Top 86 Jim Lee Quotes
#1. Back in the '30s, '40s and '50s, you had clear-cut heroes, clear-cut supervillains. Today, you have more of a blend, more of a gray area between the two. You have the rise of the sympathetic villain and the rise of the antihero.
Jim Lee
#2. Mutants, super beings, gods, aliens, a guy who sticks to walls at one extreme, a creature who eats planets at the other; Each one that comes into being, they feel, diminishes the rest of humanity, ordinary homo sapiens, that little bit more.
Jim Lee
#3. I certainly wouldn't buy a DVD series of a hit show and start at Season 7. I would want to go back and start from the beginning.
Jim Lee
#4. At DC Comics, it has been a top priority that DC forges a meaningful, forward-looking digital strategy.
Jim Lee
#5. One of the reasons I never had a problem handing over my characters to other creators is that I knew that they would add their own influences and takes on the characters and make them better for it.
Jim Lee
#6. Most video games, you build up toward the big, bad boss. And it's just a bigger, more powerful version of what you've been fighting all along in the game.
Jim Lee
#7. Not everyone reads comics, although most people know the major superheroes, but the majority of people play video games.
Jim Lee
#8. The downside to becoming a doctor, I think, is it's a very long process; four years of medical school, three years of internship, two years of residency, umpteen years of specialization, and then finally you get to be what you have trained almost all your life for.
Jim Lee
#9. The great thing about having digital comics is that it is like having a comic-book shop on your digital device. It has turned comics from a destination buy to an impulse buy.
Jim Lee
#10. 'Watchmen' is a cornerstone of both DC Comics' publishing history and its future.
Jim Lee
#11. I like a lot of modern art. I like Chuck Close a lot. It doesn't necessarily directly influence the work I draw on the page.
Jim Lee
#12. From 'The Sandman' and 'Black Orchid' to 'Whatever Happened to the Caped Crusader?,' Neil Gaiman has provided some of the most memorable stories of the comic book industry.
Jim Lee
#13. Superheroes are modern mythological characters, so you're going to make them look impossible. Even my Krypto The Superdog is the idealisation of the canine form.
Jim Lee
#14. There's an obvious marketing component to doing something digitally where you're reaching out to new readers that you can't do in the existing print marketplace, or that it's difficult to do in the existing print marketplace.
Jim Lee
#15. Creating and producing creative work, to me, those are all happy accidents.
Jim Lee
#16. Whether it be in comics, games or film, you can trace the art direction and influences back to some earlier, real-life historic period or artistic movement.
Jim Lee
#17. You can see how he changed on the surface. But at the core of it all, I think Superman has remained the same - a character with incredible powers but almost superhuman humility and restraint.
Jim Lee
#18. There is the intent of the writer and the interpretation by the artist. What the writer intended and what the artist interprets is not a 1-to-1 translation. It's a crossing of ideas that generates the stories that you see in print.
Jim Lee
#19. I like having pairs of characters to play off each other. I love drawing Batman, but he's more fun with Robin. Batman charges ahead, Robin jumps off the walls. It's fun showing that contrast.
Jim Lee
#20. No true fan wants to go to Comic-Con and get assaulted with a marketing blitz about just any old show.
Jim Lee
#21. People who liked the 'Arkham Asylum' video game can Google comics to download.
Jim Lee
#22. I've been trying to make this argument that digital comics and print comics are both art, but there are subtle differences.
Jim Lee
#23. Outside of my work as a comic book creator and co-publisher, I'm an avid gamer.
Jim Lee
#24. Gene Colan was like no other artist of his generation. His ability to create dramatic, multi-valued tonal illustrations using straight India ink and board was unparalleled.
Jim Lee
#25. From an artist's point of view, I always want to work with the writers I admire.
Jim Lee
#26. I want all my stuff to be converted into digital format so I can have my reference library to carry with me wherever I go.
Jim Lee
#27. Once I started down the path of co-founding Image Comics, and even co-publisher, it just seems a lot more like a career path that isn't that atypical for someone with a college degree. Whereas, someone who draws comic books as a freelancer and lives from job to job is a more unusual story.
Jim Lee
#28. Superman is the hardest character to draw. There are a couple of things that make him difficult. He's got a very simple costume and doesn't have the long cape like Batman. He's not a character that is necessarily always in shadow, and he doesn't have a mask.
