Top 100 The Film Quotes

#1. When you do a film, you know you're shooting for 6 or 9 weeks, you've got your cast and crew. Overall, no one can just pull the plug and say, 'This isn't working.' There's just no security on television, especially for African Americans. It's a tough market.

Vivica A. Fox

#2. The film is a romance with songs and dances, aimed at a family audience.

Sanjay Dutt

#3. I never seem to be able to sell my films correctly in the U.S. The U.S. defends itself on its own turf.

Michel Ocelot

#4. I only shoot on film. I like the quality, the grain and the imperfections. It offers me something much more rewarding than any digital camera can give me. I believe the extra expense is worth it.

Guy Berryman

#5. If you were in the film industry at that time, you were always picked up by directors who were much older. You were whisked about and shown things. I did work very hard though.

Diane Cilento

#6. In 1921, Harry Houdini started his own film company called - wait for it - the Houdini Picture Corporation.

Kage Baker

#7. I do play all the characters, when I write them, one after another. If they actually had to film me, the only one I could play would be Samwell Tarly or Hot Pie.

George R R Martin

#8. I have a second bedroom I don't use. I'm going to start the Second Bedroom Film Festival. You're all invited.

Vincent Schiavelli

#9. Never say never, for if you live long enough, chances are you will not be able to abide by the simplest of such injunctions.

Gloria Swanson

#10. I'm excited about how books work in a digital age. When you read a book, unlike a film, you are decoding symbols in order to 'see' the story, so it is collaborative in a way that a film can never be.

Steven Hall

#11. As a result of my life on the road and the increasing number of rainy afternoons in cinemas, I began to get the idea that I might write a film.

Jeremy Lloyd

#12. To have a film where there's an evil figure and a good person fights against the evil figure and everything becomes a happy ending, that's one way to make a film. But then that means you have to draw, as an animator, the evil figure. And it's not very pleasant to draw evil figures

Hayao Miyazaki

#13. The change starts when you start watching a video. You don't see it, you don't feel it but it starts at this moment, just by reading a complicated book or watching a film you again change... It's a fact!

Deyth Banger

#14. I wish I could play music. I think I get as closeas possible with the editing of the films. Over the years musichas been an even more important influence than-or as important as-film.There's no doubt about it. Painting, movement, dance, sculpture-it'sall in cinema.

Martin Scorsese

#15. I've made six or seven good films. The others, not so good.

Errol Flynn

#16. I don't film messages. I let the post office take care of those.

Bernardo Bertolucci

#17. Every once in a while you definitely have to film someone for half an hour saying something that you do not think is funny because for the previous two hours they said a bunch of stuff that you think is really funny.

Seth Rogen

#18. I'm also always thinking about the score as a recording, as opposed to a performance that can be recreated in a live environment. Some of what I write could of course be played in a concert hall, but for the needs of a film I don't consider that.

Geoff Zanelli

#19. Cowspiracy may be the most important film made to inspire saving the planet.

Louie Psihoyos

#20. For a documentary it's so important to find the characters and to find people who will give you access to film

Adam McKay

#21. The boundaries between contemporary art and cinema are so rigid. It's unbelievable. The film critics don't know my artwork and the art world doesn't know my films.

Agnes Varda

#22. You create this situation where you are so dependent on each other. That's especially true for film. In theater, the actor has much more say, much more control, for better or worse.

Susan Sarandon

#23. His eyesight was possessed by the colours of trauma, cracking and bubbling like an old Super Eight film to remind him of his near-death drowning some two months ago in that very moment when he needed to act.

Luke Taylor

#24. I used to write bits and pieces of comedy material for various comics that were at the Windmill ... as well as my film job, I was under contract, I was allowed to do that and everything.

Val Guest

#25. The only time I felt a little too exposed was for a week then I started life-streaming for a couple of hours a day on Qik and Ustream. It became very much like the film 'We Live in Public.'

Jason Calacanis

#26. But the truth is, at some point, our films - almost every single one of them - are really bad. And it's largely hats off to John Lasseter and Ed Catmull who have set up a system whereby they're expecting it.

