
Top 58 Thriller Novel Quotes
#1. The characters you refer to as predatory and unsavory are useful. They're the ones who make a novel into a thriller. They're active, and most of the common virtues, the signs of a good person, are not.
Thomas Perry
#3. I define a thriller as a big-stakes, multiple-viewpoint novel involving suspense, action, and mystery, in which the reader doesn't know everything but usually knows more than any single character.
F. Paul Wilson
#4. I've learned that the most unbelievable is the most believable.
H.C. Deboard
#5. You may be done with the past, but the past may not be done with you.
Jennifer Dwight
#7. I didn't know that once you've proven yourself useful to the wrong people, you'll never be free again.
Steve Hamilton
#8. Red glowing eyes... No one could see her. No one could hear her. No one was coming to save her. Because Death had come sooner than expected.
Humairaa Anseline
#9. In a short story by Chekhov or a novel by Balzac he found mysteries which, so far as he was aware, did not exist in any spy thriller. 35
Amos Oz
#10. Big results require big ambitions. ~ Heraclitus
B.L. Norris
#11. I think all artists struggle to represent the geometry
of life in their own way, just like writers deal with
archetypes. There are only so many stories that you can
tell, but an infinite number of storytellers.
Henry Mosquera
#12. Many Scandinavian writers who had made their name in literary fiction felt they wanted to have a go at the crime novel to show they could compete with the best. If Salman Rushdie had been Norwegian, he would definitely have written at least one thriller.
Jo Nesbo
#13. I just wanted to buy a spy novel. I didn't want to be in one.
Jeffrey Westhoff
#14. I've always said women are vicious creatures - Detective Zach Grimes
Lauren Bradshaw
#15. Some things are just like riding a bicycle; you jump on, pedal, and hope you don't fall.
Henry Mosquera
#16. And so we continued to live in fear, hoping that we would not get caught. Fear had become our constant companion at this dreadful Lashkar-e-Taiba camp.
Vivek Pereira
#17. Having written for film and television, I had little interest in turning 'The Good Father' into a Hollywood thriller. I was writing a novel, and novels demand that the writer goes deeper, both emotionally and thematically.
Noah Hawley
#18. My vengeance was of a different kind. It bore no offense and no ill towards injustice. It had no emotion. Blood and Death. That's all it was." - Celeste- ALL LIGHT WILL FALL
Almney King
#19. The two smallest boys were cut down first, bodies bounding in different directions as they were shot from opposite sides of the field, like pinballs caught in a tight corner.
Cole Alpaugh
#20. How the Hell is it we go to pick up Jenna Jameson and end up with the fucking chick from those Kill Bill movies?
Todd Morr
#21. The word "can't" should be erased from the dictionary. It is an excuse for I don't want to even try.
J.M. Brown
#22. Dreema and you disagree. She cottons to Richmond, but you can't be weaned off Pelham. So I offer you a fair middle ground: relocate to northern Virginia. She transfers to the state morgue on Braddock Road, and you get to stay near your old beat.
Ed Lynskey
#23. Limp finally spoke. Do you think you could kill a person and not get all crazy about it?
Cole Alpaugh
#24. Some people like the Jews, and some do not. But no thoughtful man can deny the fact that they are, beyond any question, the most formidable and most remarkable race which has appeared in the world.
- Winston S. Churchill
Ellen Brazer
#25. Anybody who sits down to write, and they think 'thriller,' maybe shouldn't be thinking that way. Maybe we should be thinking 'novel,' maybe 'thriller' way in the background, but that these are real people to whom things are happening. It just happens to be a hell of an exciting story.
David Morrell
#26. When I started writing the third book, 'The Kill,' the intention was just to write a thriller, a crime novel for myself, really, in which there would be no body, no solution - where you would look at an event from different people's perspectives.
Richard House
#27. I will not be a victim. I will not think like a victim. I am going to avenge all those little girls. I am going to win.
Carolyn Lee Adams
#28. Quote taken from Chapter 1:
That's the idea. Listen, Frank, this one is different. She's a keeper." He let that part gel in me. "Get your head screwed on straight and move to Richmond. You hate it living in Pelham.
