Top 37 Olafur Quotes
#1. Olafur Eliasson is also one of the most visionary artists I've ever met. He is from Denmark and Iceland, and his focus is nothing less than the entire universe.
Victor Pinchuk
#2. If I have the choice of traveling to Russia, India or New Zealand alone for a week for preliminary discussions or to spend that week with my family, I routinely choose my family.
Olafur Eliasson
#3. I demand what I deserve, so you can't call me Greedy.
Unknown
#4. There's five cameras, I don't know how many people in the audience ... depending on where we're taping, there can be anywhere from 300 to 5,000 people, so the contestants are nervous.
Vanna White
#5. I myself have already spent a third of my life in Germany, first in Cologne and then, since 1994, in Berlin.
Olafur Eliasson
#6. I think most people live in a space where they are looking for meaning in life and good in the world and that is not necessarily reflected in straight news coverage right now.
Daryn Kagan
#7. Intellectually he knows that the blood is being pressed to the back of his body, pooling in the back part of his cerebellum and flooding his kidneys. He hasn't done enough medical work to know what that means, but it can't be good.
James S.A. Corey
#8. I do not think making art alone makes it any better than making it with a team of people.
Olafur Eliasson
#9. Photographs have a relevance for things that cannot be said.
Olafur Eliasson
#10. Any altruistic system is inherently unstable, because it is open to abuse by selfish individuals, ready to exploit it.
Richard Dawkins
#11. For the sake of sanity, the brain and the eyes keep things simple. But take away the sense of sight and suddenly things are not so simple.
Olafur Eliasson
#12. In the New Testament church it says they were all amazed - And now in our churches everybody wants to be amused.
Leonard Ravenhill
#13. We must not have any reason to love someone, because where there is reason love dies with the change of that reason.
Debolina
#14. I think an artist has the potential to investigate both form and content within one activity, to show that there can be coherence between form and values in our society, as in thinking about a city and building one.
Olafur Eliasson
#15. The idea that God works in mysterious ways is rubbish. There's nothing mysterious about his ways. They're premeditated and slightly conniving, and they place you in an impossible situation.
Melina Marchetta
#16. To tax and to please, no more than to love and to be wise, is not given to men.
Edmund Burke
#17. It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.
Olafur Eliasson
#18. My goal is to formulate a new color theory based on the full spectrum of visible light.
Olafur Eliasson
#19. I am not opposed to the art market. I have lots of friends who are collectors. But the whole idea of the art market is complex. Sadly we have a situation where auction houses and secondary market dealers are creating a lot of confusion and unnecessary pollution.
Olafur Eliasson
#20. Look, Mom." He pointed to a desk in the corner of his room. "A real Pentium II. Not one of those slowpoke clones.
James Rollins
#21. I don't know a single collector or museum director who says: 'Oh, he's on a list, so I think I'll buy something of his.' The people who buy my art put a little more thought into it than that.
Olafur Eliasson
#22. Dying before you pay someone back is just plain rude.
Sara Wolf
#24. I see the artist as a participant, a co-producer of reality.
Olafur Eliasson
#25. He offers me his first smile of the day, and I'm suddenly glad he keeps that thing put away.
Kasie West
#26. Artists are valuable to public discussion: They show the correlation between doing and thinking.
Olafur Eliasson
#27. Comparison is the fastest way to take all the fun out of life.
Jen Sincero
#28. In the past Berlin was much more radical and extreme and now it's becoming much more of a conventional European city.
Olafur Eliasson
#29. By bringing Little Sun to Tate Modern and the London Olympics, I hope to realise an art project for those who typically have no access to global events of this scale.
Olafur Eliasson
#30. It would be wrong to say that the city of Berlin is not regulated. What I think is more interesting is to what extent a city creates a sort of safe haven for its users, so that people feel confident that the city works on their behalf.
Olafur Eliasson
#31. I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object.
Olafur Eliasson
#32. I was interested in how we engage the world. How do we use our skin as our eyes? If you read a cityscape or a landscape with just your mind, and not your body, it becomes like a picture or representation, not something you really engage with.
Olafur Eliasson
#33. I don't think you need to be so result-oriented when you're trying to define the success of an art work. I think we can allow some unpredictability.
Olafur Eliasson
#34. Why do we walk when we can fly by spreading the wings of our love?
Debasish Mridha
#36. Having an experience is taking part in the world. Taking part in the world is really about sharing responsibility.
Olafur Eliasson
#37. I want to expose and evaluate the fact that the seeing and sensing process is a system that should not be taken for granted as natural - it's a cultivated means of reality production that, as a system, can be negotiated and changed.
Olafur Eliasson
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