Pete Docter

#27. I don't pay much attention to the press. My films always get good reviews and bad reviews. I just try to make the best film I can.

Paul Haggis

#28. Being around all the animals in the film Dr.Doolittle made me one too.

Samantha Eggar

#29. Learn from your experience shooting your film, and then move on to the next.

Alfonso Cuaron

#30. You never get time at Working Title, sadly, to enjoy any film's success, because you're worrying about the next lot.

Eric Fellner

#31. The filmmakers have a story they want to tell, and they go get the material they need for it. The film either exceeds or fails to meet up to their expectations or it's different.

Joshua Oppenheimer

#32. Kubrick never explained the ending to us, or what his intentions were. He didn't intend for it to be a predictable film.

Keir Dullea

#33. In the end, everything is found to be wanting.

Frank Lentricchia

#34. I'm proud of Lord of the Rings. I think it's a once in a lifetime role, and a once in a lifetime film. It was made with so much care and passion and meticulous detail and everybody was so behind it.

Sean Bean

#35. When a filmmaker does not make films, it is as if he is jailed. Even when he is freed from the small jail, he finds himself wandering in a larger jail. The main question is: why should it be a crime to make a movie? A finished film, well, it can get banned but not the director.

Jafar Panahi

#36. So the fact that the first movie about Steve Jobs was made by a guy who was completely entrepreneurial and outside the film industry, I think is very appropriate.

Joshua Michael Stern

#37. So much emotion can be brought in an animated film that's very hard to get in a live-action film. I haven't quite put my finger on why, but it might be because the characters can make facial expression that, if you made them in a movie, they'd call them corny.

Steve Martin

#38. Ever since I've left, I've been doing nothing but this film and traveling, promoting and doing festivals. So the good thing is that I'm not sitting around pining over whether I made the right choice in leaving. I'm moving and grooving.

Eriq La Salle

#39. I'm not interested in a realistic look, not at all, not ever. Every film should look the way I feel.

Martin Scorsese

#40. People talk differently. You can say some things some places you can't say in other places. But me as a film maker, no words are ever going to be off limits in something I write. As long as people use the words, I'm going to report that.

Dax Shepard

#41. If you decide you want to work in the film industry, you just have to bite the bullet and take other jobs until the proper jobs come in.

Luke Evans

#42. Because of the power of television, I was visible to everybody all over the world. But there are many things in the theater that are more fulfilling and that I look forward to doing more. But really, I love it all: theater, film, television.

Charlotte Rae

#43. There is no schedule in the film industry. It's not like you have a 9 to 5 job every day.

Jodelle Ferland

#44. The thought went through my mind that we should film ourselves in our sexual act, and project our frenzied copulation permanently onto the walls of the tea-room, as a lesson to wake up the boring people who drank tea here, and to show them what life was really all about.

Fiona Thrust

#45. There's tons of waste on every film. It really doesn't matter the budget, as long as it hits a bull's-eye.

Steve Guttenberg

#46. Vulcans are so smart. There's no excess; it's just enough. I learned coming away from the film that less really is much more. Sometimes, as a human, you get so discombobulated with emotions, but this was easier, because it was s o clean to play.

Kim Cattrall

#47. Being on a Paul Thomas Anderson film, the best decision an actor can make is to listen to Paul Thomas Anderson. Because he's probably not going to steer anyone in the wrong direction. I would always say go with your gut on any other movie set, but with Paul, I would say go with Paul's gut.

Rami Malek

#48. My biggest role as director on the film is keeping a sense of the overview - how to cast the movie and shoot it in such a way that it will cut together. And how to design the style and tone.

Jay Roach

#49. The nerds are my favourite sort of boys - any guy with a passion - whether it be physics or film or writing or poetry even, I think it's super sweet and it's very attractive for a female.

Teresa Palmer

#50. The cinema is going to form the mind of England. The national conscience, the national ideals and tests of conduct, will be those of the film.

George Bernard Shaw

#51. All the collaborators of storytelling, in film and television, have to be partly self-centered because they need to do their work the best they can, and that's what makes them really good at what they do, but then they also have to be a part of the socialist society, for the greater good.