Jim Lee
#29. Bob Harras' personal and creative integrity is respected and renowned throughout the comic book industry. As an editor, he provides invaluable insight into storytelling and character.
Jim Lee
#30. [Superman and Lois are] kindred spirits, and they always choose to do the right thing.
Jim Lee
#31. Lois pursues the truth no matter what sort of adversity faces her. I think Superman sees that, and it's the same moral compass that he has from the Kents.
Jim Lee
#32. I don't buy comics anymore, for the most part. I eat my lunch off of them.
Jim Lee
#33. The video game market is huge, and the ability to tell stories, and tell different kinds of stories in the gaming space is quickly evolving and changing for the better.
Jim Lee
#34. Part of running DC Comics is that it's much larger than Image Comics is, or was. There's a challenge to being one of the industry leaders in that everything you do is scrutinized and watched.
Jim Lee
#35. Even today, a lot of the CGI you see in movies is so clean and crisp that it just looks fake. It's weird: the more advanced they get, the faker it looks.
Jim Lee
#36. As lifelong fans of comic books, Dan Didio and myself, we definitely have our own takes on what make for successful comics and the kind of comics that we want to publish.
Jim Lee
#37. Al Plastino helped redefine Superman in the 1950s. His work on 'Superman's Girlfriend,' 'Lois Lane,' 'Adventure Comics' and pretty much any title in the Superman family will be fondly remembered for years to come. He will be missed.
Jim Lee
#38. One of the key characteristics of the comic book medium is that it is not brought to life by just one voice.
Jim Lee
#39. 'The Authority,' by Warren Ellis and Bryan Hitch, really pioneered the widescreen, action-packed style of storytelling.
Jim Lee
#40. I have a tendency to do the epic kind of long shot and put in everything that you need to know. And that's by design; that's the kind of approach I take to it.
Jim Lee
#41. I have to say, self-servingly, I downloaded my own comics. I downloaded 'Batman: Hush.'
Jim Lee
#42. I think sometimes with new characters, you can kind of hit a creative valley, and it's important to recognize when you're in that valley so you can get back out and get back to that peak.
Jim Lee
#43. I think there's a responsibility of the publisher, of the company, to make sure the staple books that have been around for decades come out in a timely manner.
Jim Lee
#44. I always figured Metropolis was north of New York, actually. Between New York and Boston, in my mind.
Jim Lee
#45. There was something special and unique about the love triangle that existed between Clark Kent, Superman and Lois Lane.
Jim Lee
#46. What I love about WonderCon is that, while the focus is on the comics, it's also a celebration of games and movies and all the ancillary media.
Jim Lee
#47. Superman tends to stand very upright, and he's very symmetrical, and those are actually the most difficult poses for me to draw.
Jim Lee
#48. Alasdair Fraser's Culburnie Records has quietly become one of the best Celtic music labels today.
Jim Lee
#49. Jerry Robinson illustrated some of the defining images of pop culture's greatest icons. As an artist myself, it's impossible not to feel humbled by his body of work. Everyone who loves comics owes Jerry a debt of gratitude for the rich legacy that he leaves behind.
Jim Lee
#50. When you try to do something bigger and more grandiose, a lot of times it's more apt to fall apart. It's a lot easier to lay down a bunch of singles than it is to get a home run.
Jim Lee
#51. I played a little bit of 'City of Heroes' - they have a really great character generation system. I was pretty impressed with that. I played 'World of Warcraft' with my kids. That's a lot of fun.
Jim Lee
#52. When I was a kid, I never felt that what I was drawing really represented me; it was just something I enjoyed.
Jim Lee
#53. I really want to try to explore the characters from angles you've never seen and keep them classic and iconic.
Jim Lee
#54. The thing that weighs the most on how your final artwork turns out is the amount of time you have and the speed at which you can move.
Jim Lee
#55. As a gamer, I like to go up and look at people's faces and see how good of a job they did.
Jim Lee
#56. I think when you're knee-deep in coming up with editorial plans, the desire to sit down and pencil something is pretty strong.
Jim Lee
#57. 'The Dark Knight,' 'The Rocketeer' and definitely the first 'Superman' movie by Richard Donner are the best. I tend to be softer in my judgment about what's a bad movie - I don't think anyone intends to make a bad movie, and sometimes it just doesn't click for some reason.
