Top 100 On Films Quotes
#1. I watch 2001: A Space Odyssey every time it's on. I made the kids watch it every time, too and now they just love watching it. Stanley Kubrick's great. And Blade Runner is one of my top three science fiction films. A lot of it has come true.
Bruce Willis
#2. College stirred in her a certain contempt for virtues like kindness and persistence. She would have appeared to have been a kind and persistent person herself, but a steady diet of Antonioni films and an introductory course on existentialism had awakened her to the fact that she wanted more.
Garth Risk Hallberg
#3. Good films are not made by accident, nor is good photography. You can have good things happen, on occasion, by accident that can be applied at that moment in a film, but your craft isn't structured around such things, except in beer commercials.
Gordon Willis
#4. When I go back to theater, I feel good about myself. When I do films or TV, it's to make a little bread to pay my mortgage or whatever, and when I've made the money, I do theater again. And when I get a part I like, a part I can work on, that satisfies me. I feed good about myself.
David Hedison
#5. There is no masculine psychology in my cinema. There is only the resentments and desires of women. A man should not attempt to recognize himself in my male characters. On the other hand, he can find [in the films] a better understanding of women. And knowledge of the other is the highest goal.
Catherine Breillat
#6. David Fincher's work has all been incredibly well-received on Netflix, and Kevin Spacey's films have all worked on Netflix.
Ted Sarandos
#7. My role in 'Legally Blonde' was really rewarding, because I had so much fun working on the movie. I've had really rewarding experiences on tiny low budget films that you'll never see but where I had a cool time creating characters as well. I love almost all of the characters I've played.
Alanna Ubach
#8. When I went to university, I finally got exposed to European films, and they had a strong impact on me. I felt those films had a lot of things to say that weren't getting expressed in the films I was used to seeing.
Alejandro Gonzalez Inarritu
#9. If you're not making epic, archetypal films on some level, I think you're wasting a great potential of cinema.
Alexander Payne
#10. I watch all the classic films that film people say that you ought to have seen, and I try to watch things in the cinema when they come out, just to keep my eye on the competition. I'm bored when I'm not working.
Sam Riley
#11. For behaviorist films, that's been much more useful - the change of technology - but for my kind of films, doing them on film is much better, because it's more beautiful.
Michael Apted
#12. More and more people are seeing the films on computers - lousy sound, lousy picture - and they think they've seen the film, but they really haven't.
David Lynch
#13. I became alienated from this religious upbringing, and started making music. I wanted to be a big star. All those things I saw in the films and on the media took hold of me, and perhaps I thought this was my god: the goal of making money.
Cat Stevens
#14. I don't think that my films are 'literary'; they are based on the most ordinary things of life.
Eric Rohmer
#15. You always draw on your experiences with live audiences to know how to do comedy on films. You're working for a laugh that may or may not come six months later, but you're working in a vacuum at the time you are doing it.
Theodore Bikel
#16. I said I would do all the films about the commercials, and the films about ball-bearings and Ford tractors and so on, if once a year they gave me money for a free film.
Karel Reisz
#17. When you work on a Jerry Bruckheimer film, you can be sure of two things: no production value will be spared, and the catering will be as fine as any really really good restaurant. Jerry is an amazing producer, with a commitment to his films second to none.
William Fichtner
#18. One of my earlier films is 'Quigley Down Under.' That was early on in my career, and that was horsey.
Ben Mendelsohn
#19. I dreamed of doing stuff like Will Smith and films on a big scale.
Cory Hardrict
#20. We created Pure Flix to make uplifting and inspiring content on a consistent, ongoing basis, so audiences would truly have an alternative to what Hollywood puts out. Pure Flix produces faith and family films, so the audience is the entire family.
David A.R. White
#21. All my films are about kind of being seen to be one thing when you're actually something else, and the power of the female spirit to make things work your way on your terms. Which is what I do.
Gurinder Chadha
#22. After Sept. 11, there was a reticence and worrying about films that touched on war, and even more on terrorism.
Gillian Armstrong
#23. I think feature films sell on the idea, and I think TV works based almost entirely on execution. I don't think anybody is going, 'Wow, that show is executed poorly, but the idea is so cool I just have to keep watching.'