Ray McKinnon

#52. I love to not work. I love to go to the movies, I like to travel ... I think I work maybe half the year. Sometimes, people think I've done three films in a year, but it's because I did a participation in a film. But I work for half a year, no more.

Catherine Deneuve

#53. I don't necessarily find superheroes in general, for me, that appealing. I'd much prefer to play, if I was to be cast in a superhero film, I'd prefer to play the villain because there's a reason, there's a motive behind their madness.

Ryan Kwanten

#54. The truth is for those that seek it!

Gayle Nix Jackson

#55. I always liked film as a teaching tool - a way of getting exposed to ideas that had never been presented to me. It just wasn't on the list of career options where I grew up.

Brad Pitt

#56. I love thinking about the film, the project and committing myself as much as possible.

Vin Diesel

#57. There aren't many American directors here trying to direct a Japanese yakuza film. When you combine that with the fact that I don't speak much Japanese and this was an independent film I was financing myself - people were curious about what I was doing.

John Foster

#58. Don't go to Casablanca expecting it to be like the film. In fact, if you're not too busy, and your schedule allows it, don't go to Casablanca at all.

Hugh Laurie

#59. Theatre is liberating because it only works if it's truthful - that's what it requires. That's not true of film: the camera does lie.

Helen McCrory

#60. 'Saawariya' was my debut film. It will always be the most special film.

Ranbir Kapoor

#61. We're losing film, especially in projection, we're losing a great achievement of civilization. A still image and darkness make up 50% of the experience. The still images become movement in your head. That's the magic of cinema.

Laszlo Nemes

#62. I'm still Sean that me mates went to school with, not Sean the film star. And that's the way I prefer to be.

Sean Bean

#63. The day after the Oscars, I flew back to London to film a television play for Anglia. It was a big mistake because you never really get acknowledged for wanting to work in England, as I did.

Ron Moody

#64. Fundamentally, Eva is just my life copied out onto film. I'm [still] alive, so the story hasn't finished.

Hideaki Anno

#65. Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.

Anita Elberse

#66. I come from the theater, so for me rehearsal is vital and a way of life. There are many film directors who don't believe in it and some actors who prefer not to rehearse.

Hugh Jackman

#67. Love this in the film, "Velvet Goldmine" it captures the excitement and the thrill at the moment of discovery!

Anna Sui

#68. Some fellow from the Third World kept hammering for prizes for a Communist film which was rotten.

Patricia Highsmith

#69. I think one thing for sure that you learn the more films that you make is how important it is to choose your collaborators.

Brit Marling

#70. So many films end up being filmed in London or in the same places over and over again.

Alice Lowe

#71. We all know that people who've never been on a film set think it's way more glamorous than the people who work on them.

Martin Freeman

#72. I think it's a very strange question that I have to defend myself. I don't feel that. You are all my guests, it's not the other way around, that's how I feel.

Lars Von Trier

#73. Today with the Internet, I search for film and video archives online. It's an ever-growing moveable visual feast of delicacies from all around the world.

Elisa Kreisinger

#74. Sony has canceled the big Seth Rogen movie, 'The Interview.' North Koreans hacked their email so Sony said, 'Now we can't show anybody the movie.' I'm disappointed. I think this is the wrong thing to do. And I hear in the film Meryl Streep is great as Kim Jong Un.

Conan O'Brien

#75. I'd love to do a film with Mariah. But it would have to be a comedy. She's the funniest woman in the world, she just cracks me up all the time.

Nick Cannon

#76. A film fable so structured that all alchemical searchings are clearly filmwise (gold being discovered cinematically in each sequence ot mixed black-and-white and color) so that when the drama-discovery is actually made, it acts as a deliberate anti-climax of aesthetic perfection.

Stan Brakhage

#77. Within the microcosm of a film you get drawn to people. There are certain projects you care enormously about, and 'The Edge Of Love' was one because I was portraying a great hero of mine, Dylan Thomas.

Matthew Rhys

#78. Look at the films of Walt Disney: 'Snow White' came out in February 1938, and I can't think of another film from that year that's watched as much. The same is true of 'Bambi,' 'Dumbo' ... even, frankly, 'Toy Story,' which is probably watched more than any other movie of 1995.