Ed Lynskey
#31. Truth has a resonance to it that fills the cracks where falsehoods lie.
Rick DeStefanis
#32. I don't mind my friends calling me "Thornes," but the fact of people calling me "Prickly Thornes" draws the line.
Simi Sunny
#33. Writing the middle of a novel is a lot like driving through Texas. You think it's never going to end, and the scenery looks the same.
Carolyn Wheat
#34. I look at you, Mrs. Emily. I see your eyes smile before your lips. Your hair has a curl that droops onto your forehead when the weather is humid . . .
I look at you too, Sabine. I see you.
Phyllis H. Moore
#35. The dedication of Don Winslow's novel 'The Cartel' is nearly two pages long: a list of journalists who were either murdered or 'disappeared' in Mexico between 2004 and 2012 - the period covered in this hugely hypnotic new thriller.
Alan Cheuse
#36. But now we live in a time and in a culture when mystery tends to mean something more answerable, it means a crime novel, a thriller, a drama on TV, usually one where we'll find out - and where the whole point of reading it or watching it will be that we will find out - what happened.
Ali Smith
#37. If your like a powerful modern thriller with an historical core in the Scandinavian style of many separate threads which eventually come together, Purple Killing will grip you. It is my latest book and a companion to Hitler's First Lady, but in a very different style. Set equally in the US and UK.
Malcolm Blair-Robinson
#38. Underneath the ground
you can't hear a sound
not even the sweet falling rain
you might forget about tomorrow
forget about the swallows
but they won't forget you
they won't forget you
Karl P.T. Walsh
#40. Just the night before, a puma's howl had set a chill at my spine and, man, life didn't get any richer than that.
Ed Lynskey
#41. Kinda ' makes it hard to be a super hero when you ain't got nothin' to work wit', ain't it?
Randolph Randy Camp
#42. What could there be in this document written by a young girl in 1917?
Peter J. Tanous
#43. No Way Back is my kind of novel - a tough, taut thriller - Mofina knows the world he writes about.
Michael Connelly
#44. Doing crime films ... maybe it's to some extent a matter of taste. Certainly my first novel had a criminal element and was about the similarity of criminals and artists. Pretextually, it was sort of a money bag thriller. But it was aggressively not what it seemed to be. It was kind of Duchamps.
William Monahan
#45. I don't care what Einstein said about God not playing dice; If he exists, he's addicted to craps.
Henry Mosquera
#46. What to do? Fight it or play along? Was God behind it?
Peter J. Tanous
#47. The best way of keeping a low profile was to immerse himself in the mundane. Act like them, talk like them. A smile, a joke was all it took - at least during the day. The night was his own.
Caroline Mitchell
#48. Any self-defense class worth its salt will tell you that
you don't pull out a weapon unless you intend to use it.
The same should apply to ballsy remarks.
Henry Mosquera
#49. In near panic, I craned my neck to gaze over the cabin's roofline a bursting fireball.
Ed Lynskey
#50. It's getting a little chilly in here! Why don't we sit by the fireplace and I'll tell you the story of how I single handedly killed the Medina boys!
Angel Ramon Medina
#51. People have incredible nerve to do terrible things, but never actually admit to them.
Henry Mosquera
#52. To write a novel is to dream while awake, then express the dream to the reader in an absorbing way. The road leading from the writer's inner world to the readers' is paved with prose.
Alan Joshua
#53. He was pushing fifty, with a face life had chewed on, and long wisps of graying hair parted low on one side and combed over his balding pate.
Patricia Cornwell
#54. Dead. Supposedly Suicide. That's how they'll kill Michael too. Make it look like a suicide or an accident of some sort.
H.C. Deboard
#55. The last vestiges of consciousness tell her she has just witnessed her own murder, all she ever was and hoped to be is gone.
Terry Hayes
#56. Truth is irrelevant; what matters is what people believe.
Henry Mosquera
#57. Out in the field, any connection with home just makes you weaker. It reminds you that you were once civilized, soft; and that can get you killed faster than a bullet through the head.
Henry Mosquera
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