Bill Lawrence
#24. I am not greedy. I do not seek to possess the major portion of your days. I am content if, on those rare occasions whose truth can be stated only by poetry, you will, perhaps, recall an image, even only the aura of my films.
Maya Deren
#25. I wasted time writing films. I don't look back on those years as lost, but it wasn't what I should have been doing.
James Salter
#26. I wanna work; I love so much making films; I hope I can do one after the other. Being on set is what makes me happy, so ... The more I can, the better.
Alice Braga
#27. I'm used to my films having little effect on making the world a better place.
Michael Moore
#28. We have new tools that can give the audience a sense of not only being there, which is the key element in an IMAX film, but also seeing things in a way that they won't see on television or in feature films.
Greg MacGillivray
#29. The toy business began to drive the [Lucasfilm] empire. It's a shame. They make three times as much on toys as they do on films. It's natural to make decisions that protect the toy business, but that's not the best thing for making quality films.
Gary Kurtz
#30. On Saturday afternoons, there was a film, of course, and then we did about four shows between the films. And I would do a tap dance, a little military tap.
Barbara Cook
#31. I wouldn't do nudity in films. For me, personally ... To act with my clothes on is a performance; to act with my clothes off is a documentary.
Julia Roberts
#32. I am not an insecure actor, and this reflects in the films I have done. Yes, there was a phase when I was adamant on solo hero roles, but that is over now.
Randeep Hooda
#33. The fact that novels and films about confidence tricksters are usually highly successful is based on the observation that the topical and temporary creation of micro-realities (or 'tricks') is not a million miles away from what we're all doing every day.
Momus
#34. I've had a very full career in the theater, on stage, in films and on television.
Hal Holbrook
#35. When you first think of making a monster movie you have to realize that a lot of people may be down on you because there is a big prejudice against such films.
Bong Joon-ho
#36. I find that on most films it's very difficult to have a backlit movie in an exterior.
Robert Richardson
#37. Working with green screen, you really rely on the director in a way that you don't on different types of films.
Amy Adams
#38. So called art films. Movies like that never explained what was going on. Explanations were rejected as some kind of evil that could only destroy the films "reality".
Haruki Murakami
#39. I've been trying to do films for years. So I've decided to wait until the next good part comes along and develop a record on my own in the meantime.
Gwen Stefani
#40. I ideally would like to do three films every year. Every day, I pray for it. But I should like a script before I sign on a film.
Shahid Kapoor
#41. You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.
Mike Leigh
#42. We've done a lot of films now about the IRA, we can move on from all that. I loved '71 because I think it showed a very honest trail and what it was actually like. It wasn't one-sided. I really respect ['71 director] Yann [Demange] for what he did. But we have done a lot of those things.
Saoirse Ronan
#43. When I think of character actors, I think of Spencer Tracy; I think of Gene Hackman, Robert Duvall. When I was a young lad watching films, my eyes were on them - watching 'On the Waterfront,' my eyes are on Rod Steiger and Karl Malden, not on Brando.
Eddie Marsan
#44. On the X-Men films, people are always throwing out ideas and trying to get the shot to look the best and make the most sense, and to get it done efficiently. Everybody collaborates and everybody is very open to new ideas.
Evan Peters
#46. I was scouted at the age of 10 by a Hollywood agent. I was a really shy, geeky-looking thing, and started in the industry by doing 'extra' work on films.
Austin Butler
#47. I have been very fortunate to be able to work and get the opportunity to play different roles. It's nice to do big studio pictures and then work in Glasgow on films like 'Red Road' and then dress up as a vampire or an alien. I think that's why a lot of people are actors - the versatility.
Tony Curran
#48. I have these guilty pleasures, these failed films that don't work at all, but I'll watch them if they're on. Like 'The Game.'
Shane Black
#49. I have a film called 'A Lonely Place For Dying,' which is the most watched film on the Internet, over 3 million hits, more than any of Hollywood's films.
James Cromwell
#50. I turned down the opportunity to be in some films that went on to be blockbusters.
Elizabeth McGovern
#51. '25th Hour,' like a lot of my films, takes place in New York City. I've been very fortunate to make films in the city that I live. I mean, it's great going home at night instead of being on location.
