Top 61 Pater Quotes
#1. Strax slammed his fist into the open palm of his other hand. 'At last,' he pronounced. 'We strike for the greater glory of the Sontaran Empire. Sontar-Ha!' His brow furrowed slightly as he saw the others' expressions. 'That is. For the greater glory of Paternoster Row, of course. Pater-Nos-Ta!
Justin Richards
#2. Vale is allowed to write about anything he wants. Pater
Leta Blake
#3. Youngsters have got to stop thinking about becoming the next Zuckerberg. It's a trillion-to-one chance. What they need is mater and pater to say, 'Get a job, son.'
Alan Sugar
#4. PATER SERAPHICUS. Higher rise, still higher, growing Stronger imperceptibly, Near the Divine Presence gaining A more perfect purity! What is it the spirit thrives on, What fills the ethereal space? Endless love whose revelation Blitheness brings, eternal bliss.
Johann Wolfgang Von Goethe
#5. The family consists of those who live under the same roof with the pater familias ; those who form (if I may use the expression) his fire-side.
Sherrilyn Kenyon
#6. Walter Pater said that all the arts aspire to the condition of music, but I've always felt that music aspires to the condition of words.
John Ashbery
#8. I leave it to Pater Leoden to distribute the remainder of my worldly goods among the parish, as, being an immoral soul, I will have no further need of them."
"You mean, immortal, don't you?" Chronicler asked uncertainly.
Patrick Rothfuss
#9. What is Mona Lisa thinking? Nothing, of course. Her blankness is her menace and our fear. [ ... ] Walter Pater is to call her a 'vampire,' coasting through history on her secret tasks.
Camille Paglia
#10. Walter Pater defined Romanticism as adding strangeness to beauty.
Harold Bloom
#11. I am pleased to be praised by a man so praised as you, father. [Words used by Hector.]
[Lat., Laetus sum
Laudari me abs te, pater, laudato viro.]
Marcus Tullius Cicero
#12. We need some imaginative stimulus, some not impossible ideal such as may shape vague hope, and transform it into effective desire, to carry us year after year, without disgust, through the routine-work which is so large a part of life.
Walter Pater
#13. All art does but consist in the removal of surplusage.
Walter Pater
#14. No account of the Renaissance can be complete without some notice of the attempt made by certain Italian scholars of the fifteenth century to reconcile Christianity with the religion of ancient Greece.
Walter Pater
#15. At first sight experience seems to bury us under a flood of external objects, pressing upon us with a sharp and importunate reality, calling us out of ourselves in a thousand forms of action.
Walter Pater
#16. All art constantly aspires towards the condition of music. For while in all other kinds of art it is possible to distinguish the matter from the form, and the understanding can always make this distinction, yet it is the constant effort of art to obliterate it.
Walter Pater
#17. Books are a refuge, a sort of cloistral refuge, from the vulgarities of the actual world.
Walter Pater
#18. Why do you always write poetry? Why do you not write prose? Prose is so much more difficult.
Walter Pater
#19. Experience, already reduced to a group of impressions, is ringed round for each one of us by that thick wall of personality through which no real voice has ever pierced on its way to us, or from us to that which we can only conjecture to be without.
Walter Pater
#20. Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find some universal formula for it.
Walter Pater
#21. Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is more and what is less excellent in them, or to use words like beauty, excellence, art, poetry, with a more precise meaning than they would otherwise have.
Walter Pater
#22. Art is self-sufficient and need serve no moral or political purpose
Walter Pater
#23. To burn always with this hard gemlike flame, to maintain this ecstasy, is success in life.
Walter Pater
#24. It is always hazardous to express what one has to say indirectly and allusively.
Walter Pater
#25. Through the survival of their children, happy parents are able to think calmly, and with a very practical affection, of a world in which they are to have no direct share.
Walter Pater
#26. How shall we pass most swiftly from point to point, and be present always at the focus where the greatest number of vital forces unite in their purest energy?
Walter Pater
#27. Legions of grotesques sweep under his hand; for has not nature too her grotesques - the rent rock, the distorting lights of evening on lonely roads, the unveiled structure of man in the embryo, or the skeleton?
Walter Pater
#28. In truth, the legitimate contention is, not of one age or school of literary art against another, but of all successive schools alike, against the stupidity which is dead to the substance, and the vulgarity which is dead to form.
Walter Pater
#29. All art constantly aspires to the condition of music ... In its ideal, consummate moments, the end is not distinct from the means, the form from the matter, the subject from the expression; they inhere in and completely saturate each other ...
