Top 17 Quotes About Himmel Street
#1. Max lifted his head, with great sorrow and great astonishment.
'There were stars,' He said. 'They burned my eyes.'
... from a Himmel street window, he wrote, the stars set fire to my eyes.
Markus Zusak
#2. Whoever named Himmel Street certainly had a healthy sense of irony. Not that is was a living hell. It wasn't. But is sure as hell wasn't heaven, either.
Markus Zusak
#3. Now more than ever, 33 Himmel Street was a place of silence, and it did not go unnoticed that the Duden Dictionary was completely and utterly mistaken, especially with its related words.
Silence was not quiet or calm, and it was not peace.
Markus Zusak
#4. Papa- the accordionist- and Himmel Street.
One could not exist without the other, because for Liesel, both were home.
Markus Zusak
#5. He left Himmel Street wearing his hangover and a suit.
Markus Zusak
#6. In the basement of 33 Himmel Street, Max Vandenburg could feel the fists of an entire nation. One by one they climbed into the ring to beat him down. They made him bleed. They let him suffer. Millions of them
until one last time, when he gathered himself to his feet ...
Markus Zusak
#7. A small, sad hope
No one wanted to bomb Himmel Street. No one would bomb a place named after heaven, would they? Would they?
Markus Zusak
#8. Max, Hans, and Rosa I cannot account for, but I know that Liesel Meminger was thinking that if the bombs ever landed on Himmel Street, not only did Max have less chance of survival than everyone else, but he would die completely alone.
Markus Zusak
#9. Papa grinned and pointed at the girl. "Book, sandpaper, pencil," he ordered her, "and accordion!" once she was already gone. Soon, they were on Himmel Street, carrying the words, the music, the washing.
Markus Zusak
#10. ... it was raining on Himmel Street when the world ended for Liesel Meminger.
The sky was dripping.
Like a tap that a child has tried its hardest to turn off but hasn't quite managed.
Markus Zusak
#12. We need the expressive arts, the ancient scribes, the storytellers, the priests.
Tanith Lee
#13. The great thing about Yes is that it has always been flexible.
Chris Squire
#14. The buildings appear to be glued together, mostly small houses and apartment blocks that looked nervous. There is murky snow spread out like carpet. There is concrete, empty hat-stand trees, and gray air.
Markus Zusak
#15. The Word of God bares weight on all ages always.
Matt Chandler
#16. Revenge is like waves hitting the beach, the water is drawn in and sucked back into yet another wave, pounding and smashing its shoreline!
Wes Adamson
#17. Sounds naive respecting someone
who doesn't give a shit about you.
Toba Beta
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