Spike Lee
#52. My favorite films are when all of the technicalities are so seamless and so well done that I'm not thinking about them - you're able to go full-on into the story versus talking about edgy this moment was.
Condola Rashad
#53. The job is exactly the same, it just goes on for longer on TV. Most feature films are 35-40 shooting days. This has 10 parts, with different directors for each block. We shoot with two, sometimes three cameras.
Charles Dance
#54. My films ought to be judged on whether they're entertaining or good as films, but not on the political view necessarily. I'm trying to be morally responsible and no more. I don't have an agenda I'm trying to push.
Sydney Pollack
#55. Today's readers can be roughly divided into two groups, those who accept the fantasy villains of childhood, as in the James Bond stories and Arnold Schwarzenegger films, and those who insist on credibility.
Sol Stein
#56. All the films are hits before you turn the camera on. It's only in the execution that they fail. I've been less than happy with the way a couple of films were edited, but it's a director's prerogative and you gotta go with it.
Bruce Willis
#57. I know people from working with them on films, but they're not the ones I would meet up with ... I'm just a normal person!
Dakota Blue Richards
#58. I like my films to have a certain amount of realism - something that's thought provoking and intelligently written. More than the amount on the pay cheque, I look for a level of respectability as an actor.
Arjun Rampal
#59. There were many films made for both cinema and television, and in general I don't connect them very much with our books. I have one favorite: 'The Man on the Roof' by director Bo Widerberg, which was based on 'The Abominable Man.'
Maj Sjowall
#60. I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
Sally Hawkins
#61. Horror films are the ones that pay the bills, and historically, they have shown that they are good investments. They helped Universal survive with that initial splash of horror films in the 1930s and '40s. And horror films kept New Line alive with the 'A Nightmare on Elm Street' series.
Christopher Young
#62. All of my films are based on personal experiences and beliefs. Many of my heroes are my spokespeople - and some are not!
Michel Ocelot
#63. I remember watching films in my teenage years, and you'd be in love with Leonardo DiCaprio, and then a song would come on. You'd love that song forever; it changed your life.
Lykke Li
#64. I love working on films and I'd love to do some interesting work, but if somebody asked me, 'Would you like 'Human Target' to continue to be picked up?' The answer is 'Absolutely!' I love working on this show. I love playing Guerrero. I love seeing where it's going.
Jackie Earle Haley
#65. I directed the first "Twilight" movie. It was in my contract that I could have gone on to do the other films, but I didn't feel as connected to the other books.
Catherine Hardwicke
#66. They put all this money into these huge films and then no one goes to see them. That sort of shows they're out of touch. Then everyone in town passes on my little movie and it does really well.
Zach Braff
#67. What most people do is they make terrific films, one in three if you're very lucky, maybe one in five. So you just have to keep on, you have to get through the bad bits.
Mike Newell
#68. I am constantly swimming on the margin, neither 100% American, French, nor Lebanese. I am none of those. I am the result of those three. Sometimes it's an asset: no one can put you in a category. That I do not make typical Lebanese, European or American films does not bother me.
Ziad Doueiri
#69. [Our] minds are molded in many different ways - often in ways we are not aware of at the time. I am convinced that many things - the films we watch, the television we see, the music we listen to, the books we read - have a great effect on us.
Billy Graham
#70. The original Star Wars ("A New Hope") has had the greatest impact on me of all the films I've ever watched. It's really what sparked something in me to want to make movies.
Gabriel Campisi
#71. On a studio film, you don't have to worry about running out of film or messing up your costumes; you have five other sets of it. Studio films make you the most comfortable so you can just act.
Sung Kang
#72. When you start on a new film, no matter how many you've done before that, I think I've done close to 80 films, but it's always kind of a fun adventure.
Howard Shore
#73. What's so fun when you shoot in a car is you get to research all the other road movies that have ever been done, and you try to figure out where do they place the cameras and how many shots can you get with your people in the car. So just doing the research on the films is so fun.
Tamra Davis
#74. I'm proud of all the movies I've made. They're not sequels, they're not franchises. And the reason I pick my films carefully is that I don't want to spit on my life. I like to think of myself as more than that.
