and still being able to sell records. I think I'm that guy. I'm still blessed with the opportunity to make music and pass out a message like, 'Life is good,' to the world.
Nas
#48. It's always good to bat at the top, where you get more opportunities, but sometimes crucial 30s and 40s can be very helpful for the team. Ultimately it is a team sport. Personal records don't matter much if your team ends up on the losing side.
Suresh Raina
#49. I think every record, good or bad, is a representation of us.
Stevie Jackson
#50. God is a good choice to lean on. He has a proven record of faithfulness to those who commit their lives to Him.
Joyce Meyer
#51. Just because you sell lots of records it doesn't mean to say you're any good. Look at Phil Collins.
Noel Gallagher
#52. There have been records I've been really, really pleased with that haven't connected with people. But I felt good about them.
Paul Weller
#53. I gaped at her before turning to gape at the rest of my family. Gaping seemed like the only real answer. If they were going to have to identify my body by my dental records, I was going to make sure they all got a good look at my teeth.
Seanan McGuire
#55. That's a good thing for me. I own everything, I have 100% creative control, I own all my masters, everything. I'm blessed to be in that situation. If we sell some records, I think we'll just add to the historic pace that this has been going at.
Drake
#56. I was never good at scratching, but I was good at collecting old records. Florida was a great place for that, because it's where people go to die.
Diplo
#57. [Fidel Castro] has a very good [human rights] record.
Oliver Stone
#58. I wouldn't say I'm underrated, but more reserved. Only time will tell, but I've been good so far in being consistent and making hit after hit writing for myself and other artists, from rap to R&B, and being able to make those different records.
Nayvadius Cash
#59. You need two things to remain very, very present. You need to continue to write well and engage yourself in the issues of the day. And you have to continue to make good, relevant records.
Bruce Springsteen
#60. Even when I stop performing or stop making records I won't stop being creative. Songwriting is a good outlet.
Billy Joel
#61. I like to make records sound good. I'm more like a reducer than a producer. If an artist cannot produce themselves, what's the point?
Branford Marsalis
#62. Everyone uses noise as a crutch sometimes - I've totally done it. But when you make a good-sounding record there's nothing there but you.
Ty Segall
#63. The biggest insecurity I had was my singing. Even though I had sold 70 million records, there was this feeling like, I'm not good at this.
Jennifer Lopez
#64. I've never gotten money from most of those records. And I made those records: In the studio, they'd just give me a bunch of words, I'd make up a song! The rhythm and everything. 'Good Golly Miss Molly'! And I didn't get a dime for it.
Little Richard
#65. Actually, we got signed in November of 2000 with Dreamworks which is the most amazing label. We have friends on other labels and though we are not selling millions of records, yet, they treat us with tons of respect and give us some very good guidance.
Adam Rich
#66. My track record is pretty good on predictions.
Ann Coulter
#67. I didn't want to be a solo Westlife - covers and ballads - and the reason I signed with Capitol Records was because they wanted me to write songs myself. It was pretty scary, but they put me in a studio in Nashville with some new songwriters, and the results were pretty good.
Shane Filan
#68. I've done two albums for Concord Records; one was with Al Jarreau and it did very well for us. The second album was called 'Songs And Stories,' and it had good songs and good performances, but I promised them I would do an album that was more jazz-oriented.
George Benson
#69. I look at the records, and you don't win the Cy Young seven times or the MVP without being a good player.
Pete Rose
#70. Well, it's been an interesting career. Since I last appeared on 'Top Of The Pops,' I've been doing about 150 live shows every year. The live shows have always been well received and they consistently worked, it's just the records that haven't been very good.
John Otway
#71. I'm not anti single. I'm not one of them niggas that say "Aww record sales ain't everything." No. I wanna sell good. I would love a platinum record on radio and charts.
Schoolboy Q
#72. I can't make two records at the same time. Whatever I do, I have to concentrate on and put everything in, because if I don't, I'm just not good.
Steve Lillywhite
#73. I made a conscious effort to make a record that would affect people in a good way rather than the last one, which affected people in a bad way.
Daniel Johns
#74. There were very few real folk singers you know, though I liked Dominic Behan a bit and there was some good stuff to be heard in Liverpool. Just occasionally you hear very old records on the radio or TV of real workers in Ireland or somewhere singing these songs and the power of them is fantastic.
