Quotes About Luka

#1. It felt as if a thing that had been impossible had become possible, a thing that had been unthinkable had become thinkable, and Luka did not want to give that terrifying thing a name.

Salman Rushdie

#2. But none of them are you." Luka pointed to his eye again. "We match. Why would I want anyone else? Nobody else if you. Long brown hair, blue eyes and tanned skinned beautiful you.

Tillie Cole

#3. If you write to us," Luka had said with tears in his eyes, "don't ever sign your name or send an address.

Courtney Angela Brkic

#4. (What can I say? My name is Luka Kotova, I'm an irresponsible fuck-up. Thanks for your time. Now let me be.)

Becca Ritchie

#5. I could never live like this," I whispered to Luka.
"No," he agreed. "I've seen you grovel. It's not very convincing.

Jessica Day George

#6. Painted and smiling, I balance on my trapeze. Luka is poised ten metres away, his muscles shining under the lights. The wooden circles in his earlobes twitch as his jaw clenches, unclenches, clenches.

Kirsty Logan

#7. I wanted to tell her that Luka wasn't like any other boy I'd ever know before. Not because he was a ghost. Because he was Luka.

Caroline Green

#8. Luka had a kind smile and the most beautiful dark-brown eyes. But it was Luka's upper left Iris smudged with a small splash of blue that made our mothers think we were destined to be. Mama said God placed a piece of my eye within his so we would always know we shared one soul.

Tillie Cole

#9. That's because we were never apart. Since we were kids, we were one. It has always been that way. We found a way back to each other, my love."
Luka's eyes bored into mine, a flare of possession in their glare. "And will always be that way," he said assertively. "I'm never losing you again.

Tillie Cole

#10. As the drummer, I know that drums fully support the band. Their rhythm keeps things within the pulse and contributes to the overall energy of each performance. I am a very balanced person and I realize that through my personal level of balance, I also outwardly balance Stjepan and Luka.

Dusan Kranjc

#11. Fortunately for Luka, he lived in an age in which an almost infinite number of parallel realities had begun to be sold as toys.

Salman Rushdie

#12. A heart consumed with bitterness will turn to stone.
An old Lightkeepers adage, spoken by Boaz to Luka.

Rona V Flynn

#13. When I fall in love... it's only... one time. -Luka

Hotaru Odagiri

#14. My name is Luka I live on the second floor. I live upstairs from you, yes, I think you've seen me before.

Suzanne Vega

#15. I'd rather die without blood than him losing a drop of his own blood!

Hotaru Odagiri

#16. The range of the cello is so big, it can play as low as the double bass and as high as the violin. It has the perfect shape, and its sound is the closest to the human voice.

Luka Sulic

#17. We were never happy with the way cello was recorded, and we wanted to experiment in the studio to make the cello rock as much as possible. On the second album, we had great help from Bob Ezrin, who helped us develop our sound even more.

Luka Sulic

#18. One minute I was having a day like any other , and then Whack an this guy didn't have no head Lula Finger Lickin 15

Janet Evanovich

#19. We tune differently, and we use some tricks. There's just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so good.

Luka Sulic

#20. Everybody recommends New Zealand. I really want to learn this haka, the traditional dance - I love it; it's so cool.

Luka Sulic

#21. Even in classical music, the cello doesn't get a lot of respect because the piano and the violin get it all.

Luka Sulic

#22. You only realize how much you love somebody when one day they dont love you back.

Luka Magnotta

#23. For us, it is all about breaking the boundaries between different genres of music and combining different styles of music and performing what we are passionate about. We are so lucky that we can experience both worlds: the more intimate classical world and the wild and crazy world of rock n' roll.

Luka Sulic

#24. It has endless possibilities, and but what we do with our arrangements, we move the borders of cello playing and discover new ways of new techniques of cello playing.

Luka Sulic

#25. Everything was so fresh and unique to us - it was a whole new world of music. Michael Jackson was so fresh, you know? We could approach it with such fresh ears, which wouldn't be possible if we had been listening to it when we were younger.

Luka Sulic

#26. It took us three months to finish the arrangement of 'Thunderstruck.'

Luka Sulic

#27. Many classical musicians lack pulse and rhythmical strength and precision, so for us it was very important to acquire and learn those.

Luka Sulic

#28. Who says you'll get hurt again?"
I pouted. "Have you met you?"
"Right.

Kate Evangelista

#29. I like to swim a lot, while Stjepan likes to take long walks with girls. He's the very romantic type. Yes, musicians are romantic.

Luka Sulic

#30. The cello is such a versatile instrument. It can rock like the hardest rock guitar, and it can sing like the human voice. We couldn't do what we do without the classical training. It's a hard instrument to play. There are no frets, and it takes finesse and technique to play.

Luka Sulic

#31. Of course, there will always be, you know, conservative classical people who will judge you, but you know, who cares about them?

Luka Sulic

#32. A cello can sound like so many instruments, but it's only one, you know, like a guitar; it has percussive qualities. It can sing like the violin, you know, like a voice.

Luka Sulic

#33. If you don't like the reflection. Don't look in the mirror. I don't care.

Luka Magnotta

#34. Of course we had the best possible classical education, which gave us a very strong foundation and tradition. But we also learned a lot by collaborating with different pop/rock artists and especially by recording and working in the studio.

Luka Sulic

#35. I started playing when I was 5. I'm from a family of musicians.

Luka Sulic

#36. Because in classical music cello is not regarded as a popular choice, it's always playing the long, boring notes.

Luka Sulic

#37. We're all the same. We all have the means to save ourselves and carry ourselves home.

T.A. Miles

#38. We want to connect all these musical worlds together. We just improvise; we know straight away if its going to work or not. They're not covers - I hate the word cover. We do a transcription: mix it up, put our own spin on it. I think people will be surprised how powerful our show is.

Luka Sulic

#39. We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.

Luka Sulic

#40. People don't think of cello as a rock instrument, really, and we want people to know all the possibilities that the cello can offer.

Luka Sulic

#41. Now, we are still learning how to approach girls, you know, learning what to say, etc., because the practice we've had was with our other girl, the cello. If you noticed, it has the shape of a female.

Luka Sulic

#42. Don't wait for someone to call you up. You can do anything. You have all the possibilities in the world.

Luka Sulic

#43. When our video of 'Smooth Criminal' came out, suddenly we started getting all kinds of offers. We were getting calls from TV shows like 'Ellen DeGeneres' and from record labels.

Luka Sulic