Top 49 Swinton Quotes
#1. Where I grew up, people obviously knew my dad because it's a small place and he was the top player for Swinton - they'd go and watch him play, see him in the papers, so they knew he was black.
Ryan Giggs
#2. I've done some collaborations which have ended up like Chinese whispers, but the most successful was with Tilda Swinton ... Together we transcended our previous work and made something better together than we could have done apart.
Cornelia Parker
#3. Tilda Swinton is a great example of a person who completely disappears into a role.
Jenna Fischer
#4. In terms of style I typically veer toward a certain masculinity. My style inspirations range from images of my father in his 1970s suits, to Tilda Swinton, to Hugh Hefner, to Sharon Stone and her ferocious sexuality, to handsome men I see on the streets of New York.
Rachael Taylor
#5. I think Tilda Swinton is terribly interesting. I think she's fascinating. I love her work.
Sarah Gadon
#6. I never quite understand the way society decides who is beautiful and who is not. But an open face and a capacity for kindness always feel like reliable signifiers to me. actress TILDA SWINTON
Anonymous
#7. I love women like Cate Blanchett and Tilda Swinton, who kind of go out on a limb and do their own thing. I find it very inspiring and it allows you to do what you want to do.
Malin Akerman
#8. I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.
Tilda Swinton
#9. When I say that it's taken us [with Luca Guadagnino ] 11 years to make this film, what I mean is that it was 11 years ago that we started to talk about a kind of cinema that we wanted to make together.
Tilda Swinton
#10. God's time is slow, patient, and kind and welcomes friendship; it is a way of being in the fullness of time that is not determined by productivity, success, or linear movements toward personal goals. It is a way of love, a way of the heart.
John Swinton
#11. I would rather be handsome for an hour than pretty for a week.
Tilda Swinton
#12. How do we identify ourselves, and how do we settle into other people's expectations for our identity?
Tilda Swinton
#13. What children, in fact all of us at any age, find frightening is unreliability and emotional coldness. The idea that you can't affect someone, that you can't see where they're coming from and can change tact at any moment.
Tilda Swinton
#15. I would say that I think the film [I am love] is absolutely about nature, it recommends human nature. You don't need to recommend change, that's inevitable, it's the only reliable thing we have.
Tilda Swinton
#17. This self-obsession is a waste of living. It could be spent on surviving things, appreciating nature, nurturing kindness and friendship, and dancing.
Tilda Swinton
#18. Years ago, when James Bulger was murdered, every newspaper front page was talking about evil. At that point, having suppressed it for years, I remembered when I was four or five, I tried to kill my own brother.
Tilda Swinton
#19. It was an amazing performer. Very temperamental, it spent a lot of time in its trailer.
Tilda Swinton
#20. It may be unfair of me but I do feel I know it.
Tilda Swinton
#21. If we don't accept loneliness, then capitalism wins hands down. Because capitalism is all about trying to convince people that you can distract yourself, that you can make it better. And it ain't true.
Tilda Swinton
#22. I live a soldier's life when I'm working. That's how it feels to me, except I've got a slightly greater chance of survival.
Tilda Swinton
#25. To be honest the work that a producer does is work that I've done for most of my working life. It's work that I started to do, for example, when I worked with Sally Potter on Orlando. We developed it together over five years.
Tilda Swinton
#26. About actors' lives ... I'm not the person to ask. I don't live an actor's life and I really don't know. I probably read less about actors' lives than you all do. So, I'm in the dark about all of that, sorry.
Tilda Swinton
#27. I knew Spike Jonze would do something really interesting with it.
Tilda Swinton
#28. I remember noticing, when I had my babies, how much I liked them, and not just loved them, but I was really into them. I knew I was going to be curious about them, and up for the mayhem ahead.
Tilda Swinton
#29. What very often happens when people make films about rich people, the camera is quite mesmerised by the opulence and quite theatrical in fact.
Tilda Swinton
#30. Maybe it was my revenge on people who had been unkind to me as a child. But it was very easy and a thrill to freeze up children.
Tilda Swinton
#31. I think of great masters, like [Alfred] Hitchcock, for example, who works absolutely within this sensational realm. You feel like you can always tell what temperature a room is in a Hitchcock film because the people feel alive, they don't feel like they're just being filmed on a stage.
Tilda Swinton
#32. I think there's a dishonorable tradition in Hollywood to give the idea, particularly to children, that evil characters are dark.
Tilda Swinton
#33. I think that a real film fan experience is about a kind of omnivorous experience.
Tilda Swinton
#34. What he's done is recognise the cinematic nature of the book. It's beautifully realised - it's a beat film.
Tilda Swinton
#35. It's exotic for me to be given a script that's already written, and be given a pay cheque, and asked to dress up and play, and that's all.
Tilda Swinton
#36. I've been on the other side of the table many times, trying to get people to be sympathetic to projects, and I've been the victim of that kind of intense kindness masking extreme stupidity.
Tilda Swinton
#37. Nic's Charlie is something very particular. You can't really put them together. It's a phantasm.
Tilda Swinton
#38. I always think of the word 'abandonment' when I think of the character.
Tilda Swinton
#39. Most of us live our whole lives without having an adventure to call our own. What is any life without the pursuit of a dream?
Tilda Swinton
#40. I wasn't around when Nic was playing Donald. I was around with Charlie.
Tilda Swinton
#41. I was playing a new part in a new play: the messed-up adult child coming home in a truly pitiful state in the back of her parents' luxury sedan.
It was a glorious suburban homecoming.
Inna Swinton
#42. It's a real comfort zone for me to feel alien.
Tilda Swinton
#43. I was always, and I still am to a certain extent, one of those lazy people who spends a lot of time with Italian friends and yet constantly says I don't speak Italian. Things slow down when I start speaking Italian.
Tilda Swinton
#44. The work is different in the sense that I haven't had to travel round the world raising money, or work from the genesis of the project. But the collaboration feels clear always, it's sort of my drug, I'm in it for the conversation. The conversation's the most important part of it.
Tilda Swinton
#45. I think that both Luca [ Guadagnino]and I have a kind of resistance to the idea of a film holding a moral message because that would exclude so many people from feeling that it was their film and it's important for a piece of work to feel owned by every member of the audience.
Tilda Swinton
#46. I've only ever gone into studio films with people I really like.
Tilda Swinton
#47. The people I'm working with tend to be people I know, who are my friends, and I like hanging out with them. There's nothing better than making a long-term project with your friends. It's just dreamy.
Tilda Swinton
#48. I would say, and this sounds like a rather immodest thing to say, but the truth is it's probably the most amazing thing of all, it's pretty much exactly what I thought we were going to make, what I hoped we'd make.
Tilda Swinton
#49. It was just me, naked as underneath my clothes right now, as all of you are.
Tilda Swinton
