Top 98 Raf Quotes
#1. Before Michael Caine you had to have been in the RAF to be an actor.
Bob Hoskins
#3. My education was paid for by the RAF Benevolent Fund, so a charity school, run like an orphanage, with uniforms and beatings. It was tough, but it got me to Cambridge - like being a chrysalis suddenly becoming a butterfly.
Eric Idle
#4. Aeroplanes interested me, and at the outbreak of the Second World War, I joined the RAF as a volunteer reservist. I took the opportunity of studying the books which the RAF made available for radio mechanics and looked forward to an interesting course in radio.
Godfrey Hounsfield
#5. which is why she tried to join the RAF, so she could obtain a socially respectable opportunity to gratify her homicidal urges." "So
Jon Ronson
#6. I thought I'd join the RAF and become a wing commander. I realised this wasn't possible, although I do have a pilot's licence.
Mike Oldfield
#7. It was the rootlessness that went with being the son of an RAF officer that shaped me. I had been to 11 schools by the time I was 9.
Jonathan Powell
#8. Disaster began at the end of September with an attack by RAF Bomber Command which drained the Dortmund-Ems canal.
Anonymous
#9. I remember one time I went to Craigslist to find something; that's how bad I wanted it. It was a pair of Raf Simons - this was like 2010. But Raf said he was going to make them for me.
ASAP Rocky
#10. I met Richard Burton, an RAF cadet on a two-term course. I would have flirted more enthusiastically if it had not been for the horrid boils on the back of his neck.
Nina Bawden
#11. Dresden, which I am told presents no military or industrial targets whatsoever for the RAF.
Paul Russell
#12. I spent my earliest years in Colwyn Bay in north Wales with my mother and grandmother, while my father was stationed with the RAF in India.
Terry Jones
#13. It would be nice to be a professional pilot. I'm an amateur pilot at the moment. I've got a lot of friends in the RAF and I don't think I've ever met a group of people who love their job as much as they do.
Martin Shaw
#14. You don't like people?" Raf asked. "I don't like what people do to each other.
Matthew Reilly
#15. Many at the State Department think its their job, not the Army's, to develop cultural and regional expertise and relationships. In such quarters, the RAF concept looks less like an innovative approach to global risk management than yet another military effort to replace diplomats with soldiers.
Rosa Brooks
#16. When it's only clothes, that is not satisfying enough for me. I don't think I could do this for 10, 20 years if that was all. It also has to be about a psychology or a mentality or a concept.
Raf Simons
#17. My ideas for the next collection always happen a couple of months before the show. I have learned to shut up and not bother my assistants with it.
Raf Simons
#18. I was raised in a very happy nest by very happy people, and I like to think that those are enough ingredients to make me succeed at Dior.
Raf Simons
#19. What I've been conscious of, from the beginning is that I can't be Jil Sander.
Raf Simons
#20. There's a very different kind of psychology going on in the fashion scene than in art. When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice.
Raf Simons
#21. You do what you do. Or you do what you have to do. I don't know how to explain it better. I think that in the moment, you can't see connections, but sometimes afterwards you do.
Raf Simons
#22. The fashion thing is something I do, and yes, it is definitely also becoming a part of myself and my personality. It also doesn't really feel like a job, either: it's a dream or a passion or something.
Raf Simons
#23. My inspiration is endless; I can't define it. It is a constant flow and evolution. In general, I'm taking it from everywhere. People get nervous when they walk with me, as I'll see something and suddenly have to text it to myself.
Raf Simons
#24. Following this logic, to bomb BASF in Ludwigshafen would be to mock the people who bombed BASF in Brazil. The Latin American comrades feel differently. BASF does as well.
Red Army Faction
#25. We all know and we all perceive Christian Dior in a very specific way.
Raf Simons
#26. I am always attracted to the moments when a person who is associated with a certain message, image or sensibility evolves. I am very interested in how audiences respond to that maturation and absorb the evolution.
Raf Simons
#27. People who don't know me look at my world as something very hard-core, and I don't feel it that way. It's not what attracts me.
Raf Simons
#28. Antwerp literally was a trash hole, but fashion changed that. The designers there were extreme, and their work was hard to understand. But now, people from all over the world come to Antwerp to shop.
Raf Simons
#29. I know this independence is what people like most about my brand.
Raf Simons
#30. I like very much to put on fashion shows.
Raf Simons
#31. I couldn't go now to a brand that had a niche attitude like ... gothic. I couldn't do that. Well, I could do it, but I wouldn't find it interesting, challenging.
