Top 29 Ian Hamilton Finlay Quotes
#2. Little Sparta is a garden in the traditional sense. It is perhaps not like other modern gardens, but I think that other times would have had no difficulty with it.
Ian Hamilton Finlay
#3. Certain gardens are described as retreats when they are really attacks.
Ian Hamilton Finlay
#4. People have always found me challenging - I don't know why, when I am only being myself. I don't understand why they find me so annoying but they do. It is pity, but that is how it is.
Ian Hamilton Finlay
#5. For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.
Ian Hamilton Finlay
#6. There is no describing the feeling of being mistreated by a successful rival in front of the woman you worship.
Leopold Von Sacher-Masoch
#7. Well, probably I was fed up with concrete poetry. There was a lot of bad concrete poetry and besides, it was confused with visual poetry which was completely different.
Ian Hamilton Finlay
#8. Women on the way up generally fail to win popularity contests. The only compensation is that once you're there you will become very well liked.
Lois Wyse
#9. I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time.
Ian Hamilton Finlay
#10. It is indubitable that Carol Mardus was the mother of the baby left in Mrs. Valdon's vestibule and that she was gravely disquieted to learn that I knew it and could demonstrate it.
Rex Stout
#11. But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in public settings. This was my idea, but of course I never really much got the chance to do it.
Ian Hamilton Finlay
#12. However, I don't feel the world is looking over my shoulder when I am working - I never think about this at all. What I think about is trying to make my work pure, and if it is pure then it can be accessible. It is quite straight forward really.
Ian Hamilton Finlay
#13. One night, I just woke up and I went, 'Killing Jesus.' And I believe, because I'm a Catholic, that comes from the Holy Spirit. My inspiration comes from that. And so I wrote 'Killing Jesus' because I think I was directed to write that.
Bill O'Reilly
#14. As a friendly one. I would still like to write concrete poems, but I can only do it sometimes.
Ian Hamilton Finlay
#15. I am always a beginner. I only try to include different parts of life; the pastoral, the tragic, et cetera.
Ian Hamilton Finlay
#16. But I can only write what the muse allows me to write. I cannot choose, I can only do what I am given, and I feel pleased when I feel close to concrete poetry - still.
Ian Hamilton Finlay
#18. If the work is pure then you have to think it could be understood. If it is not understood it doesn't mean that your work is not accessible. It doesn't worry me, but, of course, I would be pleased if people liked my work.
Ian Hamilton Finlay
#19. My position is that since the non-secular status of my garden is not recognised by the law; by the world of the public, then the garden can only be private. So, I closed the garden to the public.
Ian Hamilton Finlay
#20. Everybody naked, nobody happy. It's Scandinavian art porn.
Kelly Link
#21. No, I don't make my work in order to challenge or confuse other people's expectations - I only do what I find natural.
Ian Hamilton Finlay
#23. She was my dream; and if you touch a dream it vanishes, like a soap bubble.
Neil Gaiman
#24. As the future ripens in the past, so the past rots in the future
a terrible festival of dead leaves.
Anna Akhmatova
#25. The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.
Ian Hamilton Finlay
#26. I came to these mediums through having the garden, and of course, people who have designed gardens have always worked in collaboration, and never made their own inscriptions.
Ian Hamilton Finlay
#27. But you have to understand that I consider myself a very modest artist, or whatever, and not of importance really at all - it is quite embarrassing to me to be asked my opinion about things. I am only a wee Scottish poet on the outside of everything.
Ian Hamilton Finlay
#28. What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.
Ian Hamilton Finlay
#29. Evil stinks and it doesn't disappear just because you want it to. You can still smell it with your eyes closed.
Dan Groat
