Top 44 Best Scene Quotes
#1. The bad guy always gets the best scene and the best lines in the film, and they usually get the most days off.
Richard Dreyfuss
#2. Best scene in college football is at LSU on a Saturday night.
Beano Cook
#4. Ast year's Best-Sex-Scene-in-a-film winner Vince Voyeur's real name turns out to be John LaForme. Rhetorical Q.: How, if one's real name was John LaForme, could that person possibly feel the need for a nom de guerre?
David Foster Wallace
#5. Virgil Donati is clearly the best drummer to come along in the music scene in quite some time. He is extremely unique and has embraced an original sound that has given him a signature that is unmistakable and impossible to duplicate.
Tony MacAlpine
#6. You know how they do that effect in movies, where they make it look like you have a twin, but it's really just the same actor playing both characters in the scene? I knew this would be the best route, but I just wasn't comfortable dressing as a woman, so I had to hire other actors.
Zach Braff
#7. Violence never settles anything right: apart from injuring your own soul, it injures the best cause. It lingers on long after the object of hate has disappeared from the scene to plague the lives of those who have employed it against their foes.
Obafemi Awolowo
#8. I saw the industrial scene and I was affected by it. I tried to paint it all the time. I tried to paint the industrial scene as best I could. It wasn't easy.
L. S. Lowry
#9. You know what I like best about porn cinemas?"
"I couldn't begin to guess."
"Whenever a sex scene starts, you can hear this "Gulp!' sound when everybody swallows all at once," said Midori. "I love that "Gulp!' It's so sweet!
Haruki Murakami
#10. I don't know, being able to work with Meth was pretty damn cool, but even that day, John, the director, gave me one of the best notes I've ever had. I walked into the scene just completely excited. I just couldn't believe I was going to work with Meth.
Josh Peck
#11. It was a scene I was really looking forward to, and one that I embraced, and when we were filming it, George got closer and closer and closer with that camera - he was practically up my nose for the final shot. So I knew it was a moment that I had to do my best to get right.
Ian McDiarmid
#12. I always try to tell the story the best possible way. I create the mood for each scene in a way that the audience feels that they are right there with me and they feel actually in the mood that was right for the scene.
Vilmos Zsigmond
#13. I'll show thee best springs; I'll pluck thee berries;
I'llift fish for thee and get thee wood enough.
A plague upon the tyrant that I serve!
I'll bear him no sticks, but follow thee,
Thou wondrous man.
---Caliban
(Act II, scene 2, lines 158-162)
William Shakespeare
#14. It was always the most striking scene, the best work, the most disturbing emotion and unsettling idea that attracts criticism.
Rafael Yglesias
#15. I see only defects because I'm not following the scene as it were. I'm not following the other person. It's like the best thing to clarify this is the theater.
Omar Sharif
#16. If I have freedom to experiment with a scene, then I try my best to do that. With TV and with the variety of directors you have on a season, you rarely get that opportunity. It's more structured.
Dominique McElligott
#17. You're my best friend in the scene and together we can make sense of what's going on by being Together.
Martin De Maat
#18. I do well to interpret scripts to the best of my ability so even if I'm given a monster to play a love scene with, I will.
Majid Michel
#19. The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need.
Kate Capshaw
#20. We taped all this and then got it transcribed and picked the best lines or ideas or ways to take a scene. I've done that many times, and it can improve the script but also wreck a perfectly good scene.
John Schlesinger
#21. I love it when characters surprise you, just like real people. When I write a scene I just try to make the characters behave in a way that feels natural to them. Sometimes that means they make a left turn and do something unexpected. Those are always the best scenes in my opinion.
Brad Falchuk
#22. I've always felt toward the slightest scene, even if all I had to do in a scene was just to come in and say, 'Hi,' that the people ought to get their money's worth and that this is an obligation of mine, to give them the best you can get from me.