Raf Simons
#32. I always try to connect with what's happening in the world-reality, modernity, the 21st century, all that - and with Jil it started to feel very disconnected from the outside and how women were looking at fashion, experiencing fashion, interpreting fashion.
Raf Simons
#33. L.A. interests me, the whole band scene and relaxed carefree feel, but it does not mean you have to dress like a hippy.
Raf Simons
#34. Unlike fashion, art isn't applied. It doesn't have to serve anybody. It doesn't have to be there for any other reason than to give an impression of what the world is about.
Raf Simons
#35. I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.
Raf Simons
#36. I'm a designer, and for me, things are always evolving, and such evolution is necessary.
Raf Simons
#37. Robert Gober, for example. He doesn't seem like somebody who is just going to show in a gallery that asks him to show. He's just making his work, and when he's ready, he's going to show it.
Raf Simons
#38. One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
Raf Simons
#39. The Chanel woman? I don't even need to see; I smell her from round the corner.
Raf Simons
#40. I wanted an idea of the future, a new femininity. I wanted you to feel that you wouldn't quite know where these women were coming from and where they were going to.
Raf Simons
#41. I'm very attracted to things that I can't define.
Raf Simons
#42. For me, Warhol made so much sense.
Raf Simons
#43. My own brand will stand or fall because of me. Dior won't fall if I fall. It will also still stand if I'm not there. I'm coming in there, and it's like a - I don't know the English word - like a passage.
Raf Simons
#44. Until I was eighteen, I did not know that you could study fashion design or art. I really didn't know. I already had my nose in the art world; I was already looking at things, but I didn't really get it that you could study that because my school was a very different environment.
Raf Simons
#45. I don't have so many things in the fashion world that interest me. It's probably because I am so deeply into it. Often when you go very deep into something, you also discover what it's about, and you understand it better. With the art world, I still have a lot of curiosity.
Raf Simons
#46. If I see a fashion show with literal influences, it doesn't make me think any more. It doesn't make me dream.
Raf Simons
#47. Computers let people avoid people, going out to explore. It's so different to just open a website instead of looking at a Picasso in a museum in Paris.
Raf Simons
#48. The fashion world doesn't know the word 'stop,' so you have to make sure there are sublime moments every day.
Raf Simons
#49. I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
Raf Simons
#50. In its offensive against the state, the urban guerilla cannot resort to terrorism as a weapon.
Red Army Faction
#51. Dress codes and gestures and attitudes have always inspired me, as has youth culture in general, although now I question it more. If you analyze youth cultures over history, there has always been something strict about them - you have to be like this or like that.
Raf Simons
#52. In the nineties, it was common to see people who expressed themselves through one designer - the Jil Sander woman, the Martin Margiela woman. You saw her on the street, and you knew who she was.
Raf Simons
#53. I'm very scared sometimes that fashion might attack its own magic by the amount of exposure.
Raf Simons
#54. Well, my own men's collection always felt very free back in the days before Jil. Once you make it this kind of dialogue with other people, with a fashion show and clients and whatever, it becomes something else. Free meets not so free.
Raf Simons
#56. But overall I want to make sure people fall in love with the clothes and that they are satisfied
Raf Simons
#57. In my opinion, Christian Dior was never, ever theatre.
Raf Simons
#58. As an industrial designer, you design the thing by yourself, and then it goes away from you, whereas fashion is in constant relation to the body and to psychology. It makes it more complicated, and it makes it more challenging.
Raf Simons
#59. I'm usually very attracted to things that I can't define. If something's too clear, it's very often not inspiring to me anymore.
Raf Simons
#60. Berlin is in a state of transition. There are lots of people who don't stay here. They pass through. They might not 'clean up,' but they mature. It is a city where people spend a significant time in their lives, and then they move on.
Raf Simons
#61. I've always seen myself as a small entity, and it will always stay like that. I'm not changing. But I think the big challenge for me taking on the Dior thing is to see how I can connect that to such a huge institution.
Raf Simons
#62. The rejection of sabotage in the metropole, based on the argument that it would be better to take things over instead of destroying them, is based on the dictum: The people of the Third World should wait for their revolution until the masses in the metropole catch up.
Red Army Faction
#63. I see there is a lot of behaviour in men's fashion, which is systematic. It's a lot about all these kind of clothes that can be easily combined with each other, and it's less and less, I think, about making a fashion statement.
Raf Simons
#64. My challenge is to find a beautiful balance: to make women beautiful, to make a woman dream to wear a beautiful outfit.