Kevin Costner
#75. I have this embedded faith in the process through which films of a certain type get discovered on longer timelines.
Edward Norton
#76. People have been very resistant to giving me more than the standard amount of money. So I keep making films on a similar scale. Which is fine, but also frustrating.
Mike Leigh
#77. I see myself as a very successful entrepreneur. Maybe making films or else starting my own clothesline. I see myself as a corporate woman, sitting on the 16th floor of a swank office with a glass window that overlooks the Manhattan skyline.
Sushmita Sen
#78. So there was always a stunt coordinator on those films that was from Stunts Unlimited and I was just one of the young warriors from Stunts Unlimited that got to be a part of it because it was a big show and they needed a lot of guys.
David R. Ellis
#79. I became a documentary filmmaker because I wanted to make socially conscious films. I never studied filmmaking - everything I have learned has been on the field.
Sharmeen Obaid-Chinoy
#80. It's not easy to strap yourself down to a desk and bash on a keyboard when you know you can direct lots of films, because directing films is fun and interactive and gregarious. Writing isn't.
Guy Ritchie
#81. I still get a lot of material but I find that as one gets older you get more fussy. You know you're going spend a year or a year and a half on this and you know there are only so many films in you so you get a little bit more selective.
Norman Jewison
#82. America always seemed to me this foreign land that I imagined I could escape to if I needed to get away - and I think that came both from the fact that I was born there and from watching so many American movies when I was a kid. I was brought up on American films.
Andrew Garfield
#83. And if there was one title that could be applied to all my films, it would be 'Civil War' - not civil war in the way we know it, but the daily war that goes on between us all.
Michael Haneke
#84. I'm not really one for reading books. I have a very poor attention span. I'd rather listen to music, play games or watch films on my iPad.
Olly Murs
#85. All in all, I'd like to venture into film. Films are my staple diet, so I would love to be part of a feature film, independent film ... it all just depends on the story and the people behind it, really.
Tom Weston-Jones
#86. Across the board, Australian films need to have a lot more money spent on selling them.
Hugo Weaving
#87. I want to get into producing and writing more for myself - setting up my own films and seeing what kind of personal touch I can put on movies, as opposed to just being in them.
Kenan Thompson
#88. Cocteau is someone who has made such a profound impression on me that there's no doubt he's influenced every one of my films.
Jacques Rivette
#89. I made four films on John F. Kennedy, filmed when he was running for office, in office, and after his death.
Robert Drew
#90. In the the late seventies and early eighties, I played background roles in thirty movies ... Woody Allen movies, Scorsese films, you name it. Whatever was being shot in New York, I was doing stand-in and background work because I wanted to be close to the camera; I wanted to see what was going on.
Tobin Bell
#91. As I get older, I want to do more films for kids because they're the best audience around. Just putting a smile on a kid's face is the best thing.
James McAvoy
#92. When I went to film school about three years ago, the first two years you're required to make a series of short films. I started making films based on short poems.
James Franco
#93. I take things on a day to day basis when it gets really hectic. But I do think long term and I'm looking forward to the next couple of years when I do start producing my own films with my production company and playing some characters that are older and that's really exciting to me.
Erika Christensen
#94. The best time to release a film is on a festive date like Divali or Eid, or at a time when there are no big films three to four weeks before or after.
Salman Khan
#95. There is a ban on Indian films in Pakistan, so that's half of our market gone.
Satyajit Ray
#96. I usually make films about what's on my mind at any given time.
Pawel Pawlikowski
#97. I loved the 'Die Hard' films growing up and the 'Taken' movies. They're so entertaining, and I enjoy being on the edge of my seat.
Michelle Dockery
#98. If I get a note on my script or my films, what I say to a studio executive is that, 'You know, this is the film of my legacy, and I never want to be sitting in a theater looking up on the screen and seeing something that I don't believe in.' I will never do that.
Gina Prince-Bythewood
#99. I find it quite difficult on studio films because there are so many different executives and things like that that you have to go through, so very often getting that definitive opinion is actually quite difficult.
Keira Knightley
#100. I've always noticed that films set in any sort of future very rarely draw on the present.
Nicolas Roeg