Marilyn Monroe
#23. I am inspired just by the way a scene can be interpreted by the actors. It can make a huge difference on the type of music that you write. It's best for me if I don't work at all on a project until the movie is shot and I have some sort of edit in front of me.
Marco Beltrami
#24. Our pop scene is among the best in the world because there are 300 languages spoken on the streets of London, compared with 200 in New York. Our diversity is our strength.
Charles Hazlewood
#25. The community does not fight crime well by chasing it; after-the-fact, crime has won and the target of violence is injured or worse. Crime is fought best not by chasing it, but by facing it before it can become a completed act.
Crime is fought best at the scene of the violence.
John Longenecker
#26. A lot of the times once you've finished a scene, the best reaction is to say you don't really remember what happened. I don't really remember what I did or the choices I made.
Jessica Biel
#27. In a city where people are almost as obsessed with food as they are with status, perhaps the best-kept secret of the dining scene is that the finest cuisine arguably isn't found at the Michelin-starred restaurants in five-star hotels but rather at private dining clubs.
Kevin Kwan
#28. If something isn't working, if you have a story that you've built and it's blocked and you can't figure it out, take your favorite scene, or your very best idea or set-piece, and cut it. It's brutal, but sometimes inevitable.
Joss Whedon
#29. I think it's important to keep the audience interested. But the best advice that I've gotten is to live in the moment. Sometimes you can get too into your head when you're in a scene.
Liana Liberato
#30. When real actors are approaching their work, we could be on a little stage somewhere, doing community theater. It's all the same. They're just trying to make the scene work. They're just trying to do the best they can and figure it out.
Kurt Fuller
#31. When I'm on the set, I take five minutes to find the best angle for a scene, and then we just shoot it and it looks exactly what you see on screen because I don't touch it afterwards. I never think about it, before being on the set. That's my thing. I love to be stuck.
Quentin Dupieux
#32. All great writers have, of course, an atmosphere in which they seem most at their ease and at their best; a mood of the general mind which they interpret and indeed almost discover, so that we come to read them rather for that than for any story or character or scene of seperate excellence.
Virginia Woolf
#33. The director's job is to know what emotional statement he wants a character to convey in his scene or his line, and to exercise taste and judgment in helping the actor give his best possible performance.
Stanley Kubrick
#34. Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made.
Sam Abell
#35. I learned that the best way to work is to allow the scene to live on its own before making major adjustments, whether in rehearsal or on film.
John Krasinski
#36. Ghost: Murder most foul, as in the best it is. But this most foul, strange and unnatural.
William Shakespeare
#37. In reference to the murder scene in 'Dial M for murder' As you have seen on the screen the best way to do it is with a scissor.
Alfred Hitchcock
#38. Even when you're acting with a producing hat, when you're in every scene, you're really conscious of trying to make everybody as good as they are, because ultimately you're trying to make the best movie possible.
Michael Douglas
#39. My dad took me to all the best rock and punk shows when I was growing up and music has always been a part of my life. So I'm very interested in the music scene and I suppose that's why I've ended up going out with musicians. Dave Pirner is still one of my best friends.
Winona Ryder
#40. The best thing about acting is when you're playing a scene and you actually become your character and lose yourself in that moment. That's when you know you've been succeeded at what you've worked very hard to accomplish in your profession. Those are the truly thrilling moments.
Meryl Streep
#41. The best moments can't be preconceived. I've spent a lot of time in editing rooms, and a scene can be technically perfect, with perfect delivery and facial expression and timing, and you remember all your lines, and it is dead.
Brad Pitt
#42. Sitting opposite Steven Spielberg, while he turns the pages of your script and talks about each scene as he goes, is about the best film school you can get.
Matt Charman
#43. I find that when you open on a group of people sitting down and talking, the scene sits down with them. The best antidote for that is an entrance. Begin the scene with someone entering, and somehow it's more interesting.
Howard Hawks
#44. I believe this thought, of the possibility of death - if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong.
Lewis Carroll
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