John Lennon
#75. The thing that I always notice that dates a record is the rhythm section. With a good arranger the music can be timeless. But, rhythm can change, because heaven knows, we didn't know rock was going to come in, did we?
Peggy Lee
#76. It takes a lot of money to make music and get it to people. It takes a lot of time to make a record sound good.
Grieves
#77. I don't really like to sit around the house listening to my own records. They're not that good.
David Johansen
#78. There was no indie rock band in the 90s at the level of, like, Grizzly Bear. I listen to their records and it's crazy how good they sound. That really freaks me out.
Travis Morrison
#79. I see myself as real. Like I mean if I was the President I would have a responsibility, because people put me there. Nobody put me here. They just buy my records. They wouldn't buy my records if my records wasn't good. I'm being who i am in the record.
Tupac Shakur
#80. The argument we always used to use was that keeping records in the catalog was good for people that were coming new to the music, but I think that was talking over a ten year or fifteen year time span.
Evan Parker
#81. If I wanted to contribute to the hyphy movement, what good is it making a hyphy record that isn't embraced by that community?
DJ Shadow
#82. HAG Records, is a company that I've owned. I've had a couple of gospel releases on it. We developed a pretty good distribution setup there and we do have something to use in case they don't want to sign us.
Merle Haggard
#83. If I'm selecting a group, the first thing I look for is a record of achievement ... If (candidates achieve) in small things, there's a very good chance they'll perform well in big things.
Edmund Hillary
#84. An mp3 is a compressed form of data. It's not the full spectrum. It's never going to sound as good as a record.
Annie E. Clark
#85. I don't need the money. I don't care if I make a dime on this. Let me make a good record.
Miley Cyrus
#86. Biography, especially of the great and good, who have risen by their own exertions to eminence and usefulness, is an inspiring and ennobling study. Its direct tendency is to reproduce the excellence it records.
Horace Mann
#87. Hip-hop is when you have crowd participation; when you chant at the audience and they chant back at you; when you wave your hands in the air like you just don't care; or some breakdancing. Everything today is just low-beat, real bass-y, bass-y, good rap records.
Flavor Flav
#88. I don't think Marquee Moon was so good, y'know? Just another record. First records everybody likes a lot.
Tom Verlaine
#89. Why would I want to sound like Joni Mitchell? I've got Joni Mitchell records, and they're great, and I couldn't possibly be that good.
Ben Folds
#90. I got a very good life. I sold plenty of records, I get recognized plenty, I can always have somebody call up and get me a fine table at a restaurant. What do you really need, ultimately?
Huey Lewis
#91. For me, it's good to have those dissimilar modes of songwriting sit side-by-side on a record, because they yield such different results.
David Grubbs
#92. I started to listen to music and began collecting records around 1948. And it was fairly soon after that that hi-fi came about, so that it was possible to have really good sound - LPs and tapes and speaker systems. The whole thing came more or less at once.
Phill Niblock
#93. I don't use sex to sell records, obviously, but I'd be lying if I said that I don't feel like I have to make an effort to look good when I go out onstage, to wear something pretty.
Vanessa Carlton
#94. When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music.
David Crosby
#95. When you grow up in the music industry, trying to be Britney Spears because that's what sells records and then you realize, 'All I have to do is be myself? I should have thought of that a long time ago,' it feels good to have success come from what's actually inside of you.
Jessica Simpson
#96. It's very hard to get good songs because a lot of writers record their own; they keep the best for themselves.
Olivia Newton-John
#97. I have been listening to the Stooges' self-titled first album for well over half my life, and it remains one of the most exciting and essential records I have ever had the good fortune to come into contact with.
Henry Rollins
#98. Intimacy is really good. But then again, the first disk on the record is not intimate in the least. It's a really good CD.
Scott Aukerman
#99. Rahul is always been in the shadow of Sachin. If you take his record it's as good as Sachin's but you cannot compare both as they are different kind of players. Rahul is a complete cricketer.
Muttiah Muralitharan
#100. Mr. Chairman, I think the record should show that for the first time since McKinley, we have a Republican president worth shooting, and I think that's a good sign.
James Johnson
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