Walter Pater
#30. Every moment some form grows perfect in hand or face; some tone on the hills or the sea is choicer than the rest; some mood of passion or insight or intellectual excitement is irresistibly real and attractive for us - for that moment only.
Walter Pater
#31. Poetry, at all times, exercises two distinct functions: it may reveal, it may unveil to every eye, the ideal aspects of common thingsor it may actually add to the number of motives poetic and uncommon in themselves, by the imaginative creation of things that are ideal from their very birth.
Walter Pater
#32. Product of a myriad various minds and contending tongues, compact of obscure and minute association, a language has its own abundant and often recondite laws, in the habitual and summary recognition of which scholarship consists.
Walter Pater
#33. In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes two persons, things, situations, seem alike.
Walter Pater
#34. Not to discriminate every moment some passionate attitude in those about us, and in the very brilliancy of their gifts some tragic dividing on their ways, is, on this short day of frost and sun, to sleep before evening.
Walter Pater
#35. ....And for that instant his sun was at noon.
J.M. Barrie
#36. One of the most beautiful passages of Rousseau is that in the sixth book of Confessions, where he describes the awakening in him of the literary sense. Of such wisdom, the poetic passion, the desire of beauty, the love of art for its own sake, has most.
Walter Pater
#37. Not the fruit of experience, but experience itself, is the end.
Walter Pater
#38. Philosophical theories or ideas, as points of view, instruments of criticism, may help us to gather up what might otherwise pass unregarded by us.
Walter Pater
#39. To the modern spirit nothing is, or can be rightly known, except relatively and under conditions.
Walter Pater
#40. A book, like a person, has its fortunes with one; is lucky or unlucky in the precise moment of its falling in our way, and often by some happy accident counts with us for something more than its independent value.
Walter Pater
#41. He ... preferred always the more to the less remote, what, seeming exceptional, was an instance of law more refined ...
Walter Pater
#42. The service of philosophy, of speculative culture, towards the human spirit, is to rouse, to startle it to a life of constant and eager observation.
Walter Pater
#43. That sense of a life in natural objects, which in most poetry is but a rhetorical artifice, was, then, in Wordsworth the assertion of what was for him almost literal fact.
Walter Pater
#44. What we have to do is to be forever curiously testing new opinions and courting new impressions.
Walter Pater
#45. And the fifteenth century was an impassioned age, so ardent and serious in its pursuit of art that it consecrated everything with which art had to ad as a religious object.
Walter Pater
#46. A very intimate sense of the expressiveness of outward things, which ponders, listens, penetrates, where the earlier, less developed consciousness passed lightly by, is an important element in the general temper of our modern poetry.
Walter Pater
#47. A certain strangeness, something of the blossoming of the aloe, is indeed an element in all true works of art: that they shall excite or surprise us is indispensable.
Walter Pater
#48. With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch.
Walter Pater
#49. Every intellectual product must be judged from the point of view of the age and the people in which it was produced.
Walter Pater
#50. It is with this movement, with the passage and dissolution of impressions, images, sensations, that analysis leaves off - that continual vanishing away, that strange, perpetual weaving and unweaving of ourselves.
Walter Pater
#51. Great passions may give us a quickened sense of life, ecstasy and sorrow of love, the various forms of enthusiastic activity, disinterested or otherwise, which comes naturally to many of us.
Walter Pater
#52. A counted number of pulses only is given to us of a variegated, dramatic life. How may we see in them all that is to to be seen in them by the finest senses?
Walter Pater
#53. The way to perfection is through a series of disgusts
Walter Pater
#54. Behind the perfection of a man's style, must lie the passion of a man's soul.
Oscar Wilde
#55. To know when one's self is interested, is the first condition of interesting other people.
Walter Pater
#56. What is important, then, is not that the critic should possess a correct abstract definition of beauty for the intellect, but a certain kind of temperament, the power of being deeply moved by the presence of beautiful objects.
Walter Pater
#57. A sudden light transfigures a trivial thing, a weather-vane, a windmill, a winnowing flail, the dust in the barn door; a moment - and the thing has vanished, because it was pure effect; but it leaves a relish behind it, a longing that the accident may happen again.
Walter Pater
#58. The Renaissance of the fifteenth century was, in many things, great rather by what it designed then by what it achieved.
Walter Pater
#59. Art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass.
Walter Pater
#60. For art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake.
Walter Pater
#61. The various forms of intellectual activity which together make up the culture of an age, move for the most part from different starting-points, and by unconnected roads.
Walter Pater
