Top 28 Quotes About Creative Directors
#1. If you're creative, they let you be the showrunner, producer. The first thing my partner and I did as producers was hire ourselves as directors - because who else would hire me?
Garry Marshall
#3. My music, I feel, has always been experimental, but it had got to a point where I felt disconnected from it completely. I didn't want to be a Clark Kent/Superman: I couldn't really say, 'Well, B.o.B's the old me, and Bobby Ray's the new me.' I had to just make a point.
B.o.B
#4. Your hooves have stamped at the black margin of the wood,
Even where horrible green parrots call and swing.
My works are all stamped down into the sultry mud.
William Butler Yeats
#5. A girl's coquetry is of the simplest, she thinks that all is said when the veil is laid aside; a woman's coquetry is endless, she shrouds herself in veil after veil, she satisfies every demand of man's vanity, the novice responds but to one.
Honore De Balzac
#7. By 1961, when I got my first copywriting job, 'my kind' were suddenly in demand. The creative revolution had begun. Advertising had turned into a business dominated by young, funny, Jewish copywriters and tough, sometimes violent, Greek and Italian art directors.
Jerry Della Femina
#8. So I build my own nest and feather it with thoughts of you.
Ruta Sepetys
#9. Music video directors, who conceive, write and direct these works, enjoy no creative rights, receive no ongoing financial benefit from the sale of our work, and many times are not even credited.
Michael Apted
#10. A lot of solo directors have a really strong creative producer with them. Jay and I have less of a need for that because we have each other.
Mark Duplass
#11. As an artist - I'm sure like most creative people - you have a kind of board of directors that you make your work for. It's a group of people that you have, these friends, and you want to know what they think. In a weird way, you're making the work for them.
Robert Longo
#12. Frances is a diamond, passed from filthy paw to paw but never diminished. The men who handle her can leave no mark because her worth is far above them. (page 361)
Ann-Marie MacDonald
#13. A lot of directors, they're creative, but they're different.
Chris Tucker
#14. Control is the wrong word. The practice is very much about sharing, and, in any creative practice, some individuals, whether partners or directors, are much closer to certain projects than I could ever be.
Norman Foster
#15. And what did last? I last, she thought. Yes, i have lasted. But for what?
Ernest Hemingway,
#16. Instead of blaming us, find your true enemy. And, where the offence is, there let the great axe fall.
John Marsden
#17. The opposing party rarely causes so much angst as does one's own.
Dick Morris
#18. The skill, the art of literacy is a gift. To read is to watch in your mind as a single word explodes into a confetti of images. Truly, of all the gifts given to man, reading is most sacred, For from words come dreams and from dreams come great tomorrows.
Stephen Cosgrove
#19. Making movies can be a creative exciting project for director and rest of staff.
Philip Kaufman
#20. I ain't the first on the list that people are sending scripts to. I'm very lucky. I've managed to put myself in the position with some directors, who will be calling me directly, and we're working on things and talking about things, but that's on a purely creative level.
Christian Bale
#21. In my years of global travels, I have seen a world in pain ... Without God's guidance, our response to suffering is a futile attempt to find solutions to conditions that cannot be solved.
Billy Graham
#22. I enjoy collaborating with all of the directors I have worked with. I love collaborating with creative people on interesting projects.
Lior Ron
#23. Physical fitness is a three-legged stool: strength, aerobic capacity, and flexibility.
Jane Fonda
#24. I really respect the Coen brothers as directors and as creative individuals and with the way that they handle the industry and the business side of things.
Allison Tolman
#25. I would really like to focus on directing features, and then eventually take that skill set back to television. On features, you have more control. On television, the producers are the creative forces behind it. Directors come and go on television.
Eric Balfour
#26. Although talent feels and looks predestined, in fact we have a good deal of control over what skills we develop, and we have more potential than we might ever presume to guess.
Daniel Coyle
#27. I love being involved in all of the creative stuff; I love talking ideas with directors. Anyone with an imagination can create something fun.
Brendon Urie
#28. How could history of science fail to be a source of phenomena to which theories about knowledge may legitimately be asked to apply?
Thomas S. Kuhn
