Top 34 Quotes About Brambilla
#1. The doctor's face brightened, eyes shining like lanterns between the wrinkles.
Marissa Meyer
#3. burro, burrow: A /burro/ is an ass. A /burrow/ is a hole in the ground. As a journalist you are expected to know the difference.
United Press International
#4. Usually, the energy in elevators is so awkward; I mean, I can't imagine the politics in the ones in the Conde Nast building.
Marco Brambilla
#5. I had a lot of anger inside me and that came out at times that were not particularly advantageous to me career-wise.
Mickey Rourke
#6. Being able to make work - if it's on your terms, and it's a good fit with the people who are supporting it - can be a very interesting exercise. When it doesn't work is when an artist just connects with a brand, and they try to take advantage of each other.
Marco Brambilla
#7. It is only in the morning that one should marry, read unfavourable reviews, make one's will, beat one's servants, and so forth.
E.T.A. Hoffmann
#8. I'm a huge cinemaphile. My interest in filmmaking came out of experimenting with different genres, and I wanted to go back to working in a way that was more personal, which, for me, was artwork. Commercials and films are more collaborative.
Marco Brambilla
#9. Just doing a project because it's an opportunity won't create meaning. As an artist, I need something to communicate.
Marco Brambilla
#10. Most of my work has no conventional narrative, so it's not essential to have a beginning and an end - your attention can flow in and out of the experience rather than having a set entry point.
Marco Brambilla
#11. Inspiration for my music just comes from, you know, my life experiences.
Avril Lavigne
#12. Thematically, most of my work deals with transition, our culture's constant acceleration, and emotional connection and disconnection through technology.
Marco Brambilla
#13. Those girls on the other side of the car are staring at you."
Jace assumed an air of mellow gratification. "Of course they are," he said. "I am stunningly attractive."
"Haven't you ever heard that modesty is an attractive trait?"
"Only from ugly people," Jace confided.
Cassandra Clare
#14. The durational aspect of video art is very different from photography or sculpture. The idea of looping things interferes with that a little bit. It eliminates that finite viewing period which I think is not so expressive sometimes.
Marco Brambilla
#15. What makes us want to know the worst? Is it that we tire of preferring to know the best? Does curiosity always hurdle self-interest? Or is it, more simply, that wanting to know the worst is love's favorite perversion.
Julian Barnes
#16. [While] physically traveling someplace or experiencing someplace firsthand, physically versus - which is what a lot of young people do - the experience is mitigated through technology and through social media.
Marco Brambilla
#17. Shaul is sure that Israel's test of survival, daily undergone, is the secret of Israeli enterprise. When you're concerned about your survival, every day, you think outside of the box
George Gilder
#18. I like controversy. The more controversial it gets, the more interesting it is.
Marco Brambilla
#19. Often, people relate success to what they have done and failure to what others have done to them.
T.G.C. Prasad
#20. The art world has become the R&D department for so much fashion and music, so knock-offs are getting better and better.
Marco Brambilla
#21. I've always been interested with the idea of technology and the way technology affects our ability to communicate - our ability to have a rewarding experience with technology versus a kind of dehumanizing experience with technology.
Marco Brambilla
#22. It's all about the blanket. Blanket, pillow, and red wine. You should always be asleep on a plane.
Kate Moss
#23. Nobody was living on the first floor, which had been vacant for some time,
Patricia Blake
#24. But minding one's own business wasn't very interesting. Or useful.
Morgan Rhodes
#25. A lot of very popular mainstream artists are products of record companies and marketing companies, and any time anyone can stand outside of that, that's interesting.
Marco Brambilla
#26. For me, a lot of my work has dealt with what it means to be at the center of the universe and how alienating and kind of seductive it is. A lot of my work is very aggressive and very visual, but at the same time, it has a lot of tension in it and makes you kind of uncomfortable sometimes.
Marco Brambilla
#27. I love the idea of bringing my work to the general public, not just people who go to gallery openings.
Marco Brambilla
#28. I don't think anyone can tell you what it is that makes you a star.
Desi Arnaz
#29. Sir, more than kisses,
letters mingle souls;
For, thus friends absent speak.
John Donne
#30. I think in America there's this free flow between fashion, art, architecture, music and design. In Europe, it's more segregated between those different disciplines, I think.
Marco Brambilla
#31. I never intended to become a commercial filmmaker in the first place. What I do requires time and experimentation. Commercial work is often not the best way to get the most innovative work, because it's about money and marketing. Although advertising is now embracing non-commercial people.
Marco Brambilla
#32. When I'm approached by brands I use the kind of philosophy - I don't really get into a project unless I feel I can make something that will be honest for me.
Marco Brambilla
#33. I'm very obsessed with the energy of New York and the idea of the way people behave in the city versus the way they behave in a natural environment.
Marco Brambilla
#34. There are a lot of pros to doing a film, as far as it helping your film career, and it is completely different financially. But theatre is the only place where you get to actually be the character, and nobody is going to come around and change it later.
Jimmi Simpson
