
Top 27 Wolfgang Tillmans Quotes
#1. Billions of photos are shot every year, and about the toughest thing a photographer can do is invent an original, deeply personal, instantly recognizable visual style. In the early nineties, Wolfgang Tillmans did just that, transforming himself into a new kind of artist-photographer of modern life.
Jerry Saltz
#2. For me, a good portrait shows the fragility and humility of the person, and at the same time a strength, a resting in themselves.
Wolfgang Tillmans
#3. Books have this function that help me to understand the work I've done, to wrap it up. Once it's done, fortunately, it doesn't mean there's closure.
Wolfgang Tillmans
#4. Tracy had never been so conscious of the sky above the earth, the dangerous clouds that gathered there, the way humans lived beneath such grandeur and threat every moment of their lives.
Paul Russell
#5. My work is aimed at creating a world in which I wish to live. Consequently, it is about creating ideals with the aid of realistic techniques. My most fundamental motivation is a desire for unity, fusion and sense of community.
Wolfgang Tillmans
#6. A photocopier is a camera in its own right. I was fortunate to grow up in the time and culture that I did. I was allowed to develop an awareness that the art that really moves me is actually based on an original image.
Wolfgang Tillmans
#7. I am interested not in individual readings, but in constructing networks of images and meanings capable of reflecting the complexity of the subject.
Wolfgang Tillmans
#8. Change in my work happens not in revolutions - it's more evolutionary.
Wolfgang Tillmans
#9. But life is not evens and odds and solving for x. And sadness? Sadness is an equation made of all variables.
Emery Lord
#10. What most artists using photography feel that they need to do is to show that they are serious, that they are not taking snapshots. To point a camera at something does not qualify you as an artist because everybody has done that.
Wolfgang Tillmans
#11. When I was growing up, all the art that touched me was lens-generated, like Gerhard Richter, or Polke, Rauschenberg, Warhol.
Wolfgang Tillmans
#12. Never let money be the reason why you betray your close companion. You may not have the joy to spend it because you are supposed to enjoy that money with that companion you betrayed! Do not love money; love the reason for which money exist.
Israelmore Ayivor
#13. So much of the downstream revenue is linked to that initial excitement, to how much revenue is produced in the domestic box office. For example, what we pay for a film three years later is highly correlated to how well it did in the box office.
Reed Hastings
#14. I want the pictures to be working in both directions. I accept that they speak about me, and yet at the same time, I want and expect them to function in terms of the viewer and their experience.
Wolfgang Tillmans
#15. What I'm interested in is happiness with a full awareness of the tragedy of life, the potential tragedy that lurks around every corner and the tragedy that actually is life.
Wolfgang Tillmans
#16. My staged work looks so real that people actually take it for documentary. But, in fact, that is my intention, to disguise the manufacturedness of it. Half of my work, or probably more than that, is staged.
Wolfgang Tillmans
#17. It's very real, the narrow line between a night danced away and the potential of death around the corner.
Wolfgang Tillmans
#18. I think it's much more radical to see and show things as they look instead of making them somehow subversive through alienation or estrangement.
Wolfgang Tillmans
#19. To look without fear is a good subversive tool, undermining taboos.
Wolfgang Tillmans
#20. There is this looking at the world as shapes and patterns and colors that have meaning, and you can't deny the superficial because the superficial is what meets the eye.
Wolfgang Tillmans
#21. In order to engage in an 'experiencing of the world,' one has to physically move oneself to the most diverse places on earth.
Wolfgang Tillmans
#22. The true authenticity of photographs for me is that they usually manipulate and lie about what is in front of the camera, but never lie about the intentions behind the camera.
Wolfgang Tillmans
#23. Essentially the Succubus is a mythical figure - who used to come in and cause trouble with innocent men.
MyAnna Buring
#24. I can't help but remember that my lips, now smiling for Maven, were kissing his brother last night.
Victoria Aveyard
#25. I see my practice as picture making. Whatever is available, I use.
Wolfgang Tillmans
#26. That's how screwed up you are, I thought. Your idea of adulthood still comes from picturebooks.
Gillian Flynn
#27. I think there is something very consoling in feeling lost in space but also feeling grounded, and seeing that all of this is part of a bigger clockwork
Wolfgang Tillmans
Famous Authors
Popular Topics
Scroll to Top