John Lasseter

#79. I went to the Tokyo Film Festival in Japan because I love Japanese cinema.

Leslie Caron

#80. The calibre of TV's changing. It's becoming much more epic. To rival film, definitely.

Emilia Clarke

#81. I hope to build not the largest film and media studio in the world, but perhaps one of the coolest and also the most inclusive.

Rony Abovitz

#82. Whenever there's a camera around, a video or film camera, it's a great deal harder for those in power to bury the story.

Peter Gabriel

#83. I think it is so much more fun to discover film in the movie theatre when there is so much anticipation about the movie.

Anne Hathaway

#84. There is also an artistic element which is lead by the film maker. Issues of what is reality and objectivity are as always relevant as someone is going to edit the film.

Ben Edwards

#85. The actor that taught me the most was Bernie Mac. I did my first big budget studio film with he and Angela Bassett, 'Mr. 3000' for Disney. Bernie taught me by example what creates success is humility and hard work.

Brian J. White

#86. When I make movies, I don't ever go out there to please anyone other than myself. I never try to make a film for the masses. I just try to tell my story.

Lee Daniels

#87. To stand there and do nothing on film is probably the hardest thing to do.

Thomas Jane

#88. Here's the thing about movies, all movies end up on television. That's their life. Whether you like it or not, I don't care how much money you spend on it, or how big or broad the film is, or who the actors are in it, eventually it's all coming out of the box.

Greg Kinnear

#89. When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little.

Anita Ekberg

#90. Jewish people, we're repulsed by Hitler, but we're obsessed with him. If you ever want to rob a Jewish person's house, all you have to do is call them up and tell them there's a Hitler film festival down at the multiplex - watch them file out.

Andy Kindler

#91. I'm working on a film called 'Bonnie.' Bonnie means water. It's in English, and it's dealing with a future world in a megacity - which is what the U.N. says we're going to be - but in this megacity, a city that runs out of water.

Shekhar Kapur

#92. I don't know what my favorite film of mine is ... But I think the most important film I was in was 'Glory'.

Morgan Freeman

#93. I don't remember the first picture I took, but I actually found a picture of myself on a trip back to my old family home in Malaysia. I'm five years old, sitting on the floor with the family camera in my hand. It was a film camera - not a DSLR - with a fixed lens and a nice manual zoom.

Ren Ng

#94. When I got the script for Thelma & Louise, when I met with the director, Ridley Scott, I said, "I don't want to do a revenge film. I'm not interested in doing that moment in the script after they shoot the truck, where it says they jump up and down and they're real happy about it".

Susan Sarandon

#95. For the most part, the American film market has become very corporatised, even independent film to a degree, and because of the corporate management mentality, they want to take the safe way.

Anthony LaPaglia

#96. There were days when you would get the TV listings from The Globe and The Herald. Video was out, but nobody could afford it ... expect for my uncle George, who was a second father to me, and had every film in the world, and every book.

William Monahan

#97. I'VE NOTICED, FROM MY EXPERIENCE, IF THE EXTERNAL, EMOTIONAL CONSTRUCTION OF IMAGES IN A FILM ARE BASED ON THE FILMMAKER'S OWN MEMORY, ON THE KINSHIP OF ONE'S PERSONAL EXPERIENCE WITH THE FABRIC OF THE FILM, THEN THE FILM WILL HAVE THE POWER TO AFFECT THOSE WHO SEE IT.

Andrei Tarkovsky

#98. I need a challenge. I need the intellectual stimulation. I'm a member of a community on each film, working in concert to try to bring an idea to life. It's a great job.

Harrison Ford

#99. If everyone is there to make a good film, everyone is down to earth, and everyone is there for the right reasons - the scale doesn't really matter I think.

Zoe Kravitz

#100. When the script for 'The Wrestler' kept coming to me I said, This movie is so good if you put me in the film as a wrestler people are going to say, 'No credibility, Hulk Hogan isn't a good actor,' whatever Hollywood thinks of me.

Hulk Hogan

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