Wavell Plan Quotes

#1. I'm quite interested in the absolute roots of narrative, why we tell stories at all: where the monsters come from.

Anne Enright

#2. I guarantee you I'm not going to forget your voice. We're going to run into each other down the road sometime, and when we do I'm going to pop you apart one rivet at a time."
"There's the monster. Hello, monster.

Richard Kadrey

#3. A picture is a fleeting moment of life preserved on a canvas.

Debasish Mridha

#4. The world is looking for answers. If you have some of them, for goodness' sake spit 'em out. The world is looking for servants of God whose yes is yes. How elementary, how refreshing.

Calvin Miller

#5. I spent about a year traveling overland from Egypt through Sudan and Ethiopia, and eventually into East Africa.

James Luceno

#6. Not to alarm you or anything, but I think you just made a deal with a Mexican gang. I've read Simone Elkeles books. I know how this whole garage as a front thing works.

Tammy Blackwell

#7. My every thought has the power either to wound or heal. I will use my thoughts wisely and respect their power.

Deepak Chopra

#8. I never really decided to be an actress, but I got an agent, was called back on every show I auditioned for, and finally decided I was meant to be an actress.

Shannon Tweed

#9. Caro needed to be important. It was boring and typical and transparent as hell, even to her, but she couldn't turn it off any more than she could quit having arms.

Kelly Braffet

#10. To lose is to die! You may win a thousand fights, but you can only lose one!

R.A. Salvatore

#11. If words fall into disrepair, what will substitute? They are all we have

Tony Judt

#12. Not that our salvation should be the effect of our work, but our work should be the evidence of our salvation.

Charles Spurgeon

#13. Do not let an out-of-control person be the cue for you to change your course. Just allow him to be angry and decide for yourself what you need to do.

Henry Cloud

#14. Show, don't tell, is a mantra repeated by tutors of creative writing courses the world over. As advice for amateurs, it is sound and helps avoid character profiling, unactivated scenes, and broken narrative frames.

Sarah Hall