Raf Simons
#65. Our society wants things to grow, and our society wants things to become bigger and bigger. Everything has to be put under the spotlight.
Raf Simons
#66. I'm not an isolated person. The more I connect to people, the more I have the feeling that things work.
Raf Simons
#67. I never really have to sit at a desk thinking, 'What should I do now?' It doesn't work like that for me, and it never has. My thinking process is constant.
Raf Simons
#68. They see in the political apathy of the proletariat only the apathy, not the protest against a system that has nothing to offer them.
Red Army Faction
#69. I was growing up in the New Wave period, but that wasn't allowed in school. I remember moments when they wouldn't let four people dressed in black stand together on the playground.
Raf Simons
#70. I'm fascinated by the way Diane Arbus saw things. She came from this fashion background and then twisted it.
Raf Simons
#71. We Belgians love when we can go to L.A. because the city is amazing and the climate is fantastic.
Raf Simons
#72. I have so much respect for John [Galliano]s technical skill and the fantasy, its just something that I dont find relevant now, especially when it restricts a woman, because in every other area they have so much freedom.
Raf Simons
#73. I don't see Dior as something that could become mine. I see it as a dialogue with the women who wear it. I want to stay connected to them rather than to an abstract brand.
Raf Simons
#74. The future, for me, is romantic, I don't understand people who say the past is romantic. Romantic, for me, is something you don't know yet, something you can dream about, something unknown and mystical. That I find fascinating.
Raf Simons
#75. Becoming a fashion designer is agreeing with the fact that what you experience or what you see as free is also connected to a system. Does that mean giving up your freedom? I still don't know the answer. There's a very different kind of psychology going on in the fashion scene than in art.
Raf Simons
#76. My mother was a cleaning lady all her life.
Raf Simons
#77. It felt wrong for me to stay totally connected to that very strict way of approaching the heritage - what it can be, what it cannot be. That was also the period where I really thought, "No, let's open it up."
Raf Simons
#78. I find it fascinating to see the fact that women want to buy things that they see on men.
Raf Simons
#79. I'm shy, but not on a one-to-one basis. Over the years, I have become acclimatised to a bit of publicity.
Raf Simons
#80. Fashion is so mass-produced now; I hope there will come a refocus on how people see couture. And I would also hope for a new focus on the craft.
Raf Simons
#81. Fashion is such an octopus. You're connected to so many people: suppliers, pattern makers, production teams, marketing teams, vendors.
Raf Simons
#82. We are very excited to re-launch the collaboration with Fred Perry. We have great appreciation for the heritage of the brand as well as their dynamism in guiding the brand towards the future. Their openness to create synergies between both our brands will bring interesting, creative results.
Raf Simons
#83. In fashion design, you can divide people into two groups. You have people who come with an aesthetic that is there forever, even if it evolves. Then you have people I call 'jumpers.' One season it can be this; the next season it's completely something else. I always knew I am more of a jumper.
Raf Simons
#84. I'm not so rock and roll. I'm more techno.
Raf Simons
#85. My aim is a very modern Dior, but at the end of the day, I also look back,
Raf Simons
#86. I want to get away from couture just being done for a picture or for a single moment on the red carpet. I want to try and convince women that couture can be worn in the day and that there's a reality and relevance there, because that's what Mr. Christian Dior wanted.
Raf Simons
#87. You cannot have adoration without being criticized.
Raf Simons
#88. I am somebody who focuses on a dialogue between generations - that's the drive of my work. I believe the young generation take the power; they'll take over at one point, but the older generation, they'll push it away only because of the fear. I'm the opposite; I'm curious.
Raf Simons
#89. Fashion has a long interest in collaborative situations.
Raf Simons
#90. Somewhere, in some city in America, someone is wearing my clothes, and I'm happy with that.
Raf Simons
#91. I dont want to show clothes, I want to show my attitude, my past, present and future. I use memories and future visions and try to place them in todays world.
Raf Simons
#92. There are people who, if they see something in couture that they perceive as ready-to-wear, they're in shock.
Raf Simons
#93. My point of view is that if I love a certain kind of beauty, I want more of that beauty. I don't need 200 different beauties.
Raf Simons
#94. Sometimes it's more a matter of collaboration which matters in a collection.
Raf Simons
#95. They see in the population's hostility towards the left only the hostility towards the left, not the hatred against those who are socially privileged.
Red Army Faction
#96. My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other people.
Raf Simons
#97. My dad only ever talked about two things: bicycles and Mercedes.
Raf Simons
#98. You can instantly spot a Chanel woman, so I want to develop the Dior woman.
Raf Simons
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