Jim Lee
#58. Many in the creative professions were nerds in their pasts because they spent so long reading comics and using their imaginations when they were growing up.
Jim Lee
#59. Nick Cardy's work helped define some of the things we see in comics today and take for granted. He broke out of the mold in terms of covers and layout and created a truly interactive experience for the reader that directly points back to his time with the Eisner studio.
Jim Lee
#60. Wonder Woman isn't even American; she's an Amazon princess.
Jim Lee
#61. As a kid, I loved the whimsical Superman and Batman stuff, and as a teenager, Marvel was more angsty, and that appealed to me. Marvel dealt with more stuff I could relate to as a teenager.
Jim Lee
#62. When you have a Green Lantern mixing with a foil like Batman, you get scenes that are comic-book history. There's the epicness of it all.
Jim Lee
#63. I'm really trying to focus on the storytelling, more so than ever before I think, partly because it makes for easier pages.
Jim Lee
#64. So much of comics are dictated by characters talking to one another - or in focused spaces where 'the camera' has to stay in pretty close on what's going on.
Jim Lee
#65. The first time I drew a Superman story was 'For Tomorrow' with Brian Azzarello in 2004. It didn't really hit me how important it was until I drew a scene early-on in the book that featured Superman crossing paths with a giant, intergalactic space armada.
Jim Lee
#66. There are a lot of global decisions that you can make as a co-publisher, and only publishers can make those kind of decisions. At the same time, there are some things you can do only as a penciler or creator. I want to keep my hands in both pots, so to speak.
Jim Lee
#67. One of DC's strengths is our archive of storylines ranging from 'Watchmen' to 'Arkham Asylum' to 'Sandman.'
Jim Lee
#68. I think the very simplest way to show Superman's power is to have him punch someone that's powerful.
Jim Lee
#69. I don't think you can be a comic book fan and not hate change.
Jim Lee
#70. I don't think you can measure your love or your passion for whatever you're working on.
Jim Lee
#71. I paint in acrylic and sometimes in oil. Sometimes I'll paint my kids. And I'll occasionally do some photography.
Jim Lee
#72. A-list stars go to Comic-Con to woo the nerd demographic.
Jim Lee
#73. If you look at the great superheroes in any universe, you will always find that they have the very best super villains opposing them. It's because they are foils; they are people that the heroes play off of.
Jim Lee
#74. I try to do a lot of asymmetrical, triangular compositions - I find those work really well for comic book covers in that portrait mode, and I don't always see that in other artists.
Jim Lee
#75. In the '50s, a lot of stories were built around radiation and the proliferation of new technology. In the '70s, there were a lot of stories that dealt with the Vietnam War. So comic books have always been a reflection of the times we live in.
Jim Lee
#76. I rarely draw myself, in general, and if I do, I tend to do little cute manga-esque, almost bite-sized drawings of myself.
Jim Lee
#77. As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.
Jim Lee
#78. More often than not, the fans really gravitate towards who's on the cover as opposed to how it's drawn or how it's composed, and so, a lot of the time, what an artist likes will be very different from what a fan likes.
Jim Lee
#79. Any time you change something classic or iconic, you're going to have some part of the fan base up in arms.
Jim Lee
#80. I tend not to look at my work after I've done it. In fact, the only time I typically get to review it is when the fans bring up comics at shows, and I kind of flip through it and be like, 'Oh, I remember doing this!'
Jim Lee
#81. There's also a lot of punch you get from doing an extreme closeup and have it just be that image with nothing around it. There's a clarity and precision and impact there that you sometimes lose if you put everything else in that background.
Jim Lee
#82. Wonder Woman is a lot of fun to draw.
Jim Lee
#83. There was a real sophistication and elegance to (Batman: The Animated Series). It certainly appealed to kids but had a depth that really made it fascinating and interesting to watch for adult fans. I think visually, it was stylistically stunning.
Jim Lee
#84. Costumes are all about identifying which force in a conflict you're on. That's where banners and flags came from - so people rushing into battle knew who to follow and who was on their side.
Jim Lee
#85. One of the strengths of the DC Universe has been the strength of the rogues' gallery. Often times they're as famous - if not more infamous - than our heroes.
Jim Lee
#86. I love the fact that I get something new to do almost every day and have new challenges.
Jim Lee
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