
Top 19 Jonathan Rosenbaum Quotes
#1. [On Jason Mashak's "I Was Trained to See Shadows", in his poetry book SALTY AS A LIP:] A nice bit of smooth, full-bodied, surreal story telling. I like it.
John Bennett
#2. He presented it with a length of string
and passed on to the statue of Corrupted Endeavor
to await the arrival of Autumn.
Edward Gorey
#3. Creative thought must always contain a random component.
Gregory Bateson
#4. My daughter is here in town doing a play, and her dog is staying with us. We live up in the hills, so he has access to thousands of acres of wilderness.
Rene Auberjonois
#5. In the Big Equation we are nothing - Except to each other.
Peter Rumens
#7. The best way to describe the sonic environment at the '98 CES is:
Imagine that the apocalypse took the form of a cocktail party.
David Foster Wallace
#8. Once you consent to some concession, you can never cancel it and put things back the way they are.
Howard Hughes
#9. We didn't invent the Grateful Dead, the crowd invented the Grateful Dead. We were just in line to see what was going to happen.
Jerry Garcia
#11. He who negates present society, and seeks social conditions based on the sharing of property, is a revolutionary whether he calls himself an anarchist or a communist.
Johann Most
#12. Just as Freud couldn't always be blamed for the Freudians, Bresson didn't always feel obliged to behave like a Bressonian.
Jonathan Rosenbaum
#15. I will go to the next election saying to Australians, vote for me, vote for the Liberal Party, and I will become your PM. So I'm offering myself as the alternative PM - that's one way people describe the Leader of the Opposition - but I'm not in politics for myself to realize a personal ambition.
Malcolm Turnbull
#16. Judging by the the movie's enduring popularity, the message that stupidity is redemption is clearly what a lot of Americans want to hear.
Jonathan Rosenbaum
#17. Whether these characters are lovable or detestable, they're lovable or detestable in a TV way - defined by a minimal set of traits that are endlessly reiterated and incapable of expansion or alteration, a fixed loop.
Jonathan Rosenbaum
#19. It's a sign of this film's greatness that the enormous sadness that accompanies the final leave-taking of the circus interior is a good deal more than the conclusion of an unpretentious evening's entertainments; it's a sublime and awesome coda to the career of one of this century's greatest artists.
Jonathan Rosenbaum
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