
Top 14 Whitecotton Genealogy Quotes
#1. A guy's gotta live, you know, gotta make his way and find his meaning in life and love, and to do that he needs coffee, he needs coffee and coffee and coffee.
Libba Bray
#2. That was your past, Michelle. You can't live in the past.
Sure you can, Sean. If you're not too thrilled with your future.
David Baldacci
#3. Rap music came along and saved my life. I started to tell the stories of the streets and that was my way out.
Ice-T
#4. One wide-awake persistent enemy may be worth twenty friends. Friends point out all the good things you do. You know all about that. Your enemies point out your mistakes. Get yourself a first-class enemy, cultivate him, and when you achieve success thank him.
Harold Hobbs
#5. Given the same amount of intelligence, timidity will do a thousand times more damage than audacity
Carl Von Clausewitz
#6. A writer helps to show you things you knew but didn't know you knew.
Dennis Potter
#7. Society can overlook murder, adultery or swindling; it never forgives preaching of a new gospel.
Edmund Burke
#8. Everybody fancies they have that rare thing, a sense of humour.
Olivia Robertson
#9. Dentists, lawyers, doctors are all a bunch of thieving bastards.
W.C. Fields
#10. I've wanted to write ever since I've gotten into comics. I wrote little things for myself when I was doing mini-comics and things, before becoming a professional. But I just figure at some point or another, I've got to make the leap. I just have to do it.
Lee Bermejo
#11. I saw how the regulation I called for made things worse, didn't help consumers and simple competition was better. And I started praising business and occasionally criticizing regulation.
John Stossel
#12. All significant achievement comes from daring from experiment from the willingness to risk failure.
Sydney J. Harris
#13. Heaven help the man who kicks the man who has to crawl.
Stevie Wonder
#14. ... the primary trait of young adult literature is that the author's emphasis is on plot and character and not on his own brilliance. And because few people talk about whether a young adult work is commercial or literary; the two are still in sync, and everyone's benefitting.
Eliot Schrefer
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