Misrach Quotes

#1. Despite the limitations and problems inherent to photographic representation (and especially the representation of politics), it remains for me the most powerful and engaging medium today - one central to the development of cultural dialogue.

Richard Misrach

#2. The heart of the wise inclines to the right, but the heart of a fool to the left.

Anonymous

#3. It is the heart that sees the primordial eternity of every creature.

Llewellyn Vaughan-Lee

#4. I've found that the men worth fucking are far more good-natured about the female body in its varied forms than is generally acknowledged. 'Naked and smiling' is one male friend's only (physical) requirement for a lover.

Cheryl Strayed

#5. You're damned if you can't forgive, Jude.

Clive Barker

#6. I was very sorry when I found out that your intentions were good and not what I supposed they were.

Sitting Bull

#7. I've come to believe that beauty can be a very powerful conveyor of difficult ideas.

Richard Misrach

#8. Nothing in life is sure, my son. Except the promise of death.

David Gemmell

#9. We have to confront ourselves. Do we like what we see in the mirror? And, according to our light, according to our understanding, according to our courage, we will have to say yea or nay - and rise!

Maya Angelou

#10. In spite of recent trends towards fabricating photographic narratives, I find, more than ever, traditional photographic capture, the 'discovery' of found narratives, deeply compelling.

Richard Misrach

#11. I am not unaware that I have the mindset, as contradictory as it may sound, to discover in the world what I am in fact looking for. Perhaps the best pictures are a seamless hybrid of discovery and construction.

Richard Misrach

#12. I think this is the most exciting time in the history of photography. Technology is expanding what photographers can do, like the microscope and the telescope expanded what scientists could do.

Richard Misrach

#13. Ordering is very important with essays, even if a reader doesn't read the essays or the poems in order through the book.

Pattiann Rogers

#14. To me, the work I do is a means of interpreting unsettling truths, of bearing witness, and of sounding an alarm. The beauty of formal representation both carries an affirmation of life and subversively brings us face to face with news from our besieged world.

Richard Misrach

#15. The action required to sustain human life is primarily intellectual; everything man needs has to be discovered by his mind and produced by his effort.

Ayn Rand

#16. Whatever else a photograph may be about, it is always about time.

Richard Misrach

#17. I'm not interested into victim photography. Photographing people suffering and putting it on a museum wall is too weird.

Richard Misrach

#18. There is no such thing as guilt-free eating.

Dan Barber

#19. People have responded to the pictures I make as mystical things, and they somehow carry the illusion further thinking that the place is this mystical, magical place. The desert is also a very barren place, a very lonely place, a very boring, uneventful place.

Richard Misrach

#20. The one thing that seems to be consistent through all my work that I like, and I experimented a lot, is the viewer is allowed to meditate on something that normally we don't stop and stare at, whether it's people or a cactus.

Richard Misrach

#21. Remember what we've been through. Remember what we came here for.

Leigh Bardugo

#22. Our experience with knowledge, the way we know things, is not that neat. It doesn't fit into a grand narrative, the way we've been taught to read.

Richard Misrach

#23. He can touch your soul. And there is a difference between having your heart break and having your soul shatter.

Cassandra Clare

#24. I try to stay focused on my life and do try not to be brought into the Hollywood fantasy.

Jennifer Connelly

#25. Man has too long forgotten that the earth was given to him for usufruct alone, not for consumption, still less for profligate waste.

George Perkins Marsh

#26. The desert ... may serve better as the backdrop for the problematic relationship between man and the environment. The human struggle, the successes ... both noble and foolish, are readily apparent in the desert. Symbols and relationships seem to arise that stand for the human condition itself.

Richard Misrach