Quotes About Dc Comics

#1. In DC Comics, Blue Devil is a superhero who came out of a movie.

Marc Guggenheim

#2. At DC Comics, it has been a top priority that DC forges a meaningful, forward-looking digital strategy.

Jim Lee

#3. We wanted to protect the legacy of DC Comics here in New York, and there are many things that make sense to protect and maintain while setting up parts of the organization in Los Angeles to grow.

Diane Nelson

#4. Honestly, I wasn't familiar with the whole DC comics world and the Batman world before I was part of 'Gotham.'

Camren Bicondova

#5. There are no easy answers for the balance of how you protect the core business of the books with what the digital future will look like, but that would be our job with DC Comics, to figure that out and experiment and take some risks while always protecting the core business.

Diane Nelson

#6. I am someone who, from a very young age, was a huge fan of DC Comics.

Jason Fuchs

#7. I discovered 'The Shield' back around 2010, when the Archie superheroes were licensed to DC Comics. From there, I went back into the archives and discovered this whole universe of characters, and I was hooked.

Adam Christopher

#8. My mother wouldn't even let me read DC Comics.

Wes Craven

#9. I'd begun reading Crumb shortly before that, and other underground stuff, so that was an influence to some degree. Of course the Marvel and DC comics, they had been my main interests in my teenage years.

Chester Brown

#10. Part of running DC Comics is that it's much larger than Image Comics is, or was. There's a challenge to being one of the industry leaders in that everything you do is scrutinized and watched.

Jim Lee

#11. Aquaman is one of the greatest characters at DC Comics and one of my favorites.

Geoff Johns

#12. I was cast in 'Thor' back in 2009, so it sort of took me out of the running for anything tied to DC Comics.

Jaimie Alexander

#13. I've been reading comics since I was four. I used to get them when I would go grocery shopping with my mom. I remember getting the digest versions of old DC comics. The one that I remember reading first was Paul Levitz' 'Justice Society of America' stuff that he was doing in the '70s.

Jeff Lemire

#14. I will say that I'm proud of my connection to DC comics because they are absolutely fabulous in sending reprint royalty checks.

Mike Royer

#15. I wasn't terribly aware of Catwoman. She was a DC comics character and as a kid, I wasn't terribly fond of the DC comics characters. I was a Marvel boy.

Benjamin Bratt

#16. When I first got the audition for Shado, I went online and subscribed to DC Comics and read a bunch on Shado and the Yakuza, just to get to know her character better.

Celina Jade

#17. One of the best decisions we made on the 'Arrow' pilot was to have the Deathstroke mask. Within 30 seconds, you knew you were watching a DC comics show.

Andrew Kreisberg

#18. 'Watchmen' is a cornerstone of both DC Comics' publishing history and its future.

Jim Lee

#19. I grew up on DC Comics, moral tales where the bad guys got their comeuppance. To me the gory panels or grotesque stuff just made me chuckle.

George A. Romero

#20. Azarath, Metrion, Zinthos!

Raven

#21. Einstein was wrong! IM the speed of like CRACKING through shivery rainbows and GOD the sky whirls and withers like a melting RAINBOW!

Grant Morrison

#22. People look at Marvel movies as epic in scope, but if you look back at the comics, you realise that Marvel heroes were often a reaction to the square-jawed DC characters like Superman, who were flawless and beyond reproach.

Jon Favreau

#23. The problem with having friends was that you might lose them. Or they might get hurt.

Gwenda Bond

#24. There probably were things worse than the guy you had a crush on saying that kind of thing about your sister, but not many. Maddy could do way better than teeth-and-hair guy.

Gwenda Bond

#25. The multiverse model offers an elegantly postmodern solution to character stasis in a market-driven serial publishing system which privileges constancy over major change.

Jose Alaniz

#26. I do still read comics since I started writing for DC, but nowhere near as much as I used to, and I'm finding now that it's becoming harder to read comics as a consumer, so I think I'll have to make the call there and stop reading them.

Karen Traviss

#27. My problem was that I had bad luck. And I spoke up when I saw something wrong. I did it because I could, without having to worry about the fallout lasting years. And yes, there was always fallout.

Gwenda Bond

#28. I was looking to explore the theme of good and evil, so what better inspiration than the comics? I'd developed a relationship with DC and Warner Bros. when I donated a sculpture of Catwoman to the 'We Can Be Heroes' campaign a few years ago. That's what started it.

Nathan Sawaya

#29. When I was a kid, I read many more Marvel comics than I did DC. As I got older, in high school and then in college, I started reading more DC.

David S.Goyer

#30. I wanted to put a reference to masturbation in one of the scripts for the Sandman. It was immediately cut by the editor [Karen Berger]. She told me, "There's no masturbation in the DC Universe." To which my reaction was, "Well, that explains a lot about the DC Universe.

Neil Gaiman

#31. That pompous phrase (graphic novel) was thought up by some idiot in the marketing department of DC. I prefer to call them Big Expensive Comics.

Alan Moore

#32. Sympathy once more reveals its limits when faced with madness.

Jose Alaniz

#33. Kid Flash: Sorry. First time at the Hall. I'm a little overwhelmed.
Robin: You're overwhelmed. Freeze was underwhelmed. Why isn't anyone just whelmed?

Young Justice

#34. You can't foresee all the consequences of your actions - But that's no excuse to do nothing.

Hal Jordan

#35. I was many things, but I wasn't a quitter. I didn't give up, and I wasn't going to start.

Gwenda Bond

#36. I have always loved horror very much. I used to write stories for DC's House of Mystery. It was one of my first jobs writing for comics, and I loved it.

Sergio Aragones

#37. [In "The Night Gwen Stacy Died"], death took on an existential quality -- the beloved, innocent but weak Gwen is merely a victim, the casualty of a war between superpowered rivals -- and as such the episode proved a turning point int eh genre's depiction of mortality.

Jose Alaniz

#38. The thrill of working in this building, with its iconic globe on top, would never fade.

Gwenda Bond

#39. I love creator-owned comics. Most of my favorite books these days are creator-owned, from stuff DC publishes, like 'Fables,' to books like 'Saga,' 'Fatale,' 'Hellboy,' and 'Courtney Crumrin.'

Kurt Busiek

#40. The stereotype of the supercrip, in the eyes of its critics, represents a sort of overachieving, overdetermined self-enfreakment that distracts from the lived daily reality of most disabled people.

Jose Alaniz