Top 19 Kazuaki Tanahashi Quotes
#1. Notebooks allow for all kinds of record-keeping, and I kept one myself as a kid. I was attracted to mixing up words and pictures freely, since that's how I think.
Marissa Moss
#2. There are risks you can't afford to take and there are risks you can't afford NOT to take."
Elizabeth g. Arthur
Elizabeth G. Arthur
#3. The circle is a reminder that each moment is not just the present, but is inclusive of our gratitude to the past and our responsibility to the future.
Kazuaki Tanahashi
#4. To be thoroughly lazy is a tough job,
but somebody has to do it.
Industrious people build industry.
Lazy people build civilization.
Kazuaki Tanahashi
#5. A painting works only on the edge of not working. Then what is ungraspable comes near.
Kazuaki Tanahashi
#6. Each moment is a miracle encompassing everything: the joy and sorrow, the failure and success, the disappointment and happiness, the celebration and grief.
Kazuaki Tanahashi
#8. I said, 'Don, what's sustainable about feeding chicken to fish?'
Dan Barber
#10. If you are under control, you lose the danger of glimpsing an unknown realm.
Kazuaki Tanahashi
#11. Maybe, I think, when you've waited a long time to see something, you need to find your way to it in glimpses.
Laura Kasischke
#12. As soon as you accept the accidental effects, they are no longer accidents. They are necessity the part of yourself that you could not expect or design beforehand. Thus the realm of your creativity grows wider.
Kazuaki Tanahashi
#14. If you learn to enjoy waiting, you don't have to wait to enjoy.
Kazuaki Tanahashi
#15. The best classroom of all times was about two car lengths behind Juan Manuel Fangio.
Stirling Moss
#16. At the cross of Christ, God shows the full expression of both his wrath and his love, as Jesus is stricken, smitten, afflicted, wounded, crushed, and chastised for the sake of sinners.
David Platt
#17. We usually evaluate creative process in terms of how much feeling or thinking was behind the work or how well the work was done. Isn't there any other way of appreciating the process? What if the standard of excellence was how fully present the artist was during the process?
Kazuaki Tanahashi
#18. Best to get it off his chest. Own up like a man. Take his medicine. Cards on table. Beating about bush, none of. Mercy, throw himself on.
Terry Pratchett
#19. The enso contains the perfect and imperfect; that is why it is always complete.
Kazuaki